The inaugural volume in the new Spotlight poetry series, "Where Shadows Will" selects from twenty years of innovative poetry by writer, painter, and translator Norma Cole. Cole has been a fixture of the Bay Area scene since 1977, writing melodic and experimental poetry whose shadow-haunted landscapes embody an exploration of the relationship between language, self, and world. Cole was a member of the circle of poets around Robert Duncan and a fellow traveler of the language poets. Drawing on long out-of-print volumes and recent books--such as her acclaimed "Spinoza in Her Youth" (2002)--"Where Shadows Will" confirms Cole's place as a major avant-garde poet and a leading voice among contemporary women writers.

Win These Posters and Other Unrelated Prizes Inside opens with a foreword, an envoi laying out the concerns of the book. The book's rhythmic geography tracks a shadow epic with its "1400 Facts," aspects of feats, or anti-feats, events on the ground, but the hero/anti-hero is "you" & "I" & "we" and the narrative is "splinters of stars." Fact/fiction, the West/Middle East, present/past, surface/depths, sound/silence-- antinomies or continua? "More Facts" marks the question, "When// does the past/ begin?" What does it mean, "to be at war"? How do we measure agency or time? Compression, compassion, rigor, reduction, focus. By means of posters, messages, notices, announcements and images. The poems, linked to one another by motion, emotion, image, diction, consider questions & "facts" - what are facts? "It is the simple fact of one's own existence as possibility or potentiality." Giorgio Agamben, The Coming Community Ch.11] What are dreams? The book closes with "If I'm Asleep" --don't wake me.