Presenting the 1937 diaries of John F. Kennedy's tour of Europe, this volume offers insights into his early experiences on a continent under the shadow of Nazism. In 1937, while still a student, John F. Kennedy undertook a grand tour of Europe with his close friend and travelling companion, Lem Billings. On this journey he began to keep a diary which is reproduced here in full and provides an unadulterated account of his thoughts and feelings. Superficially, it presents a picture of two young men enjoying their summer, sightseeing, going to the movies, bars and night clubs; but behind this we find, in Kennedy’s political observations and encounters, the looming shadow of Nazism. In retrospect there are blind spots and misjudgments, but also insights of great topicality, for example on populism, and propaganda and its potent effects. On this trip and during his later travels in Germany, Kennedy engaged with the crucial questions of his later presidency: How does a dictatorship work? How is an alternative concept of society to be countered? And how can an impending war be averted? Kennedy's European and Russia policy and also his famous Berlin speech of 1963 ("Ich bin ein Berliner") are to be understood against this background. In addition to numerous archive photographs, this volume contains Kennedy's complete diary of his 1937 trip to Europe and, as a counterpart, the ‘Scrapbook’ of Lem Billings who documented it from his perspective.

Presenting the 1937 diaries of John F. Kennedy's tour of Europe, this volume offers insights into his early experiences on a continent under the shadow of Nazism. In 1937, while still a student, John F. Kennedy undertook a grand tour of Europe with his close friend and travelling companion, Lem Billings. On this journey he began to keep a diary which is reproduced here in full and provides an unadulterated account of his thoughts and feelings. Superficially, it presents a picture of two young men enjoying their summer, sightseeing, going to the movies, bars and night clubs; but behind this we find, in Kennedy’s political observations and encounters, the looming shadow of Nazism. In retrospect there are blind spots and misjudgments, but also insights of great topicality, for example on populism, and propaganda and its potent effects. On this trip and during his later travels in Germany, Kennedy engaged with the crucial questions of his later presidency: How does a dictatorship work? How is an alternative concept of society to be countered? And how can an impending war be averted? Kennedy's European and Russia policy and also his famous Berlin speech of 1963 ("Ich bin ein Berliner") are to be understood against this background. In addition to numerous archive photographs, this volume contains Kennedy's complete diary of his 1937 trip to Europe and, as a counterpart, the ‘Scrapbook’ of Lem Billings who documented it from his perspective.

Alexander von Humboldt explored the Spanish Empire on the verge of its collapse (1799-1804). He is the most significant German travel writer and the most important mediator between Europe and the Americas of the nineteenth century. His works integrated knowledge from two dozen domains. Today, he is at the center of debates on imperial discourse, postcolonialism, and globalization. This collection of fifty essays brings together a range of responses, many presented here for the first time in English. Authors from Schiller, Chateaubriand, Sarmiento, and Nietzsche, to Robert Musil, Kurt Tucholsky, Ernst Bloch, and Alejo Carpentier paint the historical background. Essays by contemporary travel writers and recent critics outline the current controversies on Humboldt. The source materials collected here will be indispensable to scholars of German, French, and Latin and North American literature as well as cultural and postcolonial studies, history, art history, and the history of science.

Alexander von Humboldt (1769-1859) was a world traveler, bestselling writer, and versatile researcher, a European salon sensation, and global celebrity. Yet the enormous literary echo he generated has remained largely unexplored. Humboldt inspired generations of authors, from Goethe and Byron to Enzensberger and Garcia Marquez, to reflect on cultural difference, colonial ideology, and the relation between aesthetics and science. This collection of one-hundred texts features tales of adventure, travel reports, novellas, memoirs, letters, poetry, drama, screenplays, and even comics-many for the first time in English. The selection covers the foundational myths and magical realism of Latin America, the intellectual independence of Emerson, Thoreau, Poe, and Whitman in the United States, discourses in Imperial, Weimar, Nazi, East, and West Germany, as well as recent films and fiction. This documented source book addresses scholars in cultural and postcolonial studies as well as readers in history and comparative literature.

Neben seinen Grosswerken hat Alexander von Humboldt (1769-1859) auch ein umfangreiches publizistisches OEuvre veroeffentlicht: uber 750 verschiedene Aufsatze, Artikel, Essays in Zeitungen und Zeitschriften und als Beitrage zu den Werken anderer Autoren. Rund 40 davon sind auch in russischer Sprache erschienen, vor allem im Anschluss an Humboldts Reise durch Zentral-Asien 1829. Es handelt sich um eine Erzahlung, Reiseberichte und Briefe sowie Fachaufsatze zum Beispiel zur russischen Geologie. Sie werden in dieser Edition erstmals gesammelt und nach den historischen Originalen wiedergegeben.

"Even now," wrote Christopher Isherwood in his "Berlin Diary" of 1933, "I can't altogether believe that any of this has really happened." Three years later, W. E. B. DuBois described Germany as "silent, nervous, suppressed; it speaks in whispers." In contrast, a young John F. Kennedy, in the journal he kept on a German tour in 1937, wrote, "The Germans really are too good--it makes people gang against them for protection."
Drawing on such published and unpublished accounts from writers and public figures visiting Germany, "Travels in the Reich" creates a chilling composite portrait of the reality of life under Hitler. Written in the moment by writers such as Virginia Woolf, Isak Dinesen, Samuel Beckett, Jean-Paul Sartre, William Shirer, Georges Simenon, and Albert Camus, the essays, letters, and articles gathered here offer fascinating insight into the range of responses to Nazi Germany. While some accounts betray a distressing naivete, overall what is striking is just how clearly many of the travelers understood the true situation--and the terrors to come.
Through the eyes of these visitors, "Travels in the Reich" offers a new perspective on the quotidian--yet so often horrifying--details of German life under Nazism, in accounts as gripping and well-written as a novel, but bearing all the weight of historical witness.