Winner! 1993 Olivier Award, Best Musical Revival Winner! Five 1994 Tony Awards, including Best Revival of a Musical Winner! Three 1994 Drama Desk Awards Nominee: Seven 1994 Drama Desk Awards, including Outstanding Musical Revival Winner! Two 2018 Tony Awards Nominee: Eleven 2018 Tony Awards, including Best Revival of a Musical Winner! Five 2018 Drama Desk Awards, including Outstanding Orchestrations Nominee: Twelve 2018 Drama Desk Awards, including Outstanding Musical Revival In a Maine coastal village toward the end of the 19th century, the swaggering, carefree carnival barker, Billy Bigelow, captivates and marries the gentle millworker, Julie Jordan. Billy loses his job just as he learns that Julie is pregnant and, desperately intent upon providing a decent life for his family, he is coerced into being an accomplice to a robbery. Caught in the act and facing the certainty of prison, he takes his own life and is sent 'up there.' Billy is allowed to return to earth for one day fifteen years later, and he encounters the daughter he never knew. She is a lonely, friendless teenager, her father's reputation as a thief and bully having haunted her throughout her young life. How Billy instills in both the child and her mother a sense of hope and dignity is a dramatic testimony to the power of love.

The timeless enchantment of a magical fairy tale is reborn with the Rodgers & Hammerstein hallmarks of originality, charm, and elegance. Originally presented on television in 1957 starring Julie Andrews, Rodgers & Hammerstein's Cinderella was the most widely viewed program in the history of the medium. Its re-creation in 1965 starring Lesley Ann Warren was no less successful in transporting a new generation to the miraculous kingdom of dreams-come-true, and so was a second remake in 1997, which starred Brandy as Cinderella and Whitney Houston as her Fairy Godmother. In 1956 Richard Rodgers and Oscar Hammerstein II were indisputably the world's most successful writers of musicals. Julie Andrews was a sparkling new star, having just triumphed in My Fair Lady. When her agent approached Rodgers and Hammerstein and suggested that the television audience would welcome a musical version of "Cinderella," it was an irresistible temptation for all. Everything about the project was right from the start. The CBS production team was quickly assembled. Richard Lewine, a distant cousin of Rodgers and a close friend, was the producer, Ralph Nelson the director. Howard Lindsay and his wife, Dorothy Stickney, were signed for the King and Queen; Jon Cypher played the Prince; the Stepmother and Stepsisters were made less frightening and more comic by Ilka Chase, Kaye Ballard and Alice Ghostley; rather than the standard old crone, the beautiful Edie Adams played the Godmother. Rodgers and Hammerstein approached the story with the honesty and simplicity that characterized all their work. They purposely did not seek to improve a story they felt was dramatically sound, as many writers are prone to do, instead concentrating on bringing the characters to life. Rodgers wrote in his autobiography Musical Stages, "In writing the story and the songs, Oscar and I felt that it was important to keep everything as traditional as possible, without any 'modernizing' or reaching for psychological significance." When Hammerstein was asked where he found the version of Cinderella story he based his adaptation upon, he answered, "I looked it up in the encyclopedia." The marriage of music, lyrics and story in Cinderella exemplified their artistic philosophy; all elements held together integrally to illuminate the characters. As Rodgers explained, "Although a few of its songs have become popular, our score for Cinderella is another example of what theatre music is really about. No matter what the medium, a score is more than a collection of individual songs. It is, or should be, a cohesive entity whose word and music are believable expressions of the characters singing them...Like a symphony, concerto or opera, some portions have greater appeal than others, but it is the work as a whole that makes the overall impression." Cinderella succeeded. When it was broadcast on March 31, 1957, it was viewed by more people than any other program in the history of television.

Rodgers + Hammerstein's Cinderella is the new Broadway adaptation of the classic musical. This contemporary take on the classic tale features Rodgers & Hammerstein's most beloved songs, including "In My Own Little Corner," "Impossible/It's Possible" and "Ten Minutes Ago," alongside an up-to-date, hilarious and romantic libretto by Tony Award-nominee Douglas Carter Beane. Originally presented on television in 1957 starring Julie Andrews, Rodgers & Hammerstein's Cinderella was twice remade for television, first in 1965 for Lesley Ann Warren and again in 1997, featuring Brandy and Whitney Houston. The original Broadway production of Rodgers + Hammerstein's Cinderella opened in 2013 and starred Laura Osnes, Santino Fontana, Victoria Clark and Harriet Harris. Nominee: Nine 2013 Tony Awards, including Best Book of a Musical and Best Revival of a Musical Winner! 2014 Tony Award for Best Costume Design for a Musical Winner! Three 2013 Drama Desk Awards, including Outstanding Orchestrations

The final collaboration between Rodgers & Hammerstein was destined to become the world's most beloved musical. Featuring a trove of cherished songs, including "Climb Ev'ry Mountain," "My Favorite Things," "Do Re Mi," "Sixteeen Going on Seventeen" and the title number, The Sound of Music won the hearts of audiences worldwide, earning five Tony Awards and five Oscars. The inspirational story, based on the memoir of Maria Augusta Trapp, follows an ebullient postulate who serves as governess to the seven children of the imperious Captain Von Trapp, bringing music and joy to the household. But as the forces of Nazism take hold of Austria, Maria and the entire Von Trapp family must make a moral decision. The Sound of Music opened at Broadway's Lunt-Fontanne Theatre on November 16, 1959, and Rodgers & Hammerstein's last musical was a triumph. It ran for 1,443 performances and earned five Tony Awards, including Best Musical. In addition, the cast album earned a Gold Record and the Grammy Award. Florence Henderson starred in the first national tour, which played for over two years. Jean Bayless created the role of Maria in the original London production, which ran for over six years, long holding the record as the longest-running American musical in London.

Rodgers and Hammerstein's first collaboration remains, in many ways, their most innovative, setting the standards and rules of modern musical theatre. In a Western territory just after the turn of the 20th century, a high-spirited rivalry between local farmers and cowboys provides a colorful background for Curly, a charming cowboy, and Laurey, a feisty farm girl, to play out their love story. Their romantic journey, as bumpy as a surrey ride down a country road, contrasts with the comic exploits of brazen Ado Annie and hapless Will Parker in a musical adventure embracing hope, determination and the promise of a new land. Oklahoma! opened at the St. James Theatre on Broadway on March 31, 1943. At that time, the longest-running show in Broadway history had run for three years. Oklahoma! surpassed that record by two more years, running for a marathon 2,212 performances. The US national tour played for an unprecedented ten and a half years, visiting every single state and playing before a combined audience of more than 10 million people. In 1947, Oklahoma! opened at the Theatre Royal, Drury Lane, London, where it ran for 1,548 performances, the longest run of any show up to that time in the 267-year history of the theatre. In 1953, the Oklahoma State Legislature named "Oklahoma" the official state song. In 1955, the motion picture version of Oklahoma!, starring Gordon MacRae and Shirley Jones and produced by Rodgers and Hammerstein, was released to great success.

The timeless enchantment of a magical fairy tale is reborn with the Rodgers & Hammerstein hallmarks of originality, charm and elegance. Originally presented on television in 1957 starring Julie Andrews, Rodgers & Hammerstein's Cinderella was the most widely viewed program in the history of the medium. Its recreation in 1965 starring Lesley Ann Warren was no less successful in transporting a new generation to the miraculous kingdom of dreams-come-true, and so was a second remake in 1997, which starred Brandy as Cinderella and Whitney Houston as her Fairy Godmother. As adapted for the stage, with great warmth and more than a touch of hilarity, this romantic fairy tale still warms the hearts of children and adults alike. This Enchanted Edition is inspired by the 1997 teleplay. Rodgers and Hammerstein's Cinderella premiered in a live television broadcast on March 31, 1957, starring Julie Andrews, a sparkling new star who had just triumphed in My Fair Lady. Richard Lewine, a distant cousin and close friend of Rodgers, produced and Ralph Nelson directed. Real-life spouses Howard Lindsay and Dorothy Stickney played the King and Queen; Jon Cypher played the Prince; Ilka Chase, Kaye Ballard and Alice Ghostley played the comical Stepmother and Stepsisters; and Edi Adams played the Fairy Godmother. Rodgers and Hammerstein approached the story with the honesty and simplicity that characterized all their work, and Cinderella was a smash hit. The live broadcast was viewed by more people than any other program in the history of television. In 1997, Cinderella was remade for television in a production adapted by Robert L. Freedman and directed by Robert Iscove, with choreography by Rob Marshall. Produced by Whitney Houston and Debra Martin Chase for Walt Disney Television, Rodgers and Hammerstein's Cinderella aired on November 2, 1997. This version featured a diverse cast, with Brandy Norwood as Cinderella, Whitney Houston as her fairy godmother, Bernadette Peters as Cinderella's stepmother, Paolo Montalban as the prince, Whoopi Goldberg as the queen, Victor Garber as the king and Jason Alexander as Lionel, the herald. Several songs were added, including "The Sweetest Sounds" from No Strings, sung by Cinderella and the Prince, and "There's Music in You," written for the 1953 film Main Street to Broadway, sung as the finale by the Fairy Godmother. Sixty million viewers watched the broadcast, making it the most-watched television musical in decades, and earning ABC its highest Sunday-night ratings in 10 years.

Rodgers & Hammerstein's only musical written directly for the screen is now a stage musical that's had critics raving from coast to coast. Set against the colorful backdrop of an American heartland tradition, State Fair travels with the Frake family as they leave behind the routine of the farm for three days of adventure at the annual Iowa State Fair. Mom and Pop have their hearts set on blue ribbons, while their children Margy and Wayne find romance and heartbreak on the midway. Set to the magical strains of an Academy Award-winning score and augmented by other titles from the Rodgers and Hammerstein songbook, State Fair is the kind of warm-hearted family entertainment only Rodgers & Hammerstein could deliver!

Winner! Three 1947 Donaldson Awards, for Best Book, Best Lyrics and Best Score Nominee: Seven 2005 Helen Hayes Awards Winner! Two 2005 Helen Hayes Awards for Outstanding Resident Musical and Outstanding Director This ensemble musical chronicles nearly four decades in the life of an Everyman, Joseph Taylor, Jr., from cradle through a mid-life discovery of who he is and what his life is truly about. The first musical to be staged by a director who also served as choreographer (the legendary Agnes de Mille), Allegro followed a unique structural format traveling from Joe's birth through his childhood, from college dorm to marriage altar, and on to his career; from the tranquility of his small Midwestern hometown to the hectic din of big city life, in a series of vignettes and musical sequences dazzling in their simplicity and stunning in their impact. Ahead of its time theatrically, Allegro remains timeless in its appeal.

It is 1862 in Siam when an English widow, Anna Leonowens, and her young son arrive at the Royal Palace in Bangkok, having been summoned by the King to serve as tutor to his many children and wives. The King is largely considered to be a "barbarian" by those in the West, and he seeks Anna's assistance in changing his image, if not his ways. With both keeping a firm grip on their respective traditions and values, Anna and the King grow to understand and respect one another in a truly unique love story.

This show-within-a-show follows the romance between a chorus girl and an Assistant Stage Manager leading to their secret marriage. Their happy union is threatened by the electrician who still carries a torch for the girl and, in a drunken rage, tries to kill them both. A contrasting romance involves the Stage Manager, whose credo never to fall for a girl in a show he's working on is complicated when a dancer he's been wooing is suddenly thrown into the cast of 'Me and Juliet.' Informed by rich insights into the world of Broadway - how jobs are gotten and lost, the inside tricks of the trade and the pitfalls of backstage romances - Me and Juliet is an innovative, irresistible show that consistently delivers both musically and dramatically.

(Applause Libretto Library). Rodgers & Hammerstein's first collaboration remains, in many ways, their most innovative, having set the standards and established the rules of musical theatre still being followed today. Set in a Western Indian territory just after the turn of the century, the high-spirited rivalry between the local farmers and cowboys provides the colorful background against which Curly, a handsome cowboy, and Laurey, a winsome farm girl, play out their love story. Although the road to true love never runs smooth, with these two headstrong romantics holding the reins, love's journey is as bumpy as a surrey ride down a country road. That they will succeed in making a new life together we have no doubt, and that this new life will begin in a brand-new state provides the ultimate climax to the triumphant Oklahoma

Nellie, a spunky nurse from Arkansas, falls in love with a mature French planter, Emile. Nellie learns that the mother of his children was an island native and, unable to turn her back on the prejudices with which she was raised, refuses Emile's proposal of marriage. Meanwhile, the strapping Lt. Joe Cable denies himself the fulfillment of a future with an innocent Tonkinese girl with whom he's fallen in love out of the same fears that haunt Nellie. When Emile is recruited to accompany Joe on a dangerous mission that claims Joe's life, Nellie realizes that life is too short not to seize her own chance for happiness, thus confronting and conquering her prejudices. Based on Tales of the South Pacific, James Michener's collection of short stories, South Pacific opened on Broadway at the the Majestic Theatre on April 7, 1949, starring Mary Martin, Ezio Pinza and Juanita Hall. South Pacific received the 1950 Pulitzer Prize for Drama, and for the first time the committee included a composer in the drama prize. The show received ten Tony Awards (including Best Musical), a Grammy Award and countless other accolades. For years the second-longest running show in Broadway history (right behind Oklahoma!), South Pacific returned to Broadway in a celebrated 2008 revival starring Kelli O'Hara and Paolo Szot. The show has proven itself a classic in countless productions around the world and was adapted onscreen in the 1958 film starring Rossano Brazzi and Mitzi Gaynor and in a 2001 made-for-television film starring Glenn Close and Harry Connick, Jr.

(Applause Libretto Library). Music by Richard Rodgers Lyrics by Oscar Hammerstein II Book by Oscar Hammerstein II and Joshua Logan Adapted from the Pulitzer Prize-winning novel Tales of the South Pacific by James A. Michener Winner of the Pulitzer Prize for Drama and the Tony for Best Musical, South Pacific flourished as the golden musical of Broadway's post-WWII golden era. Nearly 60 years after its 1949 premiere, South Pacific returned to Broadway in Lincoln Center Theater's glorious Tony-winning production, setting box-office records and bringing this timely and timeless musical to new generations. With a score by Rodgers & Hammerstein and a libretto by Hammerstein and Joshua Logan, based on James A. Michener's Pulitzer Prize-winning novel, Tales of the South Pacific, this landmark musical combines compassionate love stories with the saga of a world at war. Richly developed characters are faced with life-changing moments in a complex world, their thoughts and yearnings powerfully expressed in the lyrics to such songs as "This Nearly Was Mine," "Younger Than Springtime," and "Some Enchanted Evening."

(Vocal Selections). This revised edition features 12 songs from the beloved 1951 musical about a British governess in the Siamese court, including: Getting to Know You * Hello, Young Lovers * I Have Dreamed * I Whistle a Happy Tune * Shall We Dance?

(Applause Libretto Library). The final collaboration between Rodgers & Hammerstein was destined to become the world's most beloved musical. When a postulant proves too high-spirited for the religious life, she is dispatched to serve as governess for the seven children of a widowed naval captain. Her growing rapport with the youngsters, coupled with her generosity of spirit, gradually captures the heart of the stern captain, and they marry. Upon returning from their honeymoon they discover that Austria has been invaded by the Nazis, who demand the captain's immediate service in their navy. The family's narrow escape over the mountains to Switzerland on the eve of World War II provides one of the most thrilling and inspirational finales ever presented in the theatre. The motion picture version remains the most popular movie musical of all time.

(Applause Libretto Library). Music by Richard Rodgers Lyrics by Oscar Hammerstein II New book by Douglas Carter Beane Original book by Oscar Hammerstein II In March 2013, a new Rodgers and Hammerstein musical opened on Broadway new to Broadway, but based on a TV musical first written nearly 60 years before, and beloved by audiences all over the world. It was Rodgers + Hammerstein's Cinderella, which very quickly became the belle of the ball of the Broadway season, winning cheers for its fresh take on a timeless classic. Douglas Carter Beane created a new, Tony-nominated book that was hailed for complementing the inspirational themes of Rodgers and Hammerstein with a 21st-century sensibility, giving the musical new characters, surprising plot twists, and revelatory moments that harkened back to the Charles Perrault version of the fairy tale. The score was cheered as well: the familiar songs from the television versions "In My Own Little Corner," "Impossible," "A Lovely Night," "Do I Love You Because You're Beautiful," and so on along with undiscovered gems from the "trunk." Rodgers + Hammerstein's Cinderella was hailed by the Associated Press as a "charming, witty and relevant take on the classic story" and cheered by New York magazine as a "wised-up, wit-spackled CINDERELLA... As solidly entertaining as they come "

Easy piano arrangements of 8 popular songs from the musical masterpiece, including: Climb Ev'ry Mountain * Do-Re-Mi * Edelweiss * Maria * My Favorite Things * Sixteen Going on Seventeen * So Long, Farewell * The Sound of Music.

(Piano Solo Selections). 12 selections from the favorite musical. Includes: Climb Ev'ry Mountain * Do-Re-Mi * Edelweiss * Maria * My Favorite Things * Sixteen Going on Seventeen * The Sound of Music * and more.

(Piano Solo Selections). Jazzy solo arrangements of 11 songs from this Rodgers & Hammerstein classic: Climb Ev'ry Mountain * Do-Re-Mi * Edelweiss * I Have Confidence * The Lonely Goatherd * Maria * My Favorite Things * Sixteen Going on Seventeen * So Long, Farewell * Something Good * The Sound of Music. The arrangements range in difficulty from intermediate to advanced and include solos within each piece.

From every "beautiful mornin'" to "some enchanted evening," the songs of Oscar Hammerstein II are part of our daily lives, his words part of our national fabric.
Born into a theatrical dynasty headed by his grandfather and namesake, Oscar Hammerstein II breathed new life into the moribund art form of operetta by writing lyrics and libretti for such classics as "Rose-Marie" (music by Rudolf Friml), "The Desert Song "(Sigmund Romberg), "The New Moon "(Romberg) and "Song of the Flame" (George Gershwin). Hammerstein and Jerome Kern wrote eight musicals together, including "Sweet Adeline, Music in the Air," and their masterpiece, "Show Boat." The vibrant "Carmen Jones" was Hammerstein's all-black adaptation of the tragic opera by Georges Bizet.
In 1943, Hammerstein, pioneer in the field of operetta, joined forces with Richard Rodgers, who had for the previous twenty-five years taken great strides in the field of musical comedy with "his" longtime writing partner, Lorenz Hart. The first Rodgers and Hammerstein work, "Oklahoma ," merged the two styles into a completely new genre--the musical play--and simultaneously launched the most successful partnership in American musical theater. Over the next seventeen years, Rodgers and Hammerstein wrote eight more Broadway musicals: "Carousel, Allegro, South Pacific, The King and I, Me and Juliet, Pipe Dream, Flower Drum Song, " and "The Sound of Music." They also wrote a movie musical "(State Fair)" and one for television "(Cinderella)." Collectively their works have earned dozens of awards, including Pulitzers, Tonys, Oscars, Grammys, and Emmys.
Throughout his career, Hammerstein created works of lyrical beauty and universal feeling, and he continually strove--sometimes against fashion--to seek out the good and beautiful in the world. "I know the world is filled with troubles and many injustices," he once said. "But reality is as beautiful as it is ugly . . . I just couldn't write anything without hope in it."
All of his lyrics are here--850, more than a quarter published for the first time--in this sixth book in the indispensable Complete Lyrics series that has also brought us the lyrics of Cole Porter, Lorenz Hart, Ira Gershwin, Irving Berlin, and Frank Loesser. From the young scribe's earliest attempts to the old master's final lyric--"Edelweiss"--we can see, read, and, yes, sing the words of a theatrical and lyrical genius.

With more than 3.5m worth of tickets already sold for Lloyd Webbers production, the new release of The Sound of Music London Palladium Cast 2006 will undoubtedly follow suit in its success. With favorites such as My Favorite Things, Edelweiss, Maria and Do-Re-Mi, this 21 track album allows us to re-live the story of Maria and The Von Trap Family. Alexander Hanson is outstanding in his support role as Captain George Von Trapp. Polydor.

A group of resourceful kids start "solution-seekers.com," a website where "cybervisitors" can get answers to questions that trouble them. But when one questioner asks the true meaning of Christmas, the kids seek to unravel the mystery by journeying back through the prophecies of the Old Testament. What they find is a series of "S" words that reveal a "spectacular story!" With creative characters, humorous dialogue and great music, The "S" Files is a children's Christmas musical your kids will love performing.

History comes alive with this first release in a new collection of musical adaptations From the beloved library of Rodgers and Hammerstein, The King and I is classic musical theater at its best, combining drama, music, dance and stagecraft for an unforgettable experience Based on Anna and the King of Siam by Margaret Landon, with book and lyrics by Oscar Hammerstein II and a dazzling score by Richard Rodgers, this musical tells the classic story of the English widow, Anna Leonowens, and her young son and their life at the Royal Palace in Bangkok. Anna has been summoned by the King to serve as tutor to his many children and wives. While they both retain their respective traditions and values, Anna and the King grow to understand and eventually respect one another in this unique and uplifting story of East meets West.Running approximately 70 minutes, Getting to Know... The King and I is the perfect show to introduce young people up through 9th grade to the wonders of live theater. The all-inclusive ShowKit provides all you need to make your production a success The ShowKit includes: * Director's Guide* 2 Piano/Vocal Scores* 20 Libretto/Vocal Books (with detailed staging and helpful performance hints)* Study Guide (with ready-to-use activities for enhancing your school's curriculum)* Rehearsal/Performance CD* Video Guide to Musical Staging*10 Chorus Books. To preview the show, order the Getting to KnowThe King and I Audio Sampler (HL08743892), which includes a complete overview of the show, list of characters, song ranges, scene breakdowns, full recordings of each song, and information on licensing. For more information, please contact: [email protected]