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In perhaps his most important literary feat, Norman Mailer fashions
an unprecedented portrait of one of the great villains--and
enigmas--in United States history. Here is Lee Harvey Oswald--his
family background, troubled marriage, controversial journey to
Russia, and return to an "America waiting] for him like an angry
relative whose eyes glare in the heat." Based on KGB and FBI
transcripts, government reports, letters and diaries, and Mailer's
own international research, this is an epic account of a man whose
cunning, duplicity, and self-invention were both at home in and at
odds with the country he forever altered.
Praise for "Oswald's Tale"
" "
"America's largest mystery has found its greatest
interpreter."--"The Washington Post Book World"
"Mailer is fierce, courageous, and reckless and nearly everything
he writes has sections of headlong brilliance. . . . From the
American master conjurer of dark and swirling purpose, a moving
reflection."--Robert Stone, "The New York Review of Books"
" "
"A narrative of tremendous energy and panache; the author at the
top of his form."--Christopher Hitchens, "Financial Times"
" "
"The performance of an author relishing the force and reach of his
own acuity."--Martin Amis, "The Sunday Times "(London)
" "
Praise for Norman Mailer
" Norman Mailer] loomed over American letters longer and larger
than any other writer of his generation."--"The New York Times"
"A writer of the greatest and most reckless talent."--"The New
Yorker"
"Mailer is indispensable, an American treasure."--"The Washington
Post"
"A devastatingly alive and original creative mind."--"Life"
"Mailer is fierce, courageous, and reckless and nearly everything
he writes has sections of headlong brilliance."--"The New York
Review of Books"
"The largest mind and imagination in modern] American literature .
. . Unlike just about every American writer since Henry James,
Mailer has managed to grow and become richer in wisdom with each
new book."--"Chicago Tribune"
"Mailer is a master of his craft. His language carries you through
the story like a leaf on a stream."--"The Cincinnati Post"
One of the finest American novels ever written, Norman Mailer's classic account of the Philippines campaign of WW2.
Based on Mailer's own experience of military service in the Philippines during World War Two, The Naked and the Dead' is a graphically truthful and shattering portrayal of ordinary men in battle. First published in 1949, as America was still basking in the glories of the Allied victory, it altered forever the popular perception of warfare.
Focusing on the experiences of a fourteen-man platoon stationed on a Japanese-held island in the South Pacific during World War II, and written in a journalistic style, it tells the moving story of the soldiers' struggle to retain a sense of dignity amidst the horror of warfare, and to find a source of meaning in their lives amisdst the sounds and fury of battle.
About the author
Tim Madden, an unsuccessful writer with a penchant for nicotine,
alcohol and blondes with money, struggles towards consciousness
twenty-four days and nights after his wife has left him. He has a
bad case of alcohol amnesia, a fresh and throbbing tattoo and a car
drenched in blood. Just to make his hangover complete,
Provincetown's Chief of Police would like a quiet word... So begins
Madden's disquieting journey into the dark recesses of America's
psyche. TOUGH GUYS DON'T DANCE is Norman Mailer at his tough, raw
and uncompromising best. And Madden's tormented efforts to
reconstruct the missing hours of a terrible evening turn,
inevitably into fragments of the American Nightmare.
"The Faith is the bible of graffiti. It forever captures the
place, the time, and the writings of those of us who made it
happen." --Snake I
In 1973, author Norman Mailer teamed with photographer Jon Naar
to produce The Faith of Graffiti, a fearless exploration of the
birth of the street art movement in New York City. The book coupled
Mailer's essay on the origins and importance of graffiti in modern
urban culture with Naar's radiant, arresting photographs of the
young graffiti writers' work. The result was a powerful,
impressionistic account of artistic ferment on the streets of a
troubled and changing city--and an iconic documentary record of a
critical body of work now largely lost to history.
This new edition of The Faith of Graffiti, the first in more
than three decades, brings this vibrant work--the seminal document
on the origins of street art--to contemporary readers. Photographer
Jon Naar has enhanced the original with thirty-two pages of
additional photographs that are new to this edition, along with an
afterword in which he reflects on the project and the meaning it
has taken on in the intervening decades. It stands now, as it did
then, as a rich survey of a group of outsider artists and the body
of work they created--and a provocative defense of a generation
that questioned the bounds of authority over aesthetics.
Michael Mann's biopic Ali starring Will Smith, Jon Voight and Jamie Foxx opens on general release in January 2002. Read more about Muhammad Ali in the Penguin Modern Classic The Fight. With the real Muhammed Ali involved in the filmmaking, Ali takes us straight into the heart of the ring, the strategy sessions and straight into the mind and body of the man. Will Smith trained for a year before filming, transforming himself from a 185 pound actor to a 220 pound athlete. Norman Mailer's The Fight focuses on the 1975 World Heavyweight Boxing Championship in Kinshasa, Zaire. Muhammad Ali met George Foreman in the ring. Foreman's genius employed silence, serenity and cunning. He had never been defeated. His hands were his instrument, and 'he kept them in his pockets the way a hunter lays his rifle back into its velvet case'. Together the two men made boxing history in an explosive meeting of two great minds, two iron wills and monumental egos.
"This book is really two books. It is a biography, and it is also a
pictorial retrospective of an actress whose greatest love affair
was conceivably with the camera," wrote Norman Mailer in his 1973
biography, Marilyn. Now TASCHEN has paired Mailer's original text
with Bert Stern's photographs from the legendary Last
Sitting-widely considered the most intimate photographs of Monroe
ever taken-to create a fitting tribute to the woman who, at the
time of her death in 1962, was the world's most famous, a symbol of
glamour and eroticism for an entire generation. But though she was
feted and adored by her public, her private life was that of a
little girl lost, desperate to find love and security. Mailer's
Marilyn is beautiful, tragic, and complex. As Mailer reflects upon
her life-from her bleak childhood through to the mysterious
circumstances of her death-she emerges as a symbol of the bizarre
decade during which she reigned as Hollywood's greatest female
star. This book, conceived by Lawrence Schiller, Mailer's
collaborator on five works, combines the author's masterful text
with Stern's penetrating images of the 36-year-old Marilyn.
Photographed for Vogue magazine over three days at the Bel-Air
Hotel, Marilyn had never allowed such unfettered access, nor had
she looked so breathtakingly beautiful. Six weeks later,
mysteriously, she was dead. In this bold synthesis of literary
classic and legendary portrait-sitting, Mailer and Stern lift the
veils of confusion surrounding Monroe-the woman, the star, the sex
symbol-and offer profound insight into an iconic figure whose true
personality remains an enigma even today.
A time for greatness: Norman Mailer s game-changing coverage of
John F. Kennedy's presidential campaign With his Hollywood good
looks, boundless enthusiasm, and mesmeric media presence, John F.
Kennedy was destined to capture the imaginations of the more than
70 million Americans who watched the nation s first televised
presidential debate. Just days after beating out Richard Nixon by
the narrowest margin in history, Kennedy himself said, It was the
TV more than anything else that turned the tide. But one man begged
to differ: writer Norman Mailer, who bragged that his pro-Kennedy
treatise, Superman Comes to the Supermarket, had won the election
for Kennedy. Whether or not that was the case, the article,
published in Esquire magazine just weeks before polls opened, did
redefine political reporting and New Journalism with Mailer's
frank, first-person voice identifying Kennedy as the existential
hero who could awaken the nation from its postwar slumber and
conformist Eisenhower years. Now, TASCHEN reimagines this
no-holds-barred portrait of one of America s most revered
presidents on his path to the White House, publishing Mailer s
essay in book form with over 300 photographs that bring the
campaign and the candidate s family to life. These images were
captured by some of the great photojournalists of the day Cornell
Capa, Jacques Lowe, Paul Schutzer, Stanley Tretick, Hank Walker and
appear in this volume alongside many never-before-published photos
by Garry Winogrand and Burton Berinsky, providing a fascinating
look at the man who declared the 60s a time for greatness. "
On October 30, 1974, in Kinshasa, Zaire, at the virtual center of
Africa, two boxers were paid five million dollars apiece to
confront each other in an epic match. One was Muhammad Ali, who
vowed to reclaim the championship he had lost. The other was George
Foreman, who was as taciturn as Ali was voluble and who kept his
hands in his pockets "the way a hunter lays his rifle back into its
velvet case." Observing them both was Norman Mailer, whose grasp of
the titanic battle's feints and stratagems-and sensitivity to their
deeper symbolism-made his 1975 book The Fight a masterpiece of
sportswriting. Whether analyzing the fighters' moves, interpreting
their characters, or weighing their competing claims on the African
and American souls, Mailer was a commentator of unparalleled
acumen-and surely one of the few intrepid enough to accompany Ali
on a late-night run through the bush. Through The Fight he restores
our tarnished notions of heroism to a blinding gleam, and
establishes himself as a champion in his own right. Over four
decades after its original publication, this edition of The Fight
has been introduced and abridged by Mailer scholar J. Michael
Lennon and illustrated for the first time with principal
photography by the two men who captured Ali and Foreman in the ring
and in private like no one else: Neil Leifer and Howard L. Bingham.
Widely considered to be the greatest sports photographer of his
generation, Neil Leifer's vibrant color coverage dominates from
ringside. It also serves as a living testimony to the pageantry,
sheer physical power, and deep psychological interplay of the
fighters, their camps, and their controversial host, Zaire's
President Mobutu Sese Seko. Behind the scenes, meanwhile, Howard
Bingham was Ali's constant companion, documenting his every move
from the moment he stepped off the plane in Zaire, his daily
training regime, right through to the dressing room tension as he
prepared to face Foreman once and for all. Together with pictures
from other photojournalists, reproductions of Mailer's original
manuscript pages, and additional visual documentation of the media
frenzy surrounding the "Rumble in the Jungle," the result is a
dazzling tribute to The Champ and a vivid document of one of the
most epic, adrenaline-laced events in sporting history.
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Laura Meets Jeffrey (Paperback)
Jeffrey Micheson, Laura Bradley; Foreword by Norman Mailer
bundle available
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R503
Discovery Miles 5 030
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Ships in 10 - 15 working days
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A Real Life BDSM Memoir: Laura, 27, lingerie model whoring in a
fancy bordello to pay off her husband's gambling debt meets
Jeffrey, 33, Apple Records media wizard and creator of the
celebrated sex magazine, Puritan, and so begins this true shameless
hilarious erotic cyclone. "Funny, salacious, perversely-dare I say
it? Uplifting " From the Foreword bequeathed by Norman Mailer "One
of the best non-fiction works I've ever read." From the
Introduction by Legs McNeil
As Stephen Rojack, a decorated war hero and former congressman who
murders his wife in a fashionable New York City high-rise, runs
amok through the city in which he was once a privileged citizen,
Mailer peels away the layers of our social norms to reveal a world
of pure appetite and relentless cruelty. One part Nietzsche, one
part de Sade, and one part Charlie Parker, An American Dream grabs
the reader by the throat and refuses to let go.
Writers have long been attracted to boxing. Hemingway, Mailer,
Algren, Plimpton, Oates, and many others have stepped into the
ring--at least in spirit--to give voice to an otherwise wordless
sport, to celebrate that "sweet science," and to bear witness to
its romance and tragedy. In this acclaimed book, hailed by Norman
Mailer as an "impressive event," we are brought for the first time
into the ring for a close-up look at the "manly art" through the
eyes of Jose Torres, a man who was a great boxer himself. When
former light-heavyweight world champion Torres traded in his gloves
for a typewriter, boxing finally found its eyewitness.
In the classic "Sting Like a Bee," Torres turns his well-trained
eye on one of the most celebrated and controversial athletes of all
time: Muhammad Ali. In this penetrating view of Ali and the world
of prizefighting, told by a true insider and "boxing's Renaissance
man," Torres delivers exciting and explicit accounts of all of
Ali's major fights with the cool authenticity of one who has lived
it.
“Because democracy is noble, it is always endangered. Nobility, indeed, is always in danger. Democracy is perishable. I think the natural government for most people, given the uglier depths of human nature, is fascism. Fascism is more of a natural state than democracy. To assume blithely that we can export democracy into any country we choose can serve paradoxically to encourage more fascism at home and abroad.”—from Why Are We at War?
Why Are We at War? is an explosive argument about George W. Bush and his quest for empire. Norman Mailer, one of the greatest authors of our time, lays bare the White House’s position on why war in Iraq is necessary and justified. By scrutinizing the administration’s words and actions leading up to the current crisis, Mailer carefully builds his case that Bush is pursuing war not in the name of security or anti-terrorism or human rights but in an undeclared yet fully realized ambition of global empire.
Mailer unleashes his trademark moral rigor on an administration he believes is recklessly endangering our very notion of freedom and democracy. For more than fifty years, in classic works of both fiction and nonfiction, Mailer has persistently exposed the folly of the powerful and the mighty. Beginning with his debut masterpiece, The Naked and the Dead, Mailer has repeatedly told the truth about war and why men fight. Why Are We at War? returns Mailer to the subject he knows better than any other writer in America today: the gravity of the battlefield and the grand hubris of the politicians who send soldiers there to die.
Miami, Summer 1968. The Vietnam War is raging; Martin Luther King,
Jr., and Bobby Kennedy have just been assassinated. The Republican
Party meets in Miami and picks Richard Nixon as its candidate, to
little fanfare. But when the Democrats back Lyndon Johnson's
ineffectual vice president, Hubert Humphrey, the city of Chicago
erupts. Antiwar protesters fill the streets and the police run
amok, beating and arresting demonstrators and delegates alike, all
broadcast on live television, and captured in these pages by one of
America's fiercest intellects.
For many, the moon landing was the defining event of the twentieth
century. So it seems only fitting that Norman Mailer--the literary
provocateur who altered the landscape of American nonfiction--wrote
the most wide-ranging, far-seeing chronicle of the Apollo 11
mission. A classic chronicle of America's reach for greatness in
the midst of the Cold War, "Of a Fire on the Moon "compiles the
reportage Mailer published between 1969 and 1970 in "Life
"magazine: gripping firsthand dispatches from inside NASA's
clandestine operations in Houston and Cape Kennedy; technical
insights into the magnitude of their awe-inspiring feat; and
prescient meditations that place the event in human context as only
Mailer could.
Praise for "Of a Fire on the Moon"
" "
"The gift of a genius . . . a twentieth-century American epic--a
"Moby Dick "of space."--"New York"
" "
"Mailer's account of Apollo 11 stands as a stunning image of human
energy and purposefulness. . . . It is an act of revelation--the
only verbal deed to be worthy of the dream and the reality it
celebrates."--"Saturday Review"
"A wild and dazzling book."--"The New York Times Book
Review"
" "
"Still the most challenging and stimulating account of the]
mission to appear in print."--"The Washington Post"
" "
Praise for Norman Mailer
" Norman Mailer] loomed over American letters longer and larger
than any other writer of his generation."--"The New York Times"
"A writer of the greatest and most reckless talent."--"The New
Yorker"
"Mailer is indispensable, an American treasure."--"The Washington
Post"
"A devastatingly alive and original creative mind."--"Life"
"Mailer is fierce, courageous, and reckless and nearly everything
he writes has sections of headlong brilliance."--"The New York
Review of Books"
"The largest mind and imagination in modern] American literature .
. . Unlike just about every American writer since Henry James,
Mailer has managed to grow and become richer in wisdom with each
new book."--"Chicago Tribune"
"Mailer is a master of his craft. His language carries you through
the story like a leaf on a stream."--"The Cincinnati Post"
One of the first examples of "new journalism" daringly combines reportage with a novelistic style and garnered Mailer his first Pulitzer Prize and a National Book Award in 1968.
"The most daring, ambitious and by far the best written of the several very long, daring and ambitious books Norman Mailer has so far produced....Unlike just about every American writer since Henry James, Mailer has managed to grow and become richer in wisdom with each new book....There can no longer be any doubt that he possesses the largest mind and imagination at work in American literature today." CHICAGO TRIBUNE Narrated by Harry Hubbard, a second-generation CIA man, HARLOT'S GHOST looks into the depths of the American soul and the soul of Hugh Tremont Montague, code name Harlot, a CIA man obsessed. And Harry is about to discover how far the madness will go and what it means to the Agency and the country.... A Main Selection of the Book-of-the-Month Club
"Writing is spooky," according to Norman Mailer. "There is no
routine of an office to keep you going, only the blank page each
morning, and you never know where your words are coming from, those
divine words." In "The Spooky Art, "Mailer discusses with signature
candor the rewards and trials of the writing life, and recommends
the tools to navigate it. Addressing the reader in a conversational
tone, he draws on the best of more than fifty years of his own
criticism, advice, and detailed observations about the writer's
craft.
Praise for "The Spooky Art"
" "
""The Spooky Art "shows Mailer's brave willingness to take on
demanding forms and daunting issues. . . . He has been a thoughtful
and stylish witness to the best and worst of the American
century."--"The Boston Globe"
"At his best--as artists should be judged--Mailer is
indispensable, an American treasure. There is enough of his best in
this book for it to be welcomed with gratitude."--"The Washington
Post"
" "
" "The Spooky Art"] should nourish and inform--as well as
entertain--almost any serious reader of the novel."--Baltimore
"Sun"
"The richest book ever written about the writer's
subconscious."--"The Philadelphia Inquirer"
"Striking . . . entrancingly frank."--"Entertainment Weekly"
Praise for Norman Mailer
" Norman Mailer] loomed over American letters longer and larger
than any other writer of his generation."--"The New York Times"
"A writer of the greatest and most reckless talent."--"The New
Yorker"
"A devastatingly alive and original creative mind."--"Life"
"Mailer is fierce, courageous, and reckless and nearly everything
he writes has sections of headlong brilliance."--"The New York
Review of Books"
"The largest mind and imagination in modern] American literature .
. . Unlike just about every American writer since Henry James,
Mailer has managed to grow and become richer in wisdom with each
new book."--"Chicago Tribune"
"Mailer is a master of his craft. His language carries you through
the story like a leaf on a stream."--"The Cincinnati Post"
"From the Hardcover edition."
Advertisements for Myself is a comprehensive collection of the best
of Norman Mailer's essays, stories, interviews and journalism from
the Forties and Fifties, linked by anarchic and riotous
autobiographical commentary. Laying bare the heart of a witty,
belligerent and vigorous writer, this manifesto of Mailer's key
beliefs contains pieces on his war experiences in the Philippines
(the basis for his famous first novel The Naked and the Dead),
tributes to fellow novelists William Styron, Saul Bellow, Truman
Capote and Gore Vidal and magnificent polemics against pornography,
advertising, drugs and politics. Also included is his notorious
exposition of the phenomenon of the 'White Negro', the Beat
Generation's existentialist hero whose life, like Mailer's, is 'an
unchartered journey into the rebellious imperatives of the self'
In this wild battering ram of a novel, which was originally
published to vast controversy in 1965, Norman Mailer creates a
character who might be a fictional precursor of the
philosopher-killer he would later profile in "The Executioner's
Song." As Stephen Rojack, a decorated war hero and former
congressman who murders his wife in a fashionable New York City
high-rise, runs amok through the city in which he was once a
privileged citizen, Mailer peels away the layers of our social
norms to reveal a world of pure appetite and relentless cruelty.
One part Nietzsche, one part de Sade, and one part Charlie Parker,
"An American Dream "grabs the reader by the throat and refuses to
let go.
Praise for "An American Dream"
" "
"Perhaps the only serious New York novel since "The Great
Gatsby.""--Joan Didion, "National Review"
"A devil's encyclopedia of our secret visions and desires . . .
the expression of a devastatingly alive and original creative
mind."--"Life"
" "
"A work of fierce concentration . . . perfectly, and often
brilliantly, realistic with] a pattern of remarkable imaginative
coherence and intensity."--"Harper's"
" "
"At once violent, educated, and cool . . . This is our history as
Hawthorne might have written it."--"Commentary"
Praise for Norman Mailer
" Norman Mailer] loomed over American letters longer and larger
than any other writer of his generation."--"The New York Times"
"A writer of the greatest and most reckless talent."--"The New
Yorker"
"Mailer is indispensable, an American treasure."--"The Washington
Post"
"A devastatingly alive and original creative mind."--"Life"
"Mailer is fierce, courageous, and reckless and nearly everything
he writes has sections of headlong brilliance."--"The New York
Review of Books"
"The largest mind and imagination in modern] American literature .
. . Unlike just about every American writer since Henry James,
Mailer has managed to grow and become richer in wisdom with each
new book."--"Chicago Tribune"
"Mailer is a master of his craft. His language carries you through
the story like a leaf on a stream."--"The Cincinnati Post"
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