This book explores the role of national theatres, national cultural centres, cultural policy, festivals, and the film industry as creative and cultural performances hubs for exercising soft power and cultural diplomacy. It shows how can existing cultural and non-cultural infrastructures, sometimes referred to as the Orange Economy, open opportunities for diplomacy and soft power; ways by which cultural performance and creative practice can be re-centered in post-colonial Africa and in post-global pandemic era; and existing structures that cultural performers, diplomats, administrators, cultural entrepreneurs, and managers can leverage to re-enact cultural performance and creative practice on the continent. This volume is positioned within postcolonial discourse to amplify narratives, experiences and realities that are anti-oppressive especially within critical discourse.

Religion and Global Politics: Soft Power in Nigeria and Beyond examines the deployment of religious soft power in African states and the potential this has for transforming perceptions of the continent. The contributors refocus the attention on religion away from the 'misery' discourse of conflict and violence towards the domain of international relations, diplomacy, and foreign policy in Africa. Through this shift, the chapters analyze the ways in which religion has impacted the external relations of African states. Religion and Global Politics introduces the theme of religion to the discourse of African international relations and politics to provide a thorough examination of religion's influence on politics in the daily lives of African people.

This book is about Big Brother Naija (BBN), which is a Nigerian version of the Big Brother franchise featured in more than 50 countries of the world with its major concept drawn from George Orwell's novel, Nineteen Eigther-Four. It is organised and starred by Nigerians but viewed in many parts of the world. The book critically engages this relatively new phenomenon in Nigeria which apparently lacks scholarly attention. It proffers insights into the show's significance and implications for the nation with relation to mental health, morality, cultural diplomacy, diasporic relations, economic diplomacy, law and human relations and power dynamics.

This book discusses the phenomenon of regional integration in Africa and the ensuing discourse on the intercontinental free trade agreement within the continent. Long before the move for the facilitation of free trade in Africa, freedom of movement by Africans within Africa backed up by the AU Protocol on free movement of persons has been in existence and in one way or the other both moves are closely related. The book explores the existing relationships between the ECOWAS Protocol on free movement, goods and services and AfCFTA on one hand and the impact of the implementation and non-implementation of these policies on West Africa on the other hand.

This book explores the role of national theatres, national cultural centres, cultural policy, festivals, and the film industry as creative and cultural performances hubs for exercising soft power and cultural diplomacy. It shows how can existing cultural and non-cultural infrastructures, sometimes referred to as the Orange Economy, open opportunities for diplomacy and soft power; ways by which cultural performance and creative practice can be re-centered in post-colonial Africa and in post-global pandemic era; and existing structures that cultural performers, diplomats, administrators, cultural entrepreneurs, and managers can leverage to re-enact cultural performance and creative practice on the continent. This volume is positioned within postcolonial discourse to amplify narratives, experiences and realities that are anti-oppressive especially within critical discourse.