This collection of state-of-the-art essays explores conspiracy cultures in post-socialist Eastern Europe, ranging from the nineteenth century to contemporary manifestations. Conspiracy theories about Freemasons, Communists and Jews, about the Chernobyl disaster, and about George Soros and the globalist elite have been particularly influential in Eastern Europe, but they have also been among the most prominent worldwide. This volume explores such conspiracy theories in the context of local Eastern European histories and discourses. The chapters identify four major factors that have influenced cultures of conspiracy in Eastern Europe: nationalism (including ethnocentrism and antisemitism), the socialist past, the transition period, and globalization. The research focuses on the impact of imperial legacies, nation-building, and the Cold War in the creation of conspiracy theories in Eastern Europe; the effects of the fall of the Iron Curtain and conspiracism in a new democratic setting; and manifestations of viral conspiracy theories in contemporary Eastern Europe and their worldwide circulation with the global rise of populism. Bringing together a diverse landscape of Eastern European conspiracism that is a result of repeated exchange with the "West," the book includes case studies that examine the history, legacy, and impact of conspiracy cultures of Bulgaria, Estonia, Hungary, Moldova, Poland, Romania, Russia, Slovakia, Ukraine, the former Yugoslav countries, and the former Soviet Union. The book will appeal to scholars and students of conspiracy theories, as well as those in the areas of political science, area studies, media studies, cultural studies, psychology, philosophy, and history, among others. Politicians, educators, and journalists will find this book a useful resource in countering disinformation in and about the region.

This collection of state-of-the-art essays explores conspiracy cultures in post-socialist Eastern Europe, ranging from the nineteenth century to contemporary manifestations. Conspiracy theories about Freemasons, Communists and Jews, about the Chernobyl disaster, and about George Soros and the globalist elite have been particularly influential in Eastern Europe, but they have also been among the most prominent worldwide. This volume explores such conspiracy theories in the context of local Eastern European histories and discourses. The chapters identify four major factors that have influenced cultures of conspiracy in Eastern Europe: nationalism (including ethnocentrism and antisemitism), the socialist past, the transition period, and globalization. The research focuses on the impact of imperial legacies, nation-building, and the Cold War in the creation of conspiracy theories in Eastern Europe; the effects of the fall of the Iron Curtain and conspiracism in a new democratic setting; and manifestations of viral conspiracy theories in contemporary Eastern Europe and their worldwide circulation with the global rise of populism. Bringing together a diverse landscape of Eastern European conspiracism that is a result of repeated exchange with the "West," the book includes case studies that examine the history, legacy, and impact of conspiracy cultures of Bulgaria, Estonia, Hungary, Moldova, Poland, Romania, Russia, Slovakia, Ukraine, the former Yugoslav countries, and the former Soviet Union. The book will appeal to scholars and students of conspiracy theories, as well as those in the areas of political science, area studies, media studies, cultural studies, psychology, philosophy, and history, among others. Politicians, educators, and journalists will find this book a useful resource in countering disinformation in and about the region.

This collection seeks to broaden the discussion of the child image by close analysis of the child and childhood as depicted in non-Western cinemas. Each essay offers a counter-narrative to Western notions of childhood by looking critically at alternative visions of childhood that does not privilege a Western ideal. Rather, this collection seeks to broaden our ideas about children, childhood, and the child's place in the global community. This collection features a wide variety of contributors from around the world who offer compelling analyses of non-Western, non-Hollywood films starring children.

Ancient kings and medieval princes, Dracula's blood-kin, have had starring roles on the Romanian big screen ever since the early 1960s. They all give insight into the kind of past enshrined by the epic spectaculars of the former communist regime. As such, the monster from the East, Vlad the Impaler, emerges from combat as a hero warrior rather than a loathsome bloodsucker. This and other iconic characters celebrate a shared sense of belonging, while all of their actions are conducive to the public good. On film, the greater good of your people is the stuff of history. The past decade has seen the little men of modern Romania take to the limelight. This time, the villain from the East is the go-getter, the swindler, and the bad loser. The way the historical genre has developed in Romania provides background on both audience reception and the politics of re-enactment in popular cinema. This is the first time that English-speaking readers have gained access to a comprehensive selection of fiction films set in the Romanian past.

The book offers a view of national self-identification in the literary culture of twentieth century Romania with a special focus on the postcolonial paradigm. Romanian identity narratives downplay the colonial setup of the country's past and the colonial past goes unmentioned in the country's historiography and popular culture. However, the postcolonial paradigm helps readers grasp national self-identification in modern Romanian culture. The author analyses how Anglo-American reporting on interwar Romania and later Romanian historical fiction establish notions such as hybridity and cultural overlap as conducive to the making of modern Romanian culture.