Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

"[John Baxter is] a man with a great appreciation of what makes Paris tick." -- Newsday A "flip book" featuring two classic novels of sexual exploration, translated from French by John Baxter (Immoveable Feast, We'll Always Have Paris): Octave Mirbeau's The Diary of a Chambermaid and Alfred de Musset's Gamiani, or Two Nights of Excess, classic erotic tales of pleasure and excess.

Sebastien Roch is a brilliantly drawn portrait of a boy's psychological, sexual and political coming of age in provincial France against the background of the Belle Epoque. We follow Sebastien as he enters a jesuit college as a natural, unspoiled innocent child and develops into a corrupt, disillusioned, tortured adolescent until his senseless death at the age of 21 on the battlefield.

It is a powerful finale to Mirbeau's trilogy of "angry young man" novels. The harrowing story of the perversion of innocence is offset by Mirbeau's lyrical descriptions, capturing in words the serene impressionism of Monet and the violent pornographic excesses of Feliciens Rops.

Part two of Octave Mirbeau's autobiographical trilogy, ABBE JULES tells of a priest's lifelong struggle with his passions. With the realism of Zola and the decadent vision of D'Aurevilly, and reflecting the impressionism of Monet, Pissaro and Van Gogh, Mirbeau's novel presents us with a small boy's vision of provincial France, where family, education and religion conspire to produce a petit bourgeois tortured by repressed desire, violent fantasies, and forbidden lusts.

Diese Hardcover-Ausgabe ist Teil der TREDITION CLASSICS. Der Verlag tredition aus Hamburg veroffentlicht in der Buchreihe TREDITION CLASSICS Werke aus mehr als zwei Jahrtausenden. Diese waren zu einem Grossteil vergriffen oder nur noch antiquarisch erhaltlich. Mit TREDITION CLASSICS verfolgt tredition das Ziel, tausende Klassiker der Weltliteratur verschiedener Sprachen wieder als gedruckte Bucher zu verlegen - und das weltweit Die Buchreihe dient zur Bewahrung der Literatur und Forderung der Kultur. Sie tragt so dazu bei, dass viele tausend Werke nicht in Vergessenheit geraten

Cette uvre (edition relie) fait partie de la serie TREDITION CLASSICS. La maison d'edition tredition, basee a Hambourg, a publie dans la serie TREDITION CLASSICS des ouvrages anciens de plus de deux millenaires. Ils etaient pour la plupart epuises ou uniquement disponible chez les bouquinistes. La serie est destinee a preserver la litterature et a promouvoir la culture. Avec sa serie TREDITION CLASSICS, tredition a comme but de mettre a disposition des milliers de classiques de la litterature mondiale dans differentes langues et de les diffuser dans le monde entier.

Octave Mirbeau, author of the classic satires 'The Torture Garden' and 'Diary of a Chambermaid' (the latter made into films by both Jean Renoir and Luis Bunuel), wrote this scathing novel on the cusp of the twentieth century. Driven mad by modern life, Georges Vasseur heads off for a rest cure. At a spa town, though, he encounters precisely those things he has been trying to escape: corrupt politicians, amnesiac coquettes, cheerfully sadistic killers, imperialist generals, and quack psychiatrists. Hypocrites are eternal, and not much has changed since Mirbeau wrote this acid portrait of his era."