Few records survive from Raymond-Charles Weill's excavations of the early Zionist tombs of Tel Gezer in central Israel. The finds, which have no context, are all that survive. This volume examines the finds in order to discover as much as possible about the excavation whilst making comparison with material recovered from contemporary tombs elsewhere in Israel. The book includes specialist reports, with illustrated catalogues, of the pottery assemblage; the stone, fiance, bone and metal objects; an 18th-Dynasty glass vessel; and the glyptic finds. An additional preliminary report discusses the initial results of a project to CT scan five selected vessels.

Keel and Uehlinger's unique study brings the massive Palestinian archaeological evidence of 8,500 amulets and inscriptions to bear on these questions. Vindicating the use of symbols and visual remains to investigate ancient religion, the authors employ iconographic evidence from around 1750 B.C.E. through the Persian period (c. 333 B.C.E.) to reconstruct the emergence and development of the Yahweh cult in relation to its immediate neighbors and competitors. They also fully explore whether female characteristics were present in the early Yahweh figure and how they might have evolved in Israelite religion. Keel and Uehlinger's major study marks the maturation of iconographical studies and affords an exciting glimpse into the vibrant religious life of ancient Canaan and Israel.

This pioneering work that first appeared in 1972 in German was the first to compare the conceptual world of a biblical book with ancient Near Eastern iconography. Eisenbrauns’ English edition of Keel’s classic work provides the 21st century scholar with his groundbreaking methodology. Generously illustrated with photographs and line drawings.

Othmar Keel has become well known as the author of masterly studies on the iconography and texts of the ANE and their relationship to the text of the Hebrew Bible. In this volume, he partners with Silvia Schroer to assemble ANE texts and art that bears on the idea of creation. The result is a convenient assemblage of texts and iconographical data that may be studied in concert, often leading to being able to see old texts in new ways. As with much of this Swiss scholar's work, this new volume will prove to be a resource for all who wish to study the biblical theology of creation against its wider background.

This pioneering work that first appeared in 1972 in German was the first to compare the conceptual world of a biblical book with ancient Near Eastern iconography. Eisenbrauns' English edition of Keel's classic work provides the 21st century scholar with his groundbreaking methodology. Generously illustrated with photographs and line drawings.

In addition to a careful analysis of text, form, and structure, Keel focuses on the metaphorical and symbolic language of this scholarly work, making full use of parallels from Egypt, Palestine, and Mesopotamia, and providing readers with the full symbolism of ancient Near Eastern art. More than 160 illustrations and photos help illuminate the interpretation.