Robert Zemeckis has risen to the forefront of American filmmaking with a string of successes: Romancing the Stone, Back to the Future I, II, & III, Who Framed Roger Rabbit?, Forrest Gump, and Castaway. Herein, Norman Kagan unlocks the mind behind the making of these diverse and groundbreaking hits-appraising each work's public and critical appeal while placing the films in the context of Zemeckis's career.

Understanding Comedy through College Comedies explains the nature of comedy through the study of college comedy films, including classics (College, The Freshman); romantic/screwball comedies (Where the Boys Are, Ball of Fire, Sterile Cuckoo); famous comedian comedies (Horse Feathers, The Nutty Professor, The Klumps); intergenerational college comedies (That's My Boy, Back to School, Old School); social comedies (The Graduate, Breaking Away, Risky Business); political comedies (Getting Straight, Strawberry Statement, Last Supper); ethnic comedies (School Daze, Soul Man, How High); and college farces (Charlie's Aunt, Animal House, Revenge of the Nerds, Slackers). In this book, Norman Kagan explains comic terminology, concepts, and theories, including Freud's "displaced sexual content" in Decline of the American Empires, Langer's "vitalism" in Slacker, Bergson's "anesthesia of the heart" in The Squid and the Whale, and Frye's "reversal of literary modes" in Storytelling. The reader will discover the reasons why they are laughing, new reasons to laugh, and new films that will provide new sources of laughter.

Romance Film is a critical history of significant romance films from Hollywood and abroad. Kagan discusses, among others, Marlene Dietrich in Blue Angel, Rita Hayworth in Gilda, Marlon Brando in A Streetcar Named Desire, Vivien Leigh in Gone with the Wind, Kate Winslet and Leonardo DiCaprio in Titanic, Julia Roberts in Pretty Woman, and Woody Allen in Annie Hall. Each chapter analyzes a type of lover, including the siren, rake, intriguer, dandy, innocent, coquette, charmer, charismatic, comic, and the self-destructive lover." The book discusses each type's continuities and the social forces and emotions that shape it. It also deals with films of first love-True Heart Susie (1930), Tarzan the Ape Man (1934), Picnic (1955), Rebel without a Cause (1955), The Sure Thing (1985), Dirty Dancing (1994), Titanic (1997)-and the ways in which youth discovers passion, frustration, and fulfillment.