Contemporary literature gathers in a commemorative site the remains of H/history and its own story by erecting literary tombs. Necrofiction and The Politics of Literary Memory argues that current narratives of the aftermath enable writers to honour the past while casting off its burdensome legacy, and to dismantle while reassembling affective, political, and aesthetic communities. The genre is defined and discussed in relation to other literary forms such as trauma writing, historical novels, archival narratives, biofiction, or field literature. Necrofiction fulfils in distinct ways the social and artistic function of an individual or collective act of remembrance of a lost family member or a historical figure. At the same time, it offers a creative space in which the authors can overcome the burden of literary tradition by incorporating existing models and devices into their own poetic art while as demonstrated by the works of five writers whose personal and artistic trajectories transcend political, cultural, and linguistic frontiers: Linda Le, Patrick Modiano, Assia Djebar, Patrick Chamoiseau, and Maylis de Kerangal. By examining the ways in which fiction both reflects and resists what Achille Mbembe has defined as "necropolitics," Necrofiction and The Politics of Literary Memory delves into the contentious yet intimate relationship between singular models of literary remembrance and the frameworks of hegemonic discourses.

Entre-Textes introduces advanced students of French to the richness of the Francophone world through literature from the Middle Ages to the 21st century. The course anthology is divided into fourteen modules, each of which pairs a classical text with a modern one. Students are guided to read works from different periods of time and cultural origin and consider how these echo, complement or question each other. Through comparing and contrasting the texts, students will develop a new approach to reading literature while simultaneously reinforcing linguistic and cultural competencies. Suitable for advanced students of French and featuring texts from across the French-speaking world, Entre-Textes is an innovative course anthology with a flexible structure and versatile methodology.

Entre-Textes introduces advanced students of French to the richness of the Francophone world through literature from the Middle Ages to the 21st century. The course anthology is divided into fourteen modules, each of which pairs a classical text with a modern one. Students are guided to read works from different periods of time and cultural origin and consider how these echo, complement or question each other. Through comparing and contrasting the texts, students will develop a new approach to reading literature while simultaneously reinforcing linguistic and cultural competencies. Suitable for advanced students of French and featuring texts from across the French-speaking world, Entre-Textes is an innovative course anthology with a flexible structure and versatile methodology.

"The Colonial Fortune" highlights the features of a paracolonial aesthetics emanating from a significant body of contemporary Hexagonal and non-metropolitan texts. Authored by writers who are either directly involved in the debate about the colonial past and its remanence (J. M. G. Le Clezio, Paule Constant, Edouard Glissant, Tierno Monenembo, Marie NDiaye, and Leila Sebbar) or who do not overtly manifest such concerns (Stephane Audeguy, Marie Darrieussecq, Regis Jauffret, Pierre Michon, and Claude Simon), these works create a shared imaginary space permeated by the symbolic, rhetorical, and conceptual presence colonialism in our postcolonial era. The paracolonial describes the phenomena of revival, resurgence, remanence, and residue - in other words, the permanence of the colonial in contemporary imagination. It also addresses the re-imagining, revisiting, and recasting of the colonial in current works of literature (fiction, autobiography, and essay). The idea of the colonial fortune emerges as an interface between our era's concerns with issues of fate, economics, legacy, and debt stemming from the understudied persistence of the colonial in today's political and cultural conversation, and literature's ways of making sense of them both sensorially and sensibly.