This volume brings together new studies and interdisciplinary research on the changing mediascapes in South Asia. Focusing on India, Pakistan, and Bangladesh, it explores the transformations in the sphere of cinema, television, performing arts, visual cultures, cyber space and digital media, beyond the traumas of the partitions of 1947 and 1971. Through wide-ranging essays on soft power, performance, film, and television; art and visual culture; and cyber space, social media, and digital texts, the book bridges the gap in the study of the postcolonial and post-Partition developments to reimagine South Asia through a critical understanding of popular culture and media. The volume includes scholars and practitioners from the subcontinent to foster dialogue across the borders, and presents diverse and in-depth studies on film, media and representation in the region. This book will be useful to scholars and researchers of media and film studies, postcolonial studies, visual cultures, political studies, partition history, cultural studies, mass media, popular culture, history, sociology and South Asian studies, as well as to media practitioners, journalists, writers, and activists.

This volume brings together new studies and interdisciplinary research on the changing mediascapes in South Asia. Focusing on India, Pakistan, and Bangladesh, it explores the transformations in the sphere of cinema, television, performing arts, visual cultures, cyber space and digital media, beyond the traumas of the partitions of 1947 and 1971. Through wide-ranging essays on soft power, performance, film, and television; art and visual culture; and cyber space, social media, and digital texts, the book bridges the gap in the study of the postcolonial and post-Partition developments to reimagine South Asia through a critical understanding of popular culture and media. The volume includes scholars and practitioners from the subcontinent to foster dialogue across the borders, and presents diverse and in-depth studies on film, media and representation in the region. This book will be useful to scholars and researchers of media and film studies, postcolonial studies, visual cultures, political studies, partition history, cultural studies, mass media, popular culture, history, sociology and South Asian studies, as well as to media practitioners, journalists, writers, and activists.

Focusing on the culturally and historically rich Siraiki-speaking region, often tagged as 'South Punjab', this book discusses the ways in which Siraiki creative writers have transformed into political activists, resisting the self-imposed domination of the Punjabi-Mohajir ruling elite. Influenced by Sufi poets, their poetry takes the shape of both protest and dialogue. This book reflects upon the politics of identity and the political complications which are a result of colonisation and later, neo-colonisation of Pakistan. It challenges the philosophy of Pakistan - a state created for Muslims - which is now taking the shape of religious fanaticism, while disregarding ethnic and linguistic issues such as that of Siraiki.

Focusing on the culturally and historically rich Siraiki-speaking region, often tagged as 'South Punjab', this book discusses the ways in which Siraiki creative writers have transformed into political activists, resisting the self-imposed domination of the Punjabi--Mohajir ruling elite. Influenced by Sufi poets, their poetry takes the shape of both protest and dialogue. This book reflects upon the politics of identity and the political complications which are a result of colonisation and later, neo-colonisation of Pakistan. It challenges the philosophy of Pakistan -- a state created for Muslims -- which is now taking the shape of religious fanaticism, while disregarding ethnic and linguistic issues such as that of Siraiki.

This book is based on a collection of academic responses towards 9/11 from South Asia. It questions certain theoretical notions by examining visual/artistic/cultural representations and film and argues against the stereotyping of identity. With the ongoing global war terror this book will have a global appeal particularly in USA and UK.

This book is based on a collection of academic responses towards 9/11 from South Asia. It questions certain theoretical notions by examining visual/artistic/cultural representations and film and argues against the stereotyping of identity. With the ongoing global war terror this book will have a global appeal particularly in USA and UK.