Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

A sweeping historical adventure, set in 17th-century Morocco, from the bestselling author of Court of Lions. Morocco, 1677 The tyrannical King Ismail resides over the palace of Meknes. Through the sweltering heat of the palace streets, Nus Nus, slave to the king, is sent to the apothecary. There he discovers the bloody corpse of the herb man, and becomes entangled in a plot to frame him for the murder. Meanwhile, young, fair Alys Swann is captured during her crossing to England, where she is due to be wed. Sold into Ismail's harem, she is forced to choose: renounce her faith or die. An unlikely alliance develops between Alys and Nus Nus, one that will help them to survive the horrifying ordeals of King Ismail's court. Brimming with rich historical detail and peppered with real characters, from Charles I to Samuel Pepys, The Sultan's Wife is a story of enduring love and adventure. 'Jane Johnson writes the sort of books you want to tell everyone about ... I'm addicted' Katie Fforde 'An utterly compelling story' Stuart MacBride 'An irresistible page turner - I loved it' Barbara Erskine 'Full of intrigue, deceit, skulduggery and murder' Ben Kane

A highly entertaining and ingenious black comedy. Four elderly ladies have been'sharing their lives in Violet's rented house, pooling their pension books and sharing chores. After a mugging Violet dies, but Marge, Lottie and Doris omit to tell the authorities and leave Violet's body peacefully in the cemetery. However, Violet's granddaughter, Ronnie, arrives from Australia in search of her relative...6 women, 1 man

In Vienna of 1777, a gifted young pianist is sent to Doctor Mesmer in the hope that his unorthodox methods will cure her blindness. Mesmer's treatment is based on transferring a spiritual fluid that restores physical and mental harmony. To the disquiet of her parents, he insists that Maria stay in his house during treatment. Maria's sight is restored, but gossips read more into the relationship than that of doctor and patient. The treatment ends in scandal with most of Vienna convinced that Mesmer is a charlatan. Unable to see once again, Maria returns to her parents and resumes her career as the blind pianist. Mesmer leaves for Paris, still deeply committed to the his miraculous healing powers.-5 women, 3 men

All Groups

Drama

William Norfolk

Characters: 2 male, 6 female

Interior Set

Several years after her acquittal, Lizzie Borden is living with her sister and invites players from a touring company to reenact the circumstances of the crime. This imaginative play in style and construction enjoyed an extended professional run in Britain.

This book is about the intersection of storytelling and science. Recognizing that humans are hard-wired for narrative, this collection of new essays integrates the two in a special way to teach science in the K-6 classroom. As science education changes its focus to concepts that bridge various disciplines, along with science and engineering practices, storytelling offers opportunities to enhance the science classroom. Lesson plans are provided, each presenting a story, its alignment with science (Next Generation Science Standards), language arts (Common Core State Standards) and theater arts standards (National Core Arts Standards). Instructional plans include a rationale, preparation, activities and assessment.

Simon Norfolk's book Afghanistan; chronotopia is now recognised as a classic of photography. It establised Norfolk's reputation as one of the leading photographers in the world and has been exhibited in more than 30 venues worldwide. For the first time since 2001, Simon Norfolk has returned to the country. This time he follows in the footsteps of the Irish photographer John Burke, a superb, yet virtually unknown, war photographer whose eloquent and beautiful photographs of the Second Anglo-Afghan War (1878-1880) form a most extraordinary record. Using unwieldy wet-plate collodion negatives and huge wooden cameras Burke shot landscapes, battlefields, archaeological sites, street scenes, portraits of British officers and ethnological group portraits of Afghans in what amounts to a record of an Imperial encounter. The range of work is tremendously broad and yet suffused with a delicate humanism. These are also the first ever pictures made in Afghanistan. With this book, one hundred and thirty years too late, John Burke's time has at last come. Norfolk's new work looks at what happens when you add half a trillion US war dollars to an impoverished and broken country such as Afghanistan. Very loosely re-photographic in nature, the work is more of an 'Improvisation on a theme' by John Burke, and is presented as an artistic collaboration between Burke and Norfolk. It features photographs by Burke never before published as well as Norfolk's new pictures from Kabul and Helmand.

A haunting and beautiful limited edition book from the internationally respected photographer, Simon Norfolk. The war in Bosnia in the 1990s raised to common currency the terms 'ethnic cleansing,' and 'humanitarian intervention'. It brought back to Europe a barbarism not seen since the Second World War; and was the first war fought very much under the eyes of the media. It was also the first conflict fought by killers who knew, even before the war had finished, that a war crimes tribunal awaited them. Norfolk's photographs initially appear almost abstract. Yet through these still and beautiful images of ice, water, snow and the land, we can sense the arrogance of killers who believed they could conceal the brutal evidence of their crimes by reburying their victims in 'secondary graves'. But over time secrets escape, and the truth bleeds out.

An international best-seller and winner of the Somerset Maugham Prize, Lempriere's Dictionary is the debut novel from Lawrence Norfolk, one of England's most innovative, internationally acclaimed young authors. In eighteenth-century London, John Lempriere works feverishly on a celebrated dictionary of classical mythology that bears his name. He discovers a conspiracy against his family dating back 150 years. Told with the narrative drive of a political thriller and a Dickensian panorama of place and time, this astonishing tale encompasses the Great Voyages of Discovery, multinational financial conspiracies, and a motley cast of scholars and eccentrics, drunken aristocrats, whores and assassins, and octogenarian pirates, all brilliantly depicted across three continents and the world of classical mythology.

In this trickster tale from Africa, Anansi learns the value of being a good host. He also learns the truth of the old saying, what goes around, comes around.

This book is about the madness of everyday life under a dictatorship. It shifts in theme and time, testing the borderlines of prose and poetry, fiction and non-fiction, history and autobiography - all in the unassuming guise of a children's ABC. The Last Window-Giraffe is a playful and personal journey through the political unrest of the seventies and eighties. It was inspired by a Hungarian children's dictionary, entitled Window-Giraffe, which explained the whole world in simple terms; a world where everything was in order and all problems were easily solved.Popular across Europe for the best part of a decade, The Last Window-Giraffe is a politically infused rendition of the original: quirky, astute and powerful. Peter Zilahy draws on his travels around the 'soft dictatorships' of Eastern Europe, offering his acerbic observations on the often bizarre spectacle. In one instance, he describes the carnival-like protests against the Milosevic regime in Belgrade simply and humorously. This reflects, like the format of the book, the manner in which the regime treat their people like children. Filled with his own striking photographs, Zilahy gives fascinating insight into a whole other universe behind the Iron Curtain. The Last Window-Giraffe is one of the most unusual, beguiling books you will ever read."

BBC Four documentary chronicling the Flying Scotsman's journey along the Severn Valley Railway. As the locomotive travels through the English countryside from Bridgnorth to Kidderminster, cameras in the cab capture the driver, engineer and fireman on the footplate as they explain the inner workings of the famous train.