A leading figure in the world of networked culture explores the artists and events that defined the mass medium of our time Since 1989, the year the World Wide Web was born, the art world has grappled with the rise of networked culture. This unprecedented survey of the artists and innovators in this area from 1989 to today is interwoven with the personal narrative of one of the leading voices on the digital world. In this book, Omar Kholeif, whose prolific career parallels the growth of the internet, tells the story of this mass medium and how it has fostered new possibilities for artists, both analog and digital. The book showcases work spanning a range of media from legendary artists including Lawrence Abu Hamdan, Lynn Hershman Leeson, Nam June Paik, Heather Phillipson, and Wu Tsang. Tracing the key artists and innovators from the emergence of browser-based art to the dawn of NFTs, this is a tale for the present and the future.

With the birth of contemporary museum culture and the advent of digital technologies, the 21st century has brought a whole new means by which to access art and its histories. How do we re-map the realm of contemporary art in light of a more inclusive awareness, taking into account the unprecedented global movements of artists today and representing the divergent histories of geographies that were once peripheral? The Artists Who Will Change the World is a new global map of art that points to the future. Unlike a traditional atlas, its cartography illustrates a world of international artists who may not yet be household names, but who will undoubtedly shape the art of tomorrow. Omar Kholeif provides an introductory field guide to what some of the most urgent contemporary artists are doing worldwide. These are artists whose work engages with the aesthetics of technology and the issues of tomorrow; artists who are developing concepts rarely tested before, or who are engaging with politics in new ways. The book is a journey of discovery that will influence generations of artists and art lovers to come.

Artists and writers examine the bombardment of information, misinformation, emotion, deception, and secrecy in online and offline life in the post-digital age. Every day we are bombarded by information, misinformation, emotion, deception, and secrecy in our online and offline lives. How does the never-ending flow of data affect our powers of perception and decision making? This richly illustrated and boldly designed collection of essays and artworks investigates visual culture in the post-digital age. The essays, by such leading cultural thinkers as Douglas Coupland and W. J. T. Mitchell, consider topics that range from the future of money to the role of art in a post-COVID-19 world; from mental health in the digital age to online grieving; and from the mediation of visual culture to the thickening of the digital sphere. Accompanying an ambitious exhibition conceived by the Sharjah Art Foundation and volume editor and curator Omar Kholeif, the book is a work of art and a labor of love, emulating the labyrinthine corridors of the exhibition itself. Created by a group of writers, artists, designers, photographers, and publishers, Art in the Age of Anxiety calls upon us to consider what our collective future will be and how humanity will adapt to it.

Time, Forward! questions the notion and function of time and how it relates to the way we create and interact with art in the 21st century. Featuring newly commissioned works by an international group of artists, this book illuminates a broad range of responses to an exponentially accelerating world. This volume features a speculation on the future of the senses by Haroon Mirza, an unorthodox history of modernity by Walid Raad, and stills from a science fiction film by Rosa Barba. Provocative essays from scholars, critics, poets, and filmmakers probe issues as diverse as the role of sleep in a 24/7 capitalist society and artistic privacy and appropriation in cyberspace. Some of these artists ask us to press the pause button, others take us back in time, and still others push us forward into the realm of science fiction-only to reveal these fictions to be a form of everyday present reality.

This catalog is a LEA production with FACT (Foundation for Art and Creative Technology). It follows the first major retrospective on Nam June Paik in the UK with an exhibition and conference organized by Tate Liverpool and FACT. The exhibition Nam June Paik, December 17, 2010 to March 13, 2011, was curated by Sook-Kyung Lee and Susanne Rennert. LEA acknowledges and is grateful for the gracious support provided to this publication by the Estate of Nam June Paik. In particular special thanks go to Ken Hakuta, Executor, Nam June Paik Estate. Also, special thanks go to Mike Stubbs (Director/CEO of FACT) for his support. Writings by: Lanfranco Aceti, Omark Kholeif, Emile Devereaux, Tom Schofield, Gabriela Galati, Jamie Allen, Jeremy Bailey, Richard Brown, John G. Hanhardt, Mike Stubbs, Sarah Cook, Roy Ascott, Ruth Catlow and Anton Lukoszevieze.