Ralph Waldo Emerson battles dementia while debating whether to intercede in a Black soldier’s unjust arrest In 1879, toward the end of his life, the Sage of Concord has lost his words. Beset by aphasia and grief, Ralph Waldo Emerson is scarcely recognizable as America’s foremost essayist and orator. To the dismay of his wife, he frequently entertains the specters of his fellow transcendentalists, including Whitman, Thoreau, John Muir, and Margaret Fuller, and frets about the future of humankind and the natural world. Does the present displace the past? Do ideas always precede actions? What responsibility does each of us bear for the downtrodden, the preservation of liberty, and the Earth itself? These metaphysical concerns become concrete when Emerson meets a Black soldier accused of killing a white man who abused him. The soldier’s presence demands a response from Emerson, an action outside the parlors of philosophy and beyond the realm where language and logic hold sway. The Ice Harp, the tenth stand-alone book in The American Novels series, is a poignant portrayal of a literary luminary coming to terms with the loss of memory, the cost of inaction, and the end of life.

A young woman joins Susan B. Anthony, Elizabeth Cady Stanton, and Barnum's circus to rescue her infant from the KKK In the seventh stand-alone book of The American Novels series, Ellen Finch, former stenographer to Henry James, recalls her time as an assistant to Susan B. Anthony and Elizabeth Cady Stanton, heroes of America's woman suffrage movement, and her friendship with the diminutive Margaret, one of P. T. Barnum's circus "eccentrics." When her infant son is kidnapped by the Klan, Ellen, Margaret, and the two formidable suffragists travel aboard Barnum's train from New York to Memphis to rescue the baby from certain death at the fiery cross. A savage yet farcical tale, American Follies explores the roots of the women's rights movement, its relationship to the fight for racial justice, and its reverberations in the politics of today.

"A Fugitive in Walden Woods manages that special magic of making Thoreau's time in Walden Woods seem fresh and surprising and necessary right now. Norman Lock tells the story of Samuel Long, an escaped slave who encounters Thoreau, with insight and some welcome humor. This is a patient and perceptive novel, a pleasure to read even as it grapples with issues that affect the United States to this day."—Victor LaValle, author of The Ballad of Black Tom and The Changeling "Portraying the traumatic psychological aftershock not of war but of slavery provides a convincing and complex narrative of new hardships faced by escaped slave Samuel Long in Norman Lock's bold and enlightening novel A Fugitive in Walden Woods. It's an important novel that creates a vivid social context for the masterpieces of such writers as Thoreau, Emerson, and Hawthorne and also offers valuable insights about our current conscious and unconscious racism."—Sena Jeter Naslund, author of Ahab's Wife and The Fountain of St. James Court; or, Portrait of the Artist as an Old Woman Samuel Long escapes slavery in Virginia, traveling the Underground Railroad to Walden Woods where he encounters Henry David Thoreau, Ralph Waldo Emerson, Nathaniel Hawthorne, William Lloyd Garrison, and other transcendentalists and abolitionists. While Long will experience his coming-of-age at Walden Pond, his hosts will receive a lesson in human dignity, culminating in a climactic act of civil disobedience. Against this historical backdrop, Norman Lock's powerful narrative examines issues that continue to divide the United States: racism, privilege, and what it means to be free in America. Norman Lock is the author of, most recently, the short story collection Love Among the Particles, and three previous books in The American Novels series: The Boy in His Winter, a re-envisioning of Mark Twain's classic The Adventures of Huckleberry Finn, American Meteor, an homage to Walt Whitman and William Henry Jackson, and The Port-Wine Stain, an homage to Edgar Allan Poe and Thomas Dent Mütter. He lives in Aberdeen, New Jersey, where he is at work on the next books of The American Novels series.

"Mesmerizingly twisted, richly layered." --New York Times Book Review "[Norman Lock's fiction] shimmers with glorious language, fluid rhythms, and complex insights." --NPR In his third book of The American Novels series, Norman Lock recounts the story of a young Philadelphian, Edward Fenzil, who, in the winter of 1844, falls under the sway of two luminaries of the nineteenth-century grotesque imagination: Thomas Dent Mutter, a surgeon and collector of medical "curiosities," and Edgar Allan Poe. As Fenzil struggles against the powerful wills that would usurp his identity, including that of his own malevolent doppelganger, he loses his mind and his story to another. Norman Lock is the award-winning author of novels, short fiction, and poetry, as well as stage, radio, and screenplays. His recent works of fiction include the short story collection Love Among the Particles, a Shelf Awareness Best Book of the Year, and three books in The American Novels series: The Boy in His Winter, a reenvisioning of Mark Twain's classic The Adventures of Huckleberry Finn that Scott Simon of NPR's Weekend Edition hailed for "make[ing] Huck and Jim so real you expect to get messages from them on your iPhone"; American Meteor, an homage to Walt Whitman and William Henry Jackson named a Firecracker Award finalist and Publishers Weekly Best Book of the Year; and The Port-Wine Stain, an homage to Edgar Allan Poe and Thomas Dent Mutter. Lock lives in Aberdeen, New Jersey.

Walt Whitman and Louisa May Alcott meet the horrors of the Civil War as they minister to its casualties After the Union Army's defeat at Fredericksburg in 1862, Walt Whitman and Louisa May Alcott converge on Washington to nurse the sick, wounded, and dying. Whitman was a man of many contradictions: egocentric yet compassionate, impatient with religiosity yet moved by the spiritual in all humankind, bigoted yet soon to become known as the great poet of democracy. Alcott was an intense, intellectual, independent woman, an abolitionist and suffragist, who was compelled by financial circumstance to publish saccharine magazine stories yet would go on to write the enduring and beloved Little Women. As Lock captures the musicality of their unique voices and their encounters with luminaries ranging from Lincoln to battlefield photographer Mathew Brady to reformer Dorothea Dix, he deftly renders the war's impact on their personal and artistic development. Inspired by Whitman's poem "The Wound-Dresser" and Alcott's Hospital Sketches, the ninth stand-alone book in The American Novels series is a masterful dual portrait of two iconic authors who took different paths toward chronicling a country beset by prejudice and at war with itself.

"Topical, astonishing and provocative . . . a masterful collection." --"Shelf Awareness for Readers" (starred review)
" Lock's stories] are gems, rich in imagination and language . . . For all their convolutions of space and time, these stories are remarkably easy to follow and savor." --"Kirkus Reviews" (starred review)
"Mr. Hyde finally reveals his secrets to an ambitious journalist, unleashing unforeseen horrors. An ancient Egyptian mummy is revived in 1935 New York to consult on his Hollywood biopic. A Brooklynite suddenly dematerializes and passes through the internet, in search of true love..."
"Love Among the Particles" is virtuosic storytelling, at once a poignant critique of our romance with technology and a love letter to language. In a whirlwind tour of space, time, and history, Norman Lock creates worlds that veer wildly from the natural to the supernatural via the pre-modern, mechanical, and digital ages. Whether reintroducing characters from the pages of Robert Louis Stevenson, Mark Twain, Franz Kafka, and Gaston Leroux, or performing dizzying displays of literary pyrotechnics, these stories are nothing less than a compendium of the marvelous.
Norman Lock is the award-winning author of novels, short fiction, and poetry, as well as stage, radio, and screenplays. He has won The Dactyl Foundation Literary Fiction Award, "The Paris Review" Aga Khan Prize for Fiction, and writing fellowships from the New Jersey Council on the Arts, the Pennsylvania Council on the Arts, and the National Endowment for the Arts. He lives in Aberdeen, New Jersey.

"Make[s] Huck and Jim so real you expect to get messages from them on your iPhone." --SCOTT SIMON, NPR Weekend Edition "Brilliant...The Boy in His Winter is a glorious meditation on justice, truth, loyalty, story, and the alchemical effects of love, a reminder of our capacity to be changed by the continuously evolving world 'when it strikes fire against the mind's flint,' and by profoundly moving novels like this." --JANE CIABATTARI, NPR Launched into existence by Mark Twain, Huck Finn and Jim have now been transported by Norman Lock through three vital, violent, and transformative centuries of American history. As time unfurls on the river's banks, they witness decisive battles of the Civil War, the betrayal of Reconstruction's promises to the freed slaves, the crushing of Native American nations, and the electrification of a continent. Huck, who finally comes of age when he's washed up on shore during Hurricane Katrina, narrates the story as an older and wiser man in 2077, revealing our nation's past, present, and future as Mark Twain could never have dreamed it. The Boy in His Winter is a tour-de-force work of imagination, beauty, and courage that re-envisions a great American literary classic for our time. Norman Lock is the award-winning author of novels, short fiction, and poetry, as well as stage, radio, and screenplays. His recent works of fiction include the short story collection Love Among the Particles, a Shelf Awareness Best Book of the Year, and three books in The American Novels series: The Boy in His Winter, a re-envisioning of Mark Twain's classic The Adventures of Huckleberry Finn; American Meteor, an homage to Walt Whitman and William Henry Jackson named a Firecracker Award finalist and Publishers Weekly Best Book of the Year; and The Port-Wine Stain, a gothic psychological thriller featuring Edgar Allan Poe. Lock lives in Aberdeen, New Jersey.

A bankrupt merchant encounters Herman Melville and is pursued through the depths of Gilded Age Manhattan by a brutal antagonist In the sixth stand-alone book in The American Novels series, Shelby Ross, a merchant ruined by the depression of 1873-79, is hired as a New York City Custom House appraiser under inspector Herman Melville, the embittered, forgotten author of Moby-Dick. On the docks, Ross befriends a genial young man and makes an enemy of a despicable one, who attempts to destroy them by insinuating that Ross and the young man share an unnatural affection. Ross narrates his story to his childhood friend Washington Roebling, chief engineer of the soon-to-be-completed Brooklyn Bridge. As he is harried toward a fate reminiscent of Ahab's, he encounters Ulysses S. Grant, dying in a brownstone on the Upper East Side; Samuel Clemens, who will publish Grant's Memoirs; and Thomas Edison, at the dawn of the electrification of the city. Feast Day of the Cannibals charts the harrowing journey of a tormented heart during America's transformative age.

Fiction. "There are moments that remind me of Sax Rohmer or early 20th century science fiction, bits and pieces of language that seem to come out of Jules Verne or Gaston LeRoux. The language itself is quite stylized, replete with a carefully eccentric vocabulary that Lock does very well. He has an impressive ability to create a unique and original world"--Brian Evenson.

In Java, a master of the shadow-puppet theater seeks to possess-by his art-a woman, who perishes as though by the contagion of his unnatural desire. Shadowplay is a meditation on story-telling as an act of seizure, a parable of obsession and of the danger of confounding the real with its representations. *** "Stories compensate for lives unlived. They are what Norman Lock, or his avatar Guntur, calls shadows, negative reflections on a backlit screen, comprising, through artistry and brief illumination, ghosts. Lock's teller is imprisoned by darkness, captivated by warriors and princesses no longer, if ever, living. Death becomes a distance from which the voices of these unliving return. It is a journey as delicious as it is threatening." -R.M. Berry *** "Wise up and get all you can of Lock. His writing was written by a writer exquisite in the singularity (read for this "genius") of his utterance." -Gordon Lish *** "[Lock's] prose is melodial, and alert to every signal from the unseen." -Gary Lutz

Launched into existence by Mark Twain in 1835, Huck Finn and Jim have now been transported by Norman Lock through three vital, violent, and transformative centuries of American history. As time unfurls on the river s banks, they witness decisive battles of the Civil War, the betrayal of Reconstruction s promises to the freed slaves, the crushing of the Native American nations, and the electrification of a continent. Huck, who finally comes of age when he s washed up on shore during Hurricane Katrina, narrates the story as an older and wiser man in 2077, revealing our nation s past, present, and future as Mark Twain could never have dreamed it.

"The Boy in His Winter" is a tour de force work of imagination, beauty, and courage that reenvisions a great American literary classic for our time."

Launched into existence by Mark Twain in 1835, Huck Finn and Jim have now been transported by Norman Lock through three vital, violent, and transformative centuries of American history. As time unfurls on the river s banks, they witness decisive battles of the Civil War, the betrayal of Reconstruction s promises to the freed slaves, the crushing of the Native American nations, and the electrification of a continent. Huck, who finally comes of age when he s washed up on shore during Hurricane Katrina, narrates the story as an older and wiser man in 2077, revealing our nation s past, present, and future as Mark Twain could never have dreamed it.

"The Boy in His Winter" is a tour de force work of imagination, beauty, and courage that reenvisions a great American literary classic for our time."