The Ella Fitzgerald Companion is a celebration of the woman who is arguably musical history's greatest singer of popular. An international superstar of jazz and popular music, Fitzgerald boasted astounding versatility and sophistication that covered the entire musical spectrum, and her combination of incredible vocal flexibility, precise diction and articulation, accurate improvising skills, and a huge repertoire remains unmatched. This guide to her sixty-year career-including her recordings, her important influences, and her collaborators-offers an overview of the evolution of American popular singing in the twentieth century through the lens of its greatest interpreter. Interspersed throughout the text are over eighty transcribed examples of recorded performances by Fitzgerald and a number of her influences, illuminating her genius in an unprecedented way. With accompanying discussions in both descriptive and musical language, this unique collection of transcriptions is accessible to musicians and non-musicians alike. Concluding the volume is a comprehensive discography of all the important Fitzgerald albums that have been re-issued to date on compact disc, offering the reader a practical way to become acquainted with one of the twentieth century's true musical pioneers.

Collection of films from pioneers of African-American cinema such as Oscar Micheaux, Spencer Williams and Zora Neale Hurston. The collection includes: 'Two Knights of Vaudeville' (1915), 'A Reckless Rover' (1918), 'Within Our Gates' (1920), 'The Symbol of the Unconquered - A Story of the KKK' (1920), 'By Right of Birth' (1921), 'Body and Soul' (1925), 'Screen Snapshots' (1920), 'Regeneration' (1923), 'The Flying Ace' (1926), 'Ten Nights in a Barroom' (1926), 'Rev. S.S. Jones Home Movies' (2016), 'The Scar of Shame ' (1927), 'Eleven P.M.' (1928), 'Hellbound Train' (1930), 'The Darktown Revue' (1931), 'The Exile' (1931), 'The Girl from Chicago' (1932), 'Ten Minutes to Live' (1932), 'Veiled Aristocrats' (1932), 'Birthright' (1939), 'The Bronze Buckaroo' (1939), 'Zora Neale Hurston Fieldwork Footage' (1928), 'Commandent Keeper Church, Beaufort South Carolina, May 1940' (1940), 'The Blood of Jesus' (1941), 'Dirty Gertie from Harlem U.S.A.' (1946) and 'Moses Sisters Interview Pearl Bowser' (1978).

In this Noel Coward comedy, cynical writer Rex Harrison asks a medium (Margaret Rutherford) to hold a seance in his house so he can collect material for his latest book. No one is more surprised than the medium when she inadvertently conjures up the ghost of Harrison's first wife (Kay Hammond). The ghost refuses to go away, preferring to taunt her less sophisticated replacement (Constance Cummings).

This book provides a practical, evidence-based overview of the supportive care of patients with urological failure, covering issues such as quality of life measurements, the role of the multidisciplinary team, and psychological and social support for patients, families and carers. The book focuses on chronic symptoms such as chronic prostatitis. It begins by looking at quality of life measurements, self-help strategies, the role of the interdisciplinary team, and psychological and social support. It then moves on to clinical chapters which cover issues such as patients who present with hematuria, urinary retention, urinary incontinence, neurological disease affecting the urinary tract, chronic prostatitis, and infertility; ending with a chapter on supportive care for the urology patient and family in the future. The book places a special emphasis on symptomatic interventions, particularly in the setting where the course of the illness cannot be modified.

Giving it his all, Gordon Sterling struggles to face the challenges and meet the demands for entry into the privileged world of academia. But graduate school is nothing like what he expected; it's a charade. Day to day, Sterling discovers more pretense and tyranny lying beneath the facade of the hallowed halls, where he is shocked to find the reason for the mysterious death of a fellow student. Sick with despair and disillusionment, he bolts from academia, but remains unfulfilled, tormented by nagging doubts about having left his true calling behind. Just as he is devastated by personal betrayal, Sterling seizes an unexpected opportunity to join SCA Institute, this time on the other side of the lectern as Professor of Psychology. He is not prepared for what awaits him. In fierce conflict with tenured Professor Beatrice Sinclair's power-driven world of academic grants and contracts - a world in which big time research money is everything and students hardly matter - Sterling finds himself entrenched in a battle for career survival against the threatening political machinations of a cartel-like buddy system of academic, government, and military officials. With pitifully insufficient experience in this manipulative world, Sterling fights for survival as his avowed antagonists reach ruthlessly into the upper echelons of the university's power structure to destroy him and to bury his ideals.

This book examines arranging methods and their applications. It is designed to be used in a jazz studies program and as a professional reference manual for musicians. The text begins with a historical overview of jazz band instruments and a study of their characteristics. The body of the text includes an examination of relevant terminology, notational devices, principles of theory, and arranging techniques.