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Over the last two decades, the study of graffiti has emerged as a
bustling field, invigorated by increased appreciation for their
historical, linguistic, sociological, and anthropological value and
propelled by ambitious documentation projects. The growing
understanding of graffiti as a perennial, universal phenomenon is
spurring holistic consideration of this mode of graphic expression
across time and space. Graffiti Scratched, Scrawled, Sprayed:
Towards a Cross-Cultural Understanding complements recent efforts
to showcase the diversity in creation, reception, and curation of
graffiti around the globe, throughout history and up to the present
day. reflecting on methodology, concepts, and terminology as well
as spatial, social, and historical contexts of graffiti, the
book’s fourteen chapters cover ancient Egypt, Rome, Northern
Arabia, Persia, India, and the Maya; medieval Eastern
Mediterranean, Turfan, and Dunhuang; and contemporary Tanzania,
Brazil, China, and Germany. As a whole, the collection provides a
comprehensive toolkit for newcomers to the field of graffiti
studies and appeals to specialists interested in viewing these
materials in a cross-cultural perspective.
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