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This collection of essays is about sanctity, demonstrating the multiplicity of aspects this condition had in Western medieval Christianity. The studies concentrate on the complex set of the socio-cultural phenomena of the cult of saints, in a variety of regions from Egypt to Poland, with a focus on Italy and Central Europe. The subjects of the contributions range in time from Pope Damasus in the fourth until St. Christopher in the eighteenth century. The diversity of approaches adopted by the contributors-from literary analysis and historical anthropology to archaeology and art history-represents the open and multidisciplinary historical research that characterizes the medievalist community at the Central European University. Top erudition and scholarly precision meets the mystical world of Catholic saints. Some of the essays contain numerous black and white illustrations.
The studies in this volume concentrate on a complex set of socio-cultural phenomena, the cult of saints, in a variety of regions from Egypt to Poland, with a focus on Italy and Central Europe. The subjects of the contributions range in time from the fourth until the eighteenth century. The diversity of approaches adopted by the contributors-from literary analysis and historical anthropology to archaeology and art history-represents that open and multidisciplinary historical research that characterizes the work of Gabor Klaniczay to whom these essays are dedicated.
Antiquity, as the term has been understood and used over the centuries by scholars, political and religious figures, and ordinary citizens, is far from a single, monolithic concept. Rather than reflecting a stable, shared understanding about the past and its meaning, the idea of antiquity is instead varying and multiple, taking on different meanings and deployed to different effects depending on the context in which it is being considered. In this volume, historians from a wide range of specialties offer a comparative assessment of the multiple perceptions of antiquity that have shaped modern European cultures and national identities, deploying a new methodological approach, "histoire croisee," which considers these questions in light of the development of cultural diversity across Europe.
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