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The rewritings of the Mexican colonia discussed in this book
question a present reality of marginalities and inequality, of
imposed political domination, and of hybrid subjectivities. In
their examination of the novels, films, poetry, and chronicles
produced in and outside of Mexico since 2000, the critics included
in Colonial Itineraries of Contemporary Mexico produce new
interpretations, alternative readings, and different angles of
analysis that extend far beyond the theories of the new historical
novel of the eighties and nineties, and well beyond the limits of
the novel as re-creative genre.
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