There is an adage that the Igbo have no kings. Farmers, Traders, Warriors, and Kings focuses on an area in Igboland where, contrary to this popular belief, Igbos not only have kings, but female kings. It is an area where women served as warriors and even married many wives. Women in Nsukka Division feature as prominent actors in a complex and diverse set of interactions, relationships, and manifestations unmatched elsewhere in Igboland. Thus, the author argues that researchers cannot adequately analyze the political landscape of Nsukka Division (or any other African society, for that matter) without investigating the central place of women and the female principle in the political world of the society. The author examines the political economic and religious structures that allowed women and the female principle to achieve measures of power and determines some of the ways they reacted and adjusted to the challenges of European rule. Such an investigation into the history of this gender dynamic yields important results for both African History and Women's Studies. Achebe explores the politics of gender and the evolution of female power over the first six decades of the 20th century. The time period, approximately 1900-1960, is important because it allows for the exploration of continuity and change in Nuskka women's activities, as well as the female principle, over three periods--late precolonial, colonial, and postcolonial Nigeria. She raises and answers questions relating to scholarship on women, sex, and gender in Africa by uncovering the complexities of the Igbo gender construct. The study argues that sex and gender did not coincide in northern Igboland. Consequently, women were ableto occupy positions that in other societies were exclusively monopolized by men, and men, those otherwise monopolized by women. Expanding on this premise, the author calls for a revision of traditional classifications of African women's activities that are defined strictly along sex lines. It reshapes conventional global frameworks by offering new theories that have the capacity to recognize African concepts such as female kings, female fathers, female sons, female husbands, female warriors, female warrant chiefs, and male priestesses.

The Igbo are one of the most populous ethnic groups in Nigeria and are perhaps best known and celebrated in the work of Chinua Achebe. In this landmark collection on Igbo society and arts, Toyin Falola and Raphael Chijioke Njoku have compiled a detailed and innovative examination of the Igbo experience in Africa and in the diaspora. Focusing on institutions and cultural practices, the volume covers the enslavement, middle passage, and American experience of the Igbo as well as their return to Africa and aspects of Igbo language, society, and cultural arts. By employing a variety of disciplinary perspectives, this volume presents a comprehensive view of how the Igbo were integrated into the Atlantic world through the slave trade and slavery, the transformations of Igbo identities and culture, and the strategies for resistance employed by the Igbo in the New World. Moving beyond descriptions of generic African experiences, this collection includes 21 essays by prominent scholars throughout the world.

An unapologetically African-centered monograph that reveals physical and spiritual forms and systems of female power and leadership in African cultures. Nwando Achebe's unparalleled study documents elite females, female principles, and female spiritual entities across the African continent, from the ancient past to the present. Achebe breaks from Western perspectives, research methods, and their consequently incomplete, skewed accounts, to demonstrate the critical importance of distinctly African source materials and world views to any comprehensible African history. This means accounting for the two realities of African cosmology: the physical world of humans and the invisible realm of spiritual gods and forces. That interconnected universe allows biological men and women to become female-gendered males and male-gendered females. This phenomenon empowers the existence of particular African beings, such as female husbands, male priestesses, female kings, and female pharaohs. Achebe portrays their combined power, influence, and authority in a sweeping, African-centric narrative that leads to an analogous consideration of contemporary African women as heads of state, government officials, religious leaders, and prominent entrepreneurs.

Nwando Achebe presents the fascinating history of an Igbo woman, Ahebi Ugbabe, who became king in colonial Nigeria. Ugbabe was exiled from Igboland, became a prostitute, traveled widely, and learned to speak many languages. She became a close companion of Nigerian Igala kings and the British officers who supported her claim to the office of headman, warrant chief, and later, king. In this unique biography, Achebe traces the roots of Ugbabe's rise to fame and fortune. While providing critical perspectives on women, gender, sex and sexuality, and the colonial encounter, she also considers how it was possible for this woman to take on the office and responsibilities of a traditionally male role.