Offers insights on Latino Caribbean writers born or raised in the United States who are at the vanguard of a literary movement that has captured both critical and popular interest.

In this groundbreaking study, William Luis analyzes the most salient and representative narrative and poetic works of the newest literary movement to emerge in Spanish American and U.S. literatures. The book is divided into three sections, each focused on representative Puerto Rican American, Cuban American, and Dominican American authors. Luis traces the writers' origins and influences from the nineteenth century to the present, focusing especially on the contemporary works of Oscar Hijuelos, Julia Alvarez, Cristina Garcia, and Piri Thomas, among others. While engaging in close readings of the texts, Luis places them in a broader social, historical, political, and racial perspective to expose the tension between text and context.

As a group, Latino Caribbeans write an ethnic literature in English that is born of their struggle to forge an identity separate from both the influences of their parents' culture and those of the United States. For these writers, their parents' country of origin is a distant memory. They have developed a culture of resistance and a language that mediates between their parents' identity and the culture that they themselves live in.

Latino Caribbeans are engaged in a metaphorical dance with Anglo Americans as the dominant culture. Just as that dance represents a coming together of separate influences to make a unique art form, so do both Hispanic and North American cultures combine to bring a new literature into being. This new body of literature helps us to understand not only the adjustments Latino Caribbean cultures have had to make within the larger U.S. environment but also how the dominant culture has been affected by their presence.

Growing up Latino in America means speaking two languages, living two lives, learning the rules of two cultures. "Cool Salsa" celebrates the tones, rhythms, sounds, and experiences of that double life. Here are poems about families and parties, insults and sad memories, hot dogs and mangos, the sweet syllables of Spanish and the snag-toothed traps of English. Here is the glory--and pain--of being Latino American.
Latino Americans hail from Cuba and California, Mexico and Michigan, Nicaragua and New York, and editor Lori M. Carlson has made sure to capture all of those accents. With poets such as Sandra Cisneros, Martin Espada, Gary Soto, and Ed Vega, and a very personal introduction by Oscar Hijuelos, this collection encompasses the voices of Latino America. By selecting poems about the experiences of teenagers, Carlson has given a focus to that rich diversity; by presenting the poems both in their original language and in translation, she has made them available to us all.
As you move from memories of red wagons to dreams of orange trees to fights with street gangs, you feel "Cool Salsa"'s musical and emotional cross rhythms. Here is a world of exciting poetry for you, y tu tambien.

When Raul Espana falls ill, his wife Lydia, who had enjoyed a life of luxury as the mayor's daughter in Cuba, finds herself cleaning the apartments of rich New Yorkers. Among her employers is Mr Osprey, a paragon of glamour and money who becomes involved in the lives of Lydia and her children.

Oscar Hijuelos vividly brings to life the joys, desires, and disappointment of American life witnessed through the experience of a formerly prosperous Cuban émigré named Lydia Espana--now a cleaning woman in New York. In magnetic prose, he juxtaposes Lydia's tale with the stories of her clients, contrasting her experiences with the secret lives of those for whom she works. No one writes better of love or the pulse of a city, nor has any writer better captured the complexity inherent in the emigration experience; how assimilation is at once the achievement of dreams, yet also a loss of the past. Empress of the Splendid Season is Hijuelos at his masterful best, a novel filled with incantatory, rhythmic prose and rich in heartfelt vision.

When it was first published in 1989, The Mambo Kings Play Songs of Love became an international bestselling sensation, winning rave reviews and the Pulitzer Prize for Fiction. To celebrate its 20th anniversary, the Pulitzer Prize-winning novel that changed the landscape of American literature returns with a new afterword by Oscar Hijuelos. Here is the story of the memorable Castillo brothers, from Havana to New York's Upper West Side. The lovelorn songwriter Nestor and his macho brother Cesar find success in the city's dance halls and beyond playing the rhythms that earn them their band's name, as they struggle with elusive fame and lost love in a richly sensual tale that has become a cultural touchstone and an enduring favorite.

This debut novel by the Pulitzer Prize-winning author of The Mambo Kings Play Songs of Love, bears all the hallmarks of Hijuelos's later work-exuberance, passion, honesty, and humor. Filled with the sights and sounds of Cuba's Oriente province and New York City, the music and films of the fifties, lusty fantasies and the toughest of life's realities, it is the unforgettable story of Hector Santinio, the American-born son of Cuban immigrants, who is haunted by tales of "home" (a Cuba he has never seen) and by the excesses and then the death of his loving father. This edition includes a new autobiographical introduction by the author, reflecting on how he came to write Our House in the Last World, and a new afterword in which he comments on the story.

"i think in spanish"
"i write in english"
"i want to go back to puerto rico, "
"but i wonder if my kink could live"
"in ponce, mayaguez and carolina"
"tengo las venas aculturadas"
"escribo en spanglish"
"abraham in espanol"
"--from "My Graduation Speech," by Tato Laviera"
A new collection of bilingual poems from the bestselling editor of "Cool Salsa"
Ten years after the publication of the acclaimed "Cool Salsa," editor Lori Marie Carlson has brought together a stunning variety of Latino poets for a long-awaited follow-up. Established and familiar names are joined by many new young voices, and Pulitzer Prize-winning novelist Oscar Hijuelos has written the Introduction.
The poets collected here illuminate the difficulty of straddling cultures, languages, and identities. They celebrate food, family, love, and triumph. In English, Spanish, and poetic jumbles of both, they tell us who they are, where they are, and what their hopes are for the future.

Here are the sights, sounds, and rhythms of Cuba, revealed in the evocative works of some of the finest Cuban and Cuban American poets of the twentieth century. In "Burnt Sugar, " bestselling translator Lori Marie Carlson and Pulitzer Prize-winning author Oscar Hijuelos have created an intimate collection of some of their favorite modern poems, all of which are informed by "cubania" -- the essence of what it means to be Cuban. "Cuban" in this sense refers neither to ideology nor to geography but rather to the distinguishing characteristics of Cuban poetry as it has developed over time: clever verbal play, overt rhythmic notes, and an intensity of longing, whether religious, political, or amorous.

Many of these poems have never been translated into English before, and taken together they, as the editors say, "produce a vibrant, satisfying sound and vivid imagery. They allow for some understanding of modern-day preoccupations, contradictions, feelings, and attitudes considered to be Cuban." Stirring, immediate, and universal in its sensibility, "Burnt Sugar" is a luminous collection lovingly compiled by two of the world's foremost authorities on the subject.