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HarperCollins is proud to present its new range of best-loved, essential classics. 'How sad it is I shall grow old, and horrid, and dreadful. But this picture will remain always young If it was only the other way ' Wilde's first and only published novel recounts the story of handsome Dorian Gray who upon having his portrait painted desires that it will age and grow ugly while he may remain eternally beautiful. The painting, which reflects each of Gray's sins and transgressions in its hideousness, haunts him until it finally becomes unbearable. In this dark tale of duplicity and mortality, Wilde creates a world where art and reality collide."
Witty and buoyant comedy of manners is brilliantly plotted from its effervescent first act to its hilarious denouement, and filled with some of literature's most famous epigrams. Widely considered Wilde's most perfect work, the play is reprinted here from an authoritative early British edition. Note to the Dover Edition.
Horror hides behind an attractive face in The Picture of Dorian Gray, Oscar Wilde's tale of a notorious Victorian libertine and his life of evil excesses. Though Dorian's hedonistic indulgences leave no blemish on his ageless features, the painted portrait imbued with his soul proves a living catalogue of corruption, revealing in its every new line and lesion the manifold sins he has committed. Desperate to hide the physical evidence of his unregenerate spirit, Dorian will stop at nothing—not even murder—to keep his picture's existence a secret.  A scandalous story when it was first published in 1890, The Picture of Dorian Gray is acknowledged as a landmark of literature today and a tale emblematic of its time. This volume is one of Barnes & Noble's Collectible Editions classics. Each volume features authoritative texts by the world's greatest authors in an exquisitely designed foil-stamped binding, with distinctive colored edging and an attractive ribbon bookmark. Decorative, durable, and collectible, these books offer hours of pleasure to readers young and old and are an indispensable cornerstone for any home library.
'It would be unfair to expect other people to be as remarkable as oneself' Wilde's celebrated witticisms on the dangers of sincerity, duplicitous biographers, the stupidity of the English - and his own genius. One of 46 new books in the bestselling Little Black Classics series, to celebrate the first ever Penguin Classic in 1946. Each book gives readers a taste of the Classics' huge range and diversity, with works from around the world and across the centuries - including fables, decadence, heartbreak, tall tales, satire, ghosts, battles and elephants.
Wilde's only novel, first published in 1890, is a brilliantly designed puzzle, intended to tease conventional minds with its exploration of the myriad interrelationships between art, life, and consequence. From its provocative Preface, challenging the reader to believe in 'art for art's sake', to its sensational conclusion, the story self-consciously experiments with the notion of sin as an element of design. Yet Wilde himself underestimated the consequences of his experiment, and its capacity to outrage the Victorian establishment. Its words returned to haunt him in his court appearances in 1895, and he later recalled the 'note of doom' which runs like 'a purple thread' through its carefully crafted prose.
When handsome young Dorian Gray sees a painter’s stunning portrait of him, he is transfixed by its reflection of his own beauty. He is also troubled by the knowledge that the image in the painting will remain forever youthful and handsome while he himself will grow older and less desirable. He wishes aloud that the roles were reversed, saying that he would give his soul if only the painting would suffer the ravages of time and he were to remain forever young. From that point on, Dorian lives a life of hedonistic indulgence, knowing that only the painting will show his moral corruption.
In a town where a lot of poor people suffer and where there are a lot of miseries, a swallow who was left behind after his flock flew off to Egypt for the winter, meets the statue of the late ‘Happy Prince’, who in reality has never experienced true sorrow, for he lived in a palace where sorrow isn’t allowed to enter. Viewing various scenes of people suffering in poverty from his tall monument, the Happy Prince asks the swallow to take the ruby from his hilt, the sapphires from his eyes, and the golden leaf covering his body to give to the poor. As the winter comes and the Happy Prince is stripped of all of his beauty, his lead heart breaks when the swallow dies as a result of his selfless deeds and severe cold. The statue is then brought down from the pillar and melted in a furnace leaving behind the broken heart and the dead swallow and they are thrown in a dust heap. These are taken up to heaven by an angel that has deemed them the two most precious things in the city. This is affirmed by God and they live forever in his city of gold and garden of paradise.
Oscar Wilde's children's stories explore timeless themes of good and evil, freedom and responsibility, love and death, beauty and self-sacrifice. Featuring princesses, ogres and talking animals, the questions they pose are as pertinent now as they were at the turn of the century. What is love? asks 'The Happy Prince'. How do you get what you need? asks 'The Nightingale and the Rose'. How do you win friends (and avoid alienating people)? asks 'The Selfish Giant'. Can you have too much compassion? asks 'The Devoted Friend'. How can you set the world on fire? asks 'The Remarkable Rocket'. Wilde's stories have given pleasure to generations of readers. By turns moving and funny, they gently teach free thinking rather than giving prescriptive lessons. This beautiful collectors' edition with original watercolour illustrations and decorative motifs from the 1913 edition by Charles Robinson and an introduction by Wilde expert Michele Mendelssohn is certain to surprise and delight adults and children alike.
Oscar Wilde's only novel is the dreamlike story of a young man who sells his soul for eternal youth and beauty. Now, distinctively packaged with a beautifully designed jacket by noted illustrator Malika Favre. When handsome young Dorian Gray sees a painter's stunning portrait of him, he is transfixed by its reflection of his own beauty. He is also troubled by the knowledge that the image in the painting will remain forever youthful and handsome while he himself will grow older and less desirable. He wishes aloud that the roles were reversed, saying that he would give his soul if only the painting would suffer the ravages of time and he were to remain forever young. From that point on, Dorian lives a life of hedonistic indulgence, knowing that only the painting will show his moral corruption.
In these delightful tales, Oscar Wilde employs all his grace, artistry and wit. The Happy Prince tells of the statue of a once pleasure-loving Prince which, with the help of a selfless Swallow helps people in distress. As well as The Nightingale and the Rose, The Devoted Friend and The Remarkable Rocket, this collection contains The Selfish Giant, a remarkable story of the redemptive power of love.
New Way is a series of carefully graded phonic readers, providing a wide reading experience at similar levels of language. Learners are encouraged to take pleasure in becoming readers in their own right. Phonic copymasters help to develop and assess learnersA language skills. Features and Benefits Pre-reading, reading and post-reading graded material Multi-cultural and lifeskills oriented Suitable for classes of mixed ability, allowing learners to progress at their own pace Lays a firm foundation for literacy and promotes learning in an OBE curriculum
An innovative new edition of nine classic short stories from one of the greatest writers of the Victorian era. “I cannot think other than in stories,†Oscar Wilde once confessed to his friend André Gide. In this new selection of his short fiction, Wilde’s gifts as a storyteller are on full display, accompanied by informative facing-page annotations from Wilde biographer and scholar Nicholas Frankel. A wide-ranging introduction brings readers into the world from which the author drew inspiration. Each story in the collection brims with Wilde’s trademark wit, style, and sharp social criticism. Many are reputed to have been written for children, although Wilde insisted this was not true and that his stories would appeal to all “those who have kept the childlike faculties of wonder and joy.†“Lord Arthur Savile’s Crime†stands alongside Wilde’s comic masterpiece The Importance of Being Earnest, while other stories—including “The Happy Prince,†the tale of a young ruler who had never known sorrow, and “The Nightingale and the Rose,†the story of a nightingale who sacrifices herself for true love—embrace the theme of tragic, forbidden love and are driven by an undercurrent of seriousness, even despair, at the repressive social and sexual values of Wilde’s day. Like his later writings, Wilde’s stories are a sweeping indictment of the society that would imprison him for his homosexuality in 1895, five years before his death at the age of forty-six. Published here in the form in which Victorian readers first encountered them, Wilde’s short stories contain much that appeals to modern readers of vastly different ages and temperaments. They are the perfect distillation of one of the Victorian era’s most remarkable writers.
Little Clothbound Classics: irresistible, mini editions of short stories, novellas and essays from the world's greatest writers, designed by the award-winning Coralie Bickford-Smith. With warmth, tenderness and quiet wit, Oscar Wilde's fables and fairy tales have moved and delighted for generations. In far-off kingdoms and ocean realms, in the company of giants and nightingales, Wilde speaks of heartbreak and redemption, of cruelty and compassion, of love lost, of love gained, of love lasting. Included in this selection are stories from The Happy Prince and A House of Pomegranates. 'His tales will dazzle children and intrigue adults' Guardian
HarperCollins is proud to present its range of best-loved, essential classics. 'The only way to get rid of a temptation is to yield to it.' When Basil Hallward paints the portrait of young, handsome Dorian Gray, he falls prey to his dazzling beauty. Afraid that his youth and looks will waste away, Dorian expresses a wish that his portrait, and not he, will age and fade over time. His wish is granted, and over the ensuing years, Dorian indulges in every kind of vice and pleasure, never ageing nor disfiguring. Only his portrait, hidden to the world, bears the marks of his actions, and as his soul grows ever more wasted and corrupted, devastating consequences lie in wait. The Picture of Dorian Gray is an exploration of the purpose of art, the superficial nature of youth and beauty, and the conflict between morality and intemperance. First published in its complete, uncensored form in 1891, it is Oscar Wilde's only novel.
Oscar Wilde is one of the world's most beloved writers.
After all, who has the right to cast a stone against one who has suffered? Cannot repentance wipe out an act of folly? Why should there be one law for me and another for women? Wilde's 'trivial play for serious people', a sparkling comedy of manners, is the epitome of wit and style. This brilliantly constructed satire with its celebrated characters and much-quoted dialogue turns accepted ideas inside out and is generally regarded as Wilde's masterpiece. This Methuen Drama Student Edition of the play includes commentary and notes by Lucie Sutherland, Assistant Professor in Drama at the University of Nottingham, UK, which investigate the play through a contemporary lens, bringing in the contributions from queer scholarship and discussions of recent productions of the play.
Exam board: Edexcel Level & Subject: AS and A Level English Literature First teaching: September 2015 First examination: June 2017
An authoritative edition of Oscar Wilde's critical writings shows how the renowned dramatist and novelist also transformed the art of commentary. Though he is primarily acclaimed today for his drama and fiction, Oscar Wilde was also one of the greatest critics of his generation. Annotated and introduced by Wilde scholar Nicholas Frankel, this unique collection reveals Wilde as a writer who transformed criticism, giving the genre new purpose, injecting it with style and wit, and reorienting it toward the kinds of social concerns that still occupy our most engaging cultural commentators. "Criticism is itself an art," Wilde wrote, and The Critical Writings of Oscar Wilde demonstrates this philosophy in action. Readers will encounter some of Wilde's most quotable writings, such as "The Decay of Lying," which famously avers that "Life imitates Art far more than Art imitates life." But Frankel also includes lesser-known works like "The American Invasion," a witty celebration of modern femininity, and "Aristotle at Afternoon Tea," in which Wilde deftly (and anonymously) carves up his former tutor's own criticism. The essays, reviews, dialogues, and epigrams collected here cover an astonishing range of themes: literature, of course, but also fashion, politics, masculinity, cuisine, courtship, marriage-the breadth of Victorian England. If today's critics address such topics as a matter of course, it is because Wilde showed that they could. It is hard to imagine a twenty-first-century criticism without him.
Oscar Wilde's only novel is the dreamlike story of a young man who sells his soul for eternal youth and beauty. Now, distinctively packaged with a beautifully designed jacket by noted illustrator Malika Favre. When handsome young Dorian Gray sees a painter's stunning portrait of him, he is transfixed by its reflection of his own beauty. He is also troubled by the knowledge that the image in the painting will remain forever youthful and handsome while he himself will grow older and less desirable. He wishes aloud that the roles were reversed, saying that he would give his soul if only the painting would suffer the ravages of time and he were to remain forever young. From that point on, Dorian lives a life of hedonistic indulgence, knowing that only the painting will show his moral corruption.
"Backgrounds" includes essays on Wilde and the 1890s by prominent cultural critics Karl Beckson, Sharon Marcus, and Michael Patrick Gillespie. "Early Reviews and Reactions" collects contemporary responses to The Importance of Being Earnest, including George Bernard Shaw's famous dissenting review and other commentary by H. G. Wells, Hamilton Fyfe, and William Archer. "Essays in Criticism" includes seven diverse assessments-six of them new to the Second Edition-of Wilde and the play by E. H. Mikhail, Burkhard Niederhoff, Christopher S. Nassaar, Clifton Snider, Brigitte Bastiat, Eibhear Walshe, and Maneck H. Daruwala. A chronology and selected bibliography are also included. |
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