The poetry of Odysseus Elytis owes as much to the ancients and Byzantium, as to the surrealists of the 1930s and the architecture of the Cyclades, bringing romantic modernism and structural experimentation to Greece. Collected here are the two speeches Elytis gave on his acceptance of the 1979 Nobel Prize for Literature, which are still strikingly relevant today. He addresses a hypertrophic and atrophic Europe in moral chaos, with as many coexisting values as languages-and to this he offers the "common language" that is found in poetry, in art, and in their base materials of sense, aesthetic, intuition. Ultimately, his is a powerful ode to beauty amid utilitarianism, and the need for poetry as "the art of approaching that which surpasses us" and "puts us at the threshold of the deepest truth".

When Odysseus Elytis was awarded the Nobel Prize for Literature, the Swedish Academy's citation singled out "The Axion Esti", first published in 1959, as 'one of twentieth-century literature's most concentrated and richly faceted poems.' It can be seen both as a secular oratorio, reflecting the Greek heritage and the country's revolutionary spirit, and also as a kind of autobiography, in which the spiritual roots of the poet's very individual sensibility are set in the wider philosophical context of the Greek tradition. In his evocation of eternal Greece, his vision of the war and its aftermath, and his concluding celebration of human life, Elytis is a true voice of our age A- a deeply personal lyric poet who speaks for humanity at large.

This representative selection from the work of one of modern Greece's most fascinating poets was made shortly after his award of the Nobel Prize for Literature in 1979. It is drawn from all periods of his distinguished career and traces his development from early surrealism, in which he transforms French influence into a distinct personal voice and mythology, through the dramatic style of "The Axion Esti" with its blend of spirituality and earthiness, up to the later work in which he experiments with new modes for expressing his perennial themes. The poems are chosen, introduced and mainly translated by the leading translators of modern Greek poetry, Edmund Keeley and the late Philip Sherrard, whose collaborations also included translations of Seferis, Cavafy and Sikelianos. Other contributors to the book include George Savidis, Nanos Valaoritis and John Stathatos.

"The Axion Esti" is probably the most widely read volume of verse to have appeared in Greece since World War II and remains a classic today. Those who follow the music of Greek composer Mikis Theodorakis have been especially drawn to Odysseus Elytis's work, his prose is widely considered a mirror to the revolutionary music of Theodorakis. The "autobiographical" elements are constantly colored by allusion to the history of Greece, thus, the poems express a contemporary consciousness fully resonant with those echoes of the past that have served most to shape the modern Greek experience.