Emerging Perspectives on Akachi Adimora-Ezeigbo is a collection of 15 critical essays that highlights the literary contributions of Akachi Adimora-Ezeigbo as one of Nigeria's leading female writers. The book includes a literary biography, professional profile, and an interview with professor Adimora-Ezeigbo that offers valuable insight into her life and works. Contributing scholars provide critical and theoretical perspectives on Adimora-Ezeigbo's ouvre that represents a postcolonial lens to interpret the African world. Emerging Perspectives contextualizes Adimora-Ezeigbo's works of fiction, poetry, and drama within African, Nigerian, and Women's literary tradition. This collection builds upon critical and theoretical scholarship on leading African writers whose works comprise a dynamic and compelling genre of African writing that spans the post-independence era into the 21st century. The essays examine themes from Adimora-Ezeigbo's writing such as patriarchy, feminism, war, cultural traditions, and contemporary issues in Nigerian society such as trafficking, and many of the social, economic, and political challenges to Nigeria's development as a modern nation state.

Imagined or actual returns to a "homeland" in African literature are examined in relation to changing concepts of identity, belonging, migration and space. This special issue focuses on literary texts by African writers in which the protagonist returns to his/her "original" or ancestral "home" in Africa from other parts of the world. Ideas of return - intentional and actual - have been a consistent feature of the literature of Africa and the African diaspora: from Equiano's autobiography in 1789 to Chimamanda Ngozi Adichie's 2013 novel Americanah. African literature has represented returnees in a range of locations and dislocations including having a sense of belonging, being alienated in a country they can no longer recognize, or experiencing a multiple sense of place. Contributors, writing on literature from the 1970s to thepresent, examine the extent to which the original place can be reclaimed with or without renegotiations of "home". GUEST EDITORS: HELEN COUSINS, Reader in Postcolonial Literature at Newman University, Birmingham, UK; PAULINE DODGSON-KATIYO, was formerly Head of English at Newman University, Birmingham, UK, and Dean of the School of Arts at Anglia Ruskin University. Series Editor: Ernest Emenyonu is Professor of Africana Studies at the University of Michigan-Flint, USA. Reviews Editor: Obi Nwakanma

Examines some of the varied African literary responses to politics and social justice and injustice under colonialism/neocolonialism. In 1965, Chinua Achebe, in his classic essay "The Novelist as Teacher", declared that the "African past - with all its imperfections - was not one long night of savagery from which the early Europeans acting on God's behalf, delivered them." That assertion included a still reverberating sentiment shared by many of the first generation of African writers that it is possible to reclaim that distorted past creatively in order to show and understand "where andwhen the rain started beating Africa". Many genres and forms of literary and cultural production have recalled and recorded and reconfigured that past - many projecting a new confident African future defined by self-determination. The spectrum of that complex engagement, which encompasses critical issues in politics and social justice, provides the basis of this volume, which concludes with tributes to the life and works of Kofi Awoonor. Articles on: Binyavanga Wainaina + Ben Okri & Nationhood + J.M. Coetzee & the Philosophy of Justice + Isidore Okpewho & "Manhood" + Ngugi's Matigari & the Postcolonial Nation + Politics & Women in Irene Salami's MoreThan Dancing + Ayi Kwei Armah's The Resolutionaries Ernest Emenyonu is Professor of Africana Studies at the University of Michigan-Flint, USA; the editorial board is composed of scholars from US, UK and African universities Nigeria: HEBN