Individuality in house-furnishing has seldom been more harped upon than at the present time. The cheap originality which finds expression in putting things to uses for which they were not intended is often confounded with individuality; whereas the latter consists not in an attempt to be different from other people at the cost of comfort, but in the desire to be comfortable in one's own way, even though it be the way of a monotonously large majority. It seems easier to most people to arrange a room like some one else's than to analyze and express their own needs. -from Chapter II: "Rooms in General" This classic 1898 manual of interior design is considered a standard reference of the art, and perfectly useful more than a century later. Here, renowned American architect OGDEN CODMAN, JR. (1863-1951) is joined by American author EDITH WHARTON (1862-1937), whose novels, including The House of Mirth (1905) and the Pulitzer Prize-winning The Age of Innocence (1920), took us into the wealthy-and tasteful-New York society she hailed from. Together, they offer timeless advice on such matters as: [ the importance of balance and symmetry [ how to avoid the superficial application of ornament [ the necessity of adhering to proportion [ the proper material for fireplace andirons [ the usages of cornices [ the decoration of windows [ and much, much more.

If novelist Edith Wharton and architect Ogden Codman Jr. had published their scholarly book, "The Decoration of Houses," today rather than 110 years ago, no doubt it would be a sumptuous coffee-table tome filled with glossy colored photos. But black-and-white sufficed nicely for this influential classic about architecture and design. This is a facsimile copy of the original.

Edith Wharton (born Edith Newbold Jones, January 24, 1862 - August 11, 1937) was a Pulitzer Prize-winning American novelist, short story writer, and designer. Her works: The Touchstone, 1900 The Valley of Decision, 1902 Sanctuary, 1903 The House of Mirth, 1905 Madame de Treymes, 1907 The Fruit of the Tree, 1907 Ethan Frome, 1911 The Reef, 1912 The Custom of the Country, 1913 Bunner Sisters, 1916 Summer, 1917 The Marne, 1918 The Age of Innocence, 1920 (Pulitzer Prize winner) The Glimpses of the Moon, 1922 A Son at the Front, 1923 Old New York, 1924 The Mother's Recompense, 1925 Twilight Sleep, 1927 The Children, 1928 Hudson River Bracketed, 1929 The Gods Arrive, 1932 The Buccaneers, 1938 Fast and Loose, 1938 (first novel, written in 1876-1877)

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

This scarce antiquarian book is a selection from Kessinger PublishingAcentsa -a centss Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for e

Individuality in house-furnishing has seldom been more harped upon than at the present time. The cheap originality which finds expression in putting things to uses for which they were not intended is often confounded with individuality; whereas the latter consists not in an attempt to be different from other people at the cost of comfort, but in the desire to be comfortable in one's own way, even though it be the way of a monotonously large majority. It seems easier to most people to arrange a room like some one else's than to analyze and express their own needs. -from Chapter II: "Rooms in General" This classic 1898 manual of interior design is considered a standard reference of the art, and perfectly useful more than a century later. Here, renowned American architect OGDEN CODMAN, JR. (1863-1951) is joined by American author EDITH WHARTON (1862-1937), whose novels, including The House of Mirth (1905) and the Pulitzer Prize-winning The Age of Innocence (1920), took us into the wealthy-and tasteful-New York society she hailed from. Together, they offer timeless advice on such matters as: [ the importance of balance and symmetry [ how to avoid the superficial application of ornament [ the necessity of adhering to proportion [ the proper material for fireplace andirons [ the usages of cornices [ the decoration of windows [ and much, much more.

The original text of The Decoration of Houses continues without revision as an authentic classic, perhaps the most important book of its kind ever published. Its carefully reasoned chapters on such aspects of house interiors as fireplaces, ceilings and floors, halls and stairs, are of the greatest value to professionals and serious amateurs concerned with interiors.

This expanded edition includes an introduction by Henry Hope Reed and three critical essays by John Barrington Bayley, William A. Coles, and Alvin Holm, AIA. Additions to the album of renderings and photographs of modern and contemporary work in the tradition of Wharton and Codman include a number of important works done in the last decade or so. A portfolio of color plates new to the expanded edition offers the work of such accomplished photographers as Bill Ray and Anne Day.