"My Love Affair with America" is more than the poignant recovery of lost time. Podhoretz uses his own experience to launch a strong defense of America and American values at a time when he fears that his fellow conservatives are in danger of following the path of the New Left into contempt for their native land. The gratitude Podhoretz feels for the United States is a challenge to the political Right as well as the Left.

From the bestselling author of "World War IV," a brilliant investigation of a central question in American politics and culture.
During his career as a neoconservative thinker, Norman Podhoretz has been asked no question more often than "Why are so many Jews liberals?" In this provocative book he sets out to solve this puzzle. He first offers a fascinating account of anti-Semitism in the West to show the historical roots of Jewish mistrust of the right. But, Podhoretz argues, since the Six Day War of 1967 Jewish allegiance to the left no longer makes sense, and yet most Jews continue supporting the Democratic Party and the liberal agenda. Reviewing the history of Jewish political attitudes and examining the available evidence, Podhoretz argues against the conventional explanations for Jewish liberalism--finally proposing his own.

Norman Podhoretz "is a thinker and writer and polemicist, a geopolitician and student of religious ideas, an autobiographer of genius, a man who reacts sharply to the news as it pours from the press and the airwaves, who thinks deeply, angrily, and sincerely about it, and commits his thoughts into vivid and penetrative argument."
So writes the eminent British historian Paul Johnson in his introduction to this indispensable collection of Norman Podhoretz's essays of the past fifty years. Organized by decade, these essays, fascinating in themselves, also add up to a running history of American literature and intellectual life in the second half of the twentieth century. From Vladimir Nabokov to Saul Bellow, from Ralph Ellison to Norman Mailer, from Hannah Arendt to Henry Kissinger, Podhoretz has dealt with the most important novelists and thinkers of the period. He has also turned his attention to such major European figures as Aleksandr Solzhenitsyn, George Orwell, and Isaiah Berlin, and his trenchant appraisals of both Americans and Europeans are as fresh and lively today as when they first appeared. Many of them have been unavailable for years, and will prove revelatory for first-time readers and longtime admirers alike.
The New York intellectuals, of whom Podhoretz is the archetype, loved to read and discuss literature, but they never stopped arguing about politics. Intertwined with the literary essays, "The Norman Podhoretz Reader" offers some of the best and most influential political essays written by anyone in our time. Through such classics as ""My" Negro Problem -- and Ours," his famous reassessments in "Why We Were in Vietnam," and his retrospective look at neoconservatism (of which he was one of the founding fathers), Podhoretz has led and changed opinion throughout his career.
In addition to all this, "The Norman Podhoretz Reader" includes self-contained excerpts from the books "Making It, Breaking Ranks," and "Ex-Friends" that demonstrate why Johnson calls Podhoretz "an auto- biographer of genius." Taken together, these readings provide a rich sample of the work of one of America's great contemporary men of letters -- an extraordinary writer who is equally comfortable discussing the Marquis de Sade and the Middle East, American foreign policy and theological disputes, and who brings the same vigor, intelligence, and literary grace to this amazingly broad range of subjects and issues.

A radical reinterpretation of the biblical prophets by one of America's most provocative critics reveals the eternal beauty of their language and the enduring resonance of their message.
Long before Norman Podhoretz became one of the intellectual leaders of American neoconservatism, he was a student of Hebrew literature and a passionate reader of the prophets of the Old Testament. Returning to them after fifty years, he has produced something remarkable: an entirely new perspective on some of the world's best-known works.
Or, rather, three new perspectives. The first is a fascinating account of the golden age of biblical prophecy, from the eighth to the fifth century B.C.E., and its roots in earlier ages of the ancient Israelite saga. Thus, like large parts of the Bible itself, "The Prophets" is a history of the Near East from the point of view of a single nation, covering not only what is known about the prophets themselves -- including Elijah, Amos, Isaiah, Jeremiah, and Ezekiel -- but also the stories of King David, King Saul, and how the ancient Israelites were affected by the great Near Eastern empires that surrounded them. Layered into this work of history is a piece of extraordinary literary criticism. Podhoretz's very close reading of the verse and imagery used by the biblical prophets restores them to the top reaches of the poetic pantheon, for these books contain, unequivocally, some of the greatest poetry ever written.
The historical chronicle and the literary criticism will transport readers to a time that is both exotic and familiar and, like any fine work of history or literature, will evoke a distinct and original world. But the third perspective of "The Prophets" is that of moral philosophy, and it serves to bring the prophets' message into the twenty-first century. For to Norman Podhoretz, the real relevance of the prophets today is more than the excitement of their history or the beauty of their poetry: it is their message. Podhoretz sees, in the words of the biblical prophets, a war being waged, a war against the sin of revering anything made by the hands of man -- in short, idolatry. In their relentless battle against idolatry, Podhoretz finds the prophets' most meaningful and enduring message: a stern warning against the all-consuming worship of self that is at least as relevant in the twenty-first century as it was three thousand years ago.
"The Prophets" will earn the respect of biblical scholars and the fascinated attention of general readers; its observations will be equally valued by believers and nonbelievers, by anyone with spiritual yearnings. Learned, provocative, and beautifully written, "The Prophets" is a deeply felt, deeply satisfying work that is at once history, literary criticism, and moral philosophy -- a tour de force.