Despite the large number of regional and global summits there is very little known about the functioning and impact of this particular type of diplomatic practice. While recognizing that the growing importance of summits is a universal phenomenon, this volume takes advantage of the richness of the Americas experiment to offer a theoretically grounded comparative analysis of contemporary summitry. The book addresses questions such as: How effective have summits been ? How have civil society and other non-state actors been involved in summits? How have summits impacted on the management of regional affairs? Filling a significant void in the literature, this volume offers an original contribution helping to understand how summitry has become a central feature of world politics. It will be of great interest to students and scholars of diplomacy, international organizations, and global/regional governance.

Despite the large number of regional and global summits there is very little known about the functioning and impact of this particular type of diplomatic practice. While recognizing that the growing importance of summits is a universal phenomenon, this volume takes advantage of the richness of the Americas experiment to offer a theoretically grounded comparative analysis of contemporary summitry. The book addresses questions such as: How effective have summits been ? How have civil society and other non-state actors been involved in summits? How have summits impacted on the management of regional affairs? Filling a significant void in the literature, this volume offers an original contribution helping to understand how summitry has become a central feature of world politics. It will be of great interest to students and scholars of diplomacy, international organizations, and global/regional governance.

This book explores street art's contributions to democracy in Latin America through a comparative study of five cities: Bogota (Colombia), Sao Paulo (Brazil), Valparaiso (Chile), Oaxaca (Mexico) and Havana (Cuba). The author argues that when artists invade public space for the sake of disseminating rage, claims or statements, they behave as urban citizens who try to raise public awareness, nurture public debates and hold authorities accountable. Street art also reveals how public space is governed. When local authorities try to contain, regulate or repress public space invasions, they can achieve their goals democratically if they dialogue with the artists and try to reach a consensus inspired by a conception of the city as a commons. Under specific conditions, the book argues, street level democracy and collaborative governance can overlap, prompting a democratization of democracy.

This book explores street art's contributions to democracy in Latin America through a comparative study of five cities: Bogota (Colombia), Sao Paulo (Brazil), Valparaiso (Chile), Oaxaca (Mexico) and Havana (Cuba). The author argues that when artists invade public space for the sake of disseminating rage, claims or statements, they behave as urban citizens who try to raise public awareness, nurture public debates and hold authorities accountable. Street art also reveals how public space is governed. When local authorities try to contain, regulate or repress public space invasions, they can achieve their goals democratically if they dialogue with the artists and try to reach a consensus inspired by a conception of the city as a commons. Under specific conditions, the book argues, street level democracy and collaborative governance can overlap, prompting a democratization of democracy.