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The definitive study of Nikolai Yezhov's rise to become the chief of Stalin's secret police-and the dictator's "iron fist"-during the Great Terror Head of the secret police from 1937 to 1938, N. I. Yezhov was a foremost Soviet leader during these years, second in power only to Stalin himself. Under Yezhov's orders, millions of arrests, imprisonments, deportations, and executions were carried out. This book, based upon unprecedented access to Communist Party archives and Yezhov's personal archives, looks into the life and career of the enigmatic man who administered Stalin's Great Terror. J. Arch Getty and Oleg V. Naumov seek to answer a series of troubling questions. What kind of person calmly and efficiently sends thousands of innocent people to their deaths? What could prepare a man for such a role? How could a person whom acquaintances describe as friendly, pleasant, and even gallant carry out one of history's most horrifying campaigns of terror? The authors uncover the full details of Yezhov's rise to power and conclude that he was not merely Stalin's tool but a skillful maneuverer in his own right. The historical documents provide a thorough portrait of Yezhov and reveal a man of fanatical dedication to his leader and his party-a man who became a willing murderer. Readers will find his story chilling, the more so in our own times, when the impulse to terror that engulfed Yezhov seems neither surprising nor unfamiliar.
A history of Soviet repression of cultural and artistic life, based on remarkable archival documents never published in English before Leaders of the Soviet Union, Stalin chief among them, well understood the power of art, and their response was to attempt to control and directit in every way possible. This book examines Soviet cultural politics from the Revolution to Stalin's death in 1953. Drawing on a wealth of newly released documents from the archives of the former Soviet Union, the book provides remarkable insight on relations between Gorky, Pasternak, Babel, Meyerhold, Shostakovich, Eisenstein, and many other intellectuals, and the Soviet leadership. Stalin's role in directing these relations, and his literary judgments and personal biases, will astonish many. The documents presented in this volume reflect the progression of Party control in the arts. They include decisions of the Politburo, Stalin's correspondence with individual intellectuals, his responses to particular plays, novels, and movie scripts, petitions to leaders from intellectuals, and secret police reports on intellectuals under surveillance. Introductions, explanatory materials, and a biographical index accompany the documents.
Now updated with new facts, and abridged for use in Soviet history courses, this gripping book assembles top secret Soviet documents, translated into English, from the era of Stalin's purges. The dossiers, police reports, private letters, secret transcripts, and other documents expose the hidden inner workings of the Communist Party and the dark inhumanity of the purge process. " This] book will be of great value to students of the Terror and . . . the material, such as Bukharin's last letter, is astounding."--Michael J. Ybarra, "Wall Street Journal ""It will be indispensable for all historians and researchers of communism, the USSR, and Stalinism for many decades to come."--Roy A. Medvedev, author of "Let History Judge"
"It is thus important to a) fundamentally purge the Finance and
Gosbank bureaucracy, despite the wails of dubious Communists like
Briukhanov-Piatakov; b) definitely shoot two or three dozen
wreckers from these apparaty, including several dozen common
cashiers."-- J. Stalin, no earlier than 6 August 1930
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