Manipulation of the past and forced erasure of memories have been global phenomena throughout history, spanning a varied repertoire from the destruction or alteration of architecture, sites, and images, to the banning or imposing of old and new practices. The present volume addresses these questions comparatively across time and geography, and combines a material approach to the study of memory with cross-disciplinary empirical explorations of historical and contemporary cases. This approach positions the volume as a reference-point within several fields of humanities and social sciences. The collection brings together scholars from different fields within humanities and social science to engage with memorialization and damnatio memoriae across disciplines, using examples from their own research. The broad chronological and comparative scope makes the volume relevant for researchers and students of several historical periods and geographic regions.

This study of the Tamil diaspora is one of the first full ethnographic studies of a postcolonial migrant community, and a major contribution to the study of migration, globalisation, identity politics and 'long distance' nationalism from an anthropological perspective. Fuglerud's study traces the history of Tamil migration, from the arrival of the economic migrants of the 1960s to the 'asylum seekers' of the mid 1980s onwards. He draws unnerving parallels between the status of the Tamil community in Sri Lanka, as a beleaguered and persecuted minority waging a war of liberation, and as a displaced, marginalised and excluded refugee community. Fuglerud argues that, in the process of displacement, particular aspects of Tamil culture - marriage, dowry, chastity and ritual - acquire a heightened significance. He examines the contradictions and inconsistencies which characterise the Tamil refugee communities, and the success of revolutionary Tamil nationalism in exile, highlighting the transnational nature of identity politics.

Despite the wide interest in material culture, art, and aesthetics, few studies have considered them in light of the importance of the social imagination - the complex ways in which we conceptualize our social surroundings. This collection engages the "material turn" in the arts, humanities, and social sciences through a range of original contributions on creativity in diverse global and contemporary social settings. The authors engage with everyday objects, art, rituals, and ethnographic exhibitions to analyze the relationship between material culture and the social imagination. What results is a better understanding of how the material embodies and influences our idea of the social world.

Despite the wide interest in material culture, art, and aesthetics, few studies have considered them in light of the importance of the social imagination - the complex ways in which we conceptualize our social surroundings. This collection engages the "material turn" in the arts, humanities, and social sciences through a range of original contributions on creativity in diverse global and contemporary social settings. The authors engage with everyday objects, art, rituals, and ethnographic exhibitions to analyze the relationship between material culture and the social imagination. What results is a better understanding of how the material embodies and influences our idea of the social world.