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The success of One-Act Plays for Acting Students prompted this
follow-up book of twenty-eight contemporary short dramas by
nationally known playwrights. Each play has a production time of
ten to fifteen minutes, yet each script is a complete work -- no
cuttings. Most plays are for two actors -- one woman and one man.
Also included are plays for two women, two men, three actors and
monologs. No other play anthology offers as wide a selection of
characterizations. Twenty-three contemporary American playwrights
are represented, including William Borden, Julianne Bernsteln and
Bryan Harnetiaux. Also featured are sections on Securing Rights for
Your Production and Rehearsing the Play, a booklist of rehearsal
helps and a list of additional scripts by the anthology
playwrights. Plays are excellent for forensic competitions and
classroom use. Some of the plays include: I Wanna Be a Cowboy by
John Tuttle, Marla, You're On by Julianne Bernsteln, Hangman by
William Border, The Lemonade Stand by Bryan Harnetiaux, Help Me,
I'm Becoming My Mother! by Deanna Riley.
In the tradition of the medieval cycle plays performed for
education, enrichment, and entertainment, A New Corpus Christi:
Plays for Churches presents 25 short plays and skits with one or
two scripts for each of 21 events in the church year. The scripts
range from celebratory pieces to problem plays to liturgical dramas
to plays that call for no worship setting accouterments. The
scripts will also provide discussion starters for Sunday school
classes or small groups. And some of the plays might be grouped
together as programs on particular topics such as poverty and
homelessness or death and dying. This book also provides a resource
for university and seminary courses in liturgics and worship.
In the tradition of the medieval cycle plays performed for
education, enrichment, and entertainment, A New Corpus Christi:
Plays for Churches presents 25 short plays and skits with one or
two scripts for each of 21 events in the church year. The scripts
range from celebratory pieces to problem plays to liturgical dramas
to plays that call for no worship setting accouterments. The
scripts will also provide discussion starters for Sunday school
classes or small groups. And some of the plays might be grouped
together as programs on particular topics such as poverty and
homelessness or death and dying. This book also provides a resource
for university and seminary courses in liturgics and worship.
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