The lifeline for all the writers collected here is the ocean's edge. Stephen Crane, Frank Stockton, Norman Duncan, Thomas Raddall, Alistair MacLeod, Silver Donald Cameron and others share blustering tales about ready ships and sailors longing to put to sea. The stories cover both modern and historical events.

One man's immigration to the Canadian Prairies in the early 1930s reveals the character of Canada today as sharply as it did long ago. In 1930, a young Jewish man, Yehuda Eisenstein, arrived in Canada from Poland to escape persecution and in the hopes of starting a new life for himself and his young family. Like countless other young European men who came to Canada from "non-preferred" countries, Yehuda was only granted entry because he claimed to be single, starting his Canadian life with a lie. He trusted that his wife and children would be able to follow after he had gained legal entry and found work. For years, Yehuda was given two choices: remain in Canada alone, or return home to Poland to be with his family. Who Gets In is author Norman Ravvin's pursuit of his grandfather's first years in Canada. It is a deeply personal family memoir born from literary and archival recovery. It is also a shocking critique of Canadian immigration policies that directly challenges Canada's reputation as a tolerant, multicultural country, a criticism that extends to our present moment, as war once again continues to displace millions from their homes.

Arguing that Jewish North American writing is too commonly discussed as part of the mainstream, neglecting the Jewish aspects of the works, Ravvin places the writing of Bellow, Richler, Cohen, West, Mandel, Roth, and Rosenfarb within the Jewish context that the works demand. Ravvin depicts a Jewish cultural landscape within which postwar writers contend with community and identity, continuity and loss, and highlights the way this particular landscape is entangled with broader literary and cultural traditions. He considers Bellow and West alongside apocalyptic narratives, discusses Cohen in relation to the counterculture, examines Mandel's postmodern view of history, and looks at autobiography and ethics in Roth and Rosenfarb. At once scholarly and poetic, A House of Words will appeal to the general reader of Canadian, American, and Jewish literature and history, as well as to specialists in these fields.