A 2022 BOOK OF THE YEAR FOR: Sunday Times * Irish Times * Spectator * Financial Times * Telegraph * Aspects of History ‘The history book you need if you want to understand modern Russia' ANNE APPLEBAUM ‘A magnificent, magisterial thousand year history of Russia . . . by one of the masters of Russian scholarship' SIMON SEBAG MONTEFIORE ‘A great historian at the peak of his powers' WILLIAM DALRYMPLE '[An] excellent short study’ MAX HASTINGS, SUNDAY TIMES ‘If you really want to understand Putin’s Russia today, anchored in its past of myths, then you simply have to read Figes’s superb account’ ANTONY BEEVOR 'A lucid chronological journey that ably illustrates how narratives from the nation’s past have been used to shape its autocratic present’ OBSERVER 'A valuable, instructive overview' INDEPENDENT ------------------------- From the great storyteller of Russia, a spellbinding account of the stories that have shaped the country’s past – and how they can inform its present. No other country has been so divided over its own past as Russia. None has changed its story so often. How the Russians came to tell their story, and to reinvent it as they went along, is a vital aspect of their history, their culture and beliefs. To understand what Russia’s future holds – to grasp what Putin’s regime means for Russia and the world – we need to unravel the ideas and meanings of that history. In The Story of Russia, Orlando Figes brings into sharp relief the vibrant characters that comprise Russia’s rich history, and whose stories remain so important in making sense of the world’s largest nation today – from the crowning of sixteen-year-old Ivan the Terrible in a candlelit cathedral, to Catherine the Great, riding out in a green uniform to arrest her husband at his palace, to the bitter last days of the Romanovs. Beautifully written and based on a lifetime of scholarship, The Story of Russia is a major and definitive work from the great storyteller of Russian history: sweeping, suspenseful, masterful. ------------------------- PRAISE FOR ORLANDO FIGES ‘An outstanding historian and writer, he brings distant history so close that you could feel its heartbeat’ KARL OVE KNAUSGAARD 'Figes knows more about Russia than any other historian' MAX HASTINGS, SUNDAY TIMES

A literary sensation from its first publication, The Master and Margarita is considered a masterpiece of twentieth-century Russian literature.

Part of the Macmillan Collector’s Library, a series of stunning, clothbound, pocket-sized classics with gold-foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition is translated by Diana Burgin and Katherine Tiernan O’Connor, and features an introduction by Orlando Figes.

In Mikhail Bulgakov's imaginative extravaganza, Satan, disguised as a magician, descends upon Moscow in the 1930s with his riotous band, which includes a talking cat and an expert assassin. This visit has several aims, one of which concerns the fate of the Master, an author who has written a novel about Pontius Pilate and is now in a mental hospital. By turns satiric, fantastic and ironically philosophical, The Master and Margarita constantly surprises and entertains as the action switches back and forth between twentieth-century Moscow and first-century Jerusalem.

With an introduction by the writer and critic Viv Groskop.

In this imaginative extravaganza the devil, disguised as a magician, descends upon Moscow, along with a talking cat and an expert assassin. This riotous band succeed in fooling an entire population of people who persistently deny the devil’s existence, even as they are confronted with the diabolic results of a magic act gone wrong. The devil’s project soon becomes involved with The Master, a man who has turned his back on his former life and sought sanctuary in a lunatic asylum, and his former lover, Margarita.

A literary sensation from its first publication, The Master and Margarita has been translated into more than twenty

languages. Mikhail Bulgakov’s novel is now considered one of the seminal works of twentieth-century Russian literature. By turns acidly satiric, fantastic and ironically philosophical, this story constantly surprises and entertains.

Orlando Figes’s enthralling, richly evocative history has been heralded as a literary masterpiece on Russia, the lives of those who have shaped its culture, and the enduring spirit of a people.

‘Awe-inspiring … Natasha’s Dance has all the qualities of an epic tragedy’ 
Frances Welsh, Mail on Sunday

‘A tour de force by the great storyteller of modern Russian historians … Figes mobilizes a cast of serf harems, dynasties, politburos, libertines, filmmakers, novelists, composers, poets, tsars and tyrants … superb, flamboyant and masterful’ 
Simon Sebag Montefiore, Financial Times

‘It is so much fun to read that I hesitate to write too much, for fear of spoiling the pleasures and surprises of the book’ 
Anne Applebaum, Sunday Telegraph

‘Magnificent … Figes is at his exciting best’ 
Robert Service, Guardian

‘Breathtaking … The title of this masterly history comes from War and Peace, when the aristocratic heroine, Natasha Rostova, finds herself intuitively picking up the rhythm of a peasant dance … One of those books that, at times, makes you wonder how you have so far managed to do without it’ 
Robin Buss, Independent on Sunday

‘Thrilling, dizzying … I would defy any reader not to be captivated’ 
Lindsey Hughes, Literary Review

‘Pour yourself a shot of vodka, open this brilliant, ambitious book, read and revel in it’ 
Melissa Murray, Sunday Tribune

'A book that you don't just read, you live' Simon Schama Tolstoy's magnificent epic novel of love, conflict, fate and human life in all its imperfection and grandeur War and Peace begins at a glittering society party in St Petersburg in 1805, where conversations are dominated by the prospect of war. Terror swiftly engulfs the country as Napoleon's army marches on Russia, and the lives of three young people are changed forever. The stories of quixotic Pierre, cynical Andrey and impetuous Natasha interweave with a huge cast, from aristocrats and peasants to soldiers and Napoleon himself. Translated with an Introduction and Notes by Anthony Briggs with an Afterword by Orlando Figes

What caused the Russian Revolution? Did it succeed or fail? Do we still live with its consequences? Orlando Figes teaches history at Birkbeck, University of London and is the author of many acclaimed books on Russian history, including A People's Tragedy, which The Times Literary Supplement named as one of the '100 most influential books since the war', Natasha's Dance, The Whisperers, Crimea and Just Send Me Word. The Financial Times called him 'the greatest storyteller of modern Russian historians.'

This is the first book in any language to offer a comprehensive analysis of the political culture of the Russian Revolution. Orlando Figes and Boris Kolonitskii examine the diverse ways that language and other symbols - including flags and emblems, public rituals, songs, and codes of dress - were used to identify competing sides and to create new meanings in the political struggles of 1917. The Revolution was in many ways a battle to control these systems of symbolic meaning, the authors find. The party or faction that could master the complexities of the lexicon of the revolution was well on its way to mastering the revolution itself. The book explores how key words and symbols took on different meanings in various social and political contexts. 'Democracy', 'the people', or 'the working class', for example, could define a wide range of identities and moral worlds in 1917. In addition to such ambiguities, cultural tensions further complicated the revolutionary struggles. Figes and Kolonitskii consider the fundamental clash between the Western political discourse of the socialist parties and the traditional political culture of the Russian masses. They show how the particular conditions and perceptions that coloured Russian politics in 1917 led to the emergence of the cult of the revolutionary leader and the culture of the Terror. Orlando Figes was Professor of History at Birkbeck College, London. He is the author of 'Peasant Russia', 'Civil War' and 'A People's Tragedy: The Russian Revolution 1891-1924'. Boris Kolonitskii was Senior Researcher at the Institute of History of the Academcy of Sciences in St. Petersburg.

'Magnificent. Beautifully written, immaculately researched and thoroughly absorbing from start to finish. A tour de force that explains how Europe's cultural life transformed during the course of the 19th century - and so much more' Peter Frankopan From the bestselling author of Natasha's Dance, The Europeans is richly enthralling, panoramic cultural history of nineteenth-century Europe, told through the intertwined lives of three remarkable people: a great singer, Pauline Viardot, a great writer, Ivan Turgenev, and a great connoisseur, Pauline's husband Louis. Their passionate, ambitious lives were bound up with an astonishing array of writers, composers and painters all trying to make their way through the exciting, prosperous and genuinely pan-European culture that came about as a result of huge economic and technological change. This culture - through trains, telegraphs and printing - allowed artists of all kinds to exchange ideas and make a living, shuttling back and forth across the whole continent from the British Isles to Imperial Russia, as they exploited a new cosmopolitan age. The Europeans is Orlando Figes' masterpiece. Surprising, beautifully written, it describes huge changes through intimate details, little-known stories and through the lens of Turgenev and the Viardots' touching, strange love triangle. Events which we now see as central to European high culture are made completely fresh, allowing the reader to revel in the sheer precariousness with which the great salons, premieres and bestsellers came into existence.

It is history on an epic yet human scale. Vast in scope, exhaustive in original research, written with passion, narrative skill, and human sympathy, A People's Tragedy is a profound account of the Russian Revolution for a new generation. Many consider the Russian Revolution to be the most significant event of the twentieth century. Distinguished scholar Orlando Figes presents a panorama of Russian society on the eve of that revolution, and then narrates the story of how these social forces were violently erased. Within the broad stokes of war and revolution are miniature histories of individuals, in which Figes follows the main players' fortunes as they saw their hopes die and their world crash into ruins. Unlike previous accounts that trace the origins of the revolution to overreaching political forces and ideals, Figes argues that the failure of democracy in 1917 was deeply rooted in Russian culture and social history and that what had started as a people's revolution contained the seeds of its degeneration into violence and dictatorship. A People's Tragedy is a masterful and original synthesis by a mature scholar, presented in a compelling and accessibly human narrative.

Unrivalled in scope and brimming with human drama, A People's Tragedy is the most vivid, moving and comprehensive history of the Russian Revolution available today. 'A modern masterpiece' Andrew Marr Opening with a panorama of Russian society, from the cloistered world of the Tsar to the brutal life of the peasants, A People's Tragedy follows workers, soldiers, intellectuals and villagers as their world is consumed by revolution and then degenerates into violence and dictatorship. Drawing on vast original research, Figes conveys above all the shocking experience of the revolution for those who lived it, while providing the clearest and most cogent account of how and why it unfolded. Illustrated with over 100 photographs and now including a new introduction that reflects on the revolution's centennial legacy, A People's Tragedy is a masterful and definitive record of one of the most important events in modern history. 'The most moving account of the Russian Revolution since Doctor Zhivago' Independent

Set against the sweeping panoply of Napoleon's invasion of Russia, "War and Peace"--presented here in the first new English translation in forty years--is often considered the greatest novel ever written. At its center are Pierre Bezukhov, searching for meaning in his life; cynical Prince Andrei, ennobled by wartime suffering; and Natasha Rostov, whose impulsiveness threatens to destroy her happiness. As Tolstoy follows the changing fortunes of his characters, he crafts a view of humanity that is both epic and intimate and that continues to define fiction at its most resplendent.
* Includes an introduction, note on the translation, cast of characters, maps, notes on the major battles depicted, and chapter summaries
"The best translation so far of Tolstoy's masterpiece into English."
-Robert A. Maguire, professor emeritus of Russian studies, Columbia University
"In Tolstoy's work part of the translator's difficulty lies in conveying not only the simplicity but the subtlety of the book's scale and effect. . . . Briggs has rendered both with a particular exactness and a vigorous precision not to be found, I think, in any previous translation."
-John Bayley, author of "Elegy for Iris"

A beautiful Penguin Classics clothbound edition of Tolstoy's magnificent epic novel of love, conflict, fate and human life in all its imperfection and grandeur At a glittering society party in St Petersburg in 1805, conversations are dominated by the prospect of war. Terror swiftly engulfs the country as Napoleon's army marches on Russia, and the lives of three young people are changed forever. The stories of quixotic Pierre, cynical Andrey and impetuous Natasha interweave with a huge cast, from aristocrats and peasants to soldiers and Napoleon himself. In War and Peace, Tolstoy entwines grand themes - conflict and love, birth and death, free will and faith - with unforgettable scenes of nineteenth-century Russia, to create a magnificent epic of human life in all its imperfection and grandeur. Translated with an introduction and notes by Anthony Briggs, and with an afterword by Orlando Figes Anthony Briggs's superb translation combines stirring, accessible prose with fidelity to Tolstoy's original, while Orlando Figes's afterword discusses the novel's vast scope and depiction of Russian identity. This edition also contains appendices, notes, a list of prominent characters and maps. 'A masterpiece ... This new translation is excellent' - Anthony Beevor

From the author of "A People's Tragedy," an original reading of the Russian Revolution, examining it not as a single event but as a hundred-year cycle of violence in pursuit of utopian dreams

In this elegant and incisive account, Orlando Figes offers an illuminating new perspective on the Russian Revolution. While other historians have focused their examinations on the cataclysmic years immediately before and after 1917, Figes shows how the revolution, while it changed in form and character, nevertheless retained the same idealistic goals throughout, from its origins in the famine crisis of 1891 until its end with the collapse of the Soviet regime in 1991.

Figes traces three generational phases: Lenin and the Bolsheviks, who set the pattern of destruction and renewal until their demise in the terror of the 1930s; the Stalinist generation, promoted from the lower classes, who created the lasting structures of the Soviet regime and consolidated its legitimacy through victory in war; and the generation of 1956, shaped by the revelations of Stalin's crimes and committed to "making the Revolution work" to remedy economic decline and mass disaffection. Until the very end of the Soviet system, its leaders believed they were carrying out the revolution Lenin had begun.

With the authority and distinctive style that have marked his magisterial histories, Figes delivers an accessible and paradigm-shifting reconsideration of one of the defining events of the twentieth century.

Orlando Figes' Crimea is a powerful history of the Crimean War, the conflict that dominated the nineteenth century. The Crimean War one of the fiercest battles in Russia's history, killing nearly a million men and completely redrawing the map of Europe. Pitting the Tsar's empire against an alliance of Britain, France and the Ottoman Empire, it was the first conflict to use photography, the telegraph and newspapers; a war over territory, from the Balkans to the Persian Gulf; a war of religion, driven by a fervent, populistbelief by the Tsar and his ministers that it was Russia's task to rule all Orthodox Christians and control the Holy Land; it was the original 'total war'. Orlando Figes' vivid new book reinterprets this extraordinary conflict. Bringing to life ordinary soldiers in snow-filled trenches, surgeons on the battlefield and the haunted, fanatical figure of Tsar Nicholas himself, Crimea tells the human story of a tragic war. 'Lucid, well-written, alive and sensitive, it tells us why this neglected conflict and its forgotten victims deserve our remembrance' Oliver Bullough, Independent 'Figes paints a vivid portrait of a bloody and pointless conflict ... he knows more about Russia than any other historian' Max Hastings, Sunday Times 'A fine, stirring account' Mark Bostridge, Financial Times 'A wonderful subject, on every level, and with Orlando Figes it has found the historian worthy of its width and depth' Norman Stone, Standpoint 'Figes is a first-class historian, as his splendid new book amply demonstrates' Dominic Sandbrook, Daily Telegraph Orlando Figes is Professor of History at Birkbeck College, University of London. He is the author of Peasant Russia, Civil War, A People's Tragedy, Natasha's Dance, The Whisperers and Just Send Me Word. His books have been translated into over twenty languages.

Orlando Figes' The Whisperers is a groundbreaking account of daily life in the chaotic and paranoid atmosphere of Stalinist Russia. Exploring the inner life of a Russia where everyone was afraid to talk and society spoke in whispers, whether to protect friends and family - or to betray them - Orlando Figes tells the story of how Russians tried to endure life under Stalin's Terror. Where a junior worker might inform on their superior to get their job; a husband to get rid of a lover; a neighbour out of petty jealousy. Where living a double life became the norm and yet, somehow, a few defied the state. Those who shaped the political system became, very frequently, its victims. Those who were its victims were frequently quite blameless. Drawing on hundreds of family archives from across the whole spectrum of Russian society, The Whisperers recreates the sort of maze in which Russians found themselves, where an unwitting wrong turn could either destroy a family or, perversely, later save it: a society in which everyone spoke in whispers - whether to protect themselves, their families, neighbours or friends - or to inform on them. 'Wonderful ... an amazing panoramic view ... I've rarely read anything like it' Claire Tomalin 'Awesome ... one of the most unforgettable books I have ever read. I defy anyone to read it without weeping at its human suffering, cruelty and courage' Simon Sebag Montefiore, Mail on Sunday 'This is a heart-rending book ... its importance cannot be overestimated ... This book should be made compulsory reading in Russia today' Antony Beevor, author Of Stalingrad 'A masterful account of lost and stolen lives' Sunday Times Orlando Figes is Professor of History at Birkbeck College, University of London. He is the author of Peasant Russia, Civil War, A Peoples Tragedy, Natasha's Dance and The Whisperers. He lives in Cambridge and London. His books have been translated into over twenty languages.

From "the great storyteller of modern Russian historians" ("Financial Times") comes the definitive account of the forgotten war that shaped the modern age.

The Charge of the Light Brigade, Florence Nightingale--these are the enduring icons of the Crimean War. Less well-known is that this savage war (1853-1856) killed almost a million soldiers and countless civilians; that it enmeshed four great empires--the British, French, Turkish, and Russian--in a battle over religion as well as territory; that it fixed the fault lines between Russia and the West; that it set in motion the conflicts that would dominate the century to come.

In this masterly history, Orlando Figes reconstructs the first full conflagration of modernity, a global industrialized struggle fought with unusual ferocity and incompetence. Drawing on untapped Russian and Ottoman as well as European sources, Figes vividly depicts the world at war, from the palaces of St. Petersburg to the holy sites of Jerusalem; from the young Tolstoy reporting in Sevastopol to Tsar Nicolas, haunted by dreams of religious salvation; from the ordinary soldiers and nurses on the battlefields to the women and children in towns under siege..

Original, magisterial, alive with voices of the time, "The Crimean War" is a historical tour de force whose depiction of ethnic cleansing and the West's relations with the Muslim world resonates with contemporary overtones. At once a rigorous, original study and a sweeping, panoramic narrative, "The Crimean War" is the definitive account of the war that mapped the terrain for today's world.

From "the great storyteller of modern Russian historians," ("Financial Times") the definitive account of the forgotten war that shaped the modern age

The Charge of the Light Brigade, Florence Nightingale--these are the enduring icons of the Crimean War. Less well-known is that this savage war (1853-1856) killed almost a million soldiers and countless civilians; that it enmeshed four great empires--the British, French, Turkish, and Russian--in a battle over religion as well as territory; that it fixed the fault lines between Russia and the West; that it set in motion the conflicts that would dominate the century to come.

In this masterly history, Orlando Figes reconstructs the first full conflagration of modernity, a global industrialized struggle fought with unusual ferocity and incompetence. Drawing on untapped Russian and Ottoman as well as European sources, Figes vividly depicts the world at war, from the palaces of St. Petersburg to the holy sites of Jerusalem; from the young Tolstoy reporting in Sevastopol to Tsar Nicolas, haunted by dreams of religious salvation; from the ordinary soldiers and nurses on the battlefields to the women and children in towns under siege..

Original, magisterial, alive with voices of the time, "The Crimean War" is a historical tour de force whose depiction of ethnic cleansing and the West's relations with the Muslim world resonates with contemporary overtones. At once a rigorous, original study and a sweeping, panoramic narrative, "The Crimean War" is the definitive account of the war that mapped the terrain for today's world..

From Orlando Figes, international bestselling author of A People's Tragedy, Just Send Me Word is the moving true story of two young Russians whose love survived Stalin's Gulag. Lev and Svetlana, kept apart for fourteen years by the Second World War and the Gulag, stayed true to each other and exchanged thousands of secret letters as Lev battled to survive in Stalin's camps. Using this remarkable cache of smuggled correspondence, Orlando Figes tells the tale of two incredible people who, swept along in the very worst of times, kept their devotion alive. Orlando Figes was granted exclusive access to the thousands of letters between Lev and Sveta that form the foundation of Just Send Me Word, and he was able to interview the couple in person, then in their nineties. These real-time and largely uncensored letters form the largest cache of Gulag letters ever found. Reviews: 'One is overcome with admiration for the kindness, bravery and generosity of people in terrible peril ... It is impossible to read without shedding tears' Simon Sebag Montefiore, Financial Times 'This powerful narrative by a distinguished historian will take its place not just in history but in literature' Robert Massie 'Electrifying, passionate, devoted, despairing, exhilarating ... a tale of hope, resilience, grit and love' The Times 'Moving ... a remarkable discovery' Max Hastings, Sunday Times 'The gulag story lacks individuals for us to sympathise with: a Primo Levi, an Anne Frank or even an Oskar Schindler. Just Send Me Word may well be the book to change that' Oliver Bullough, Independent 'Immensely touching ... [a] heartening gem of a book' Anna Reid, Literary Review 'The remarkable true story of a love affair between two Soviet citizens ... as much a literary challenge as a historical one: the book can be read as a non-fiction novel' Telegraph 'Remarkable ... Figes, selecting and then interpreting this mass of letters, makes them tell two kinds of story. The first is a uniquely detailed narrative of the gulag, of the callous, slatternly universe which consumed millions of lives ... The second is about two people determined not to lose each other' Neal Ascherson, Guardian 'A quiet, moving and memorable account of life in a totalitarian state ... The book often reads like a novel ... captivating' Evening Standard 'Orlando Figes has wrought something beautiful from dark times' Ian Thomson, Observer 'A heart-rending record of extraordinary human endurance' Kirkus Reviews '[A] remarkable tale of love and devotion during the worst years of the USSR ... [Figes's] fine narrative pacing enhances this moving, memorable story' Publishers Weekly About the author: Orlando Figes is Professor of History at Birkbeck College, University of London. He is the author of Peasant Russia, Civil War, A People's Tragedy, Natasha's Dance, The Whisperers and Crimea. He lives in Cambridge and London. His books have been translated into over twenty languages.