The seventh in his visionary series of thirteen tone poems for orchestra, Liszt's "Festkl nge" was composed in 1853 and was given its premiere in Weimar on 9 September 1854 with the composer conducting the Weimar Hofkapelle. This new study score is a digitally-restored reissue of the score edited by Otto Taubmann in the fourth volume of the Liszt-Stiftung edition, published in 1909. As with all PLP scores a percentage of each sale is donated to the amazing online archive of free music scores and recordings, IMSLP - Petrucci Music Library.

Otto Taubmann's classic vocal score of Mozart's Coronation Mass was first issued in the early 20th century and has become the standard edition in continuous use by performers all over the world for more than a century. This digitally-enhanced reissue has added measure numbers and is produced in a very handy format designed for choruses. Unlike so many of the on-demand scores now available, this one comes with all the pages and the images have been thoroughly checked to make sure it is readable. As with all PLP scores a percentage of each sale is donated to the amazing online archive of free music scores and recordings, IMSLP - Petrucci Music Library.

The eleventh in Liszt's series of thirteen tone poems for orchestra, "Hunnenschlacht" or 'Battle of the Huns' - composed from 1855-57 - was inspired by a painting of the same title by Wilhelm von Kaulbach which portrayed the legendary Battle of the Catalaunian Plains between the Huns under Attila and a coalition of Romans, Visigoths and others fought around June 20, 451, where the fighting was supposedly so bitter that the spirits of the fallen warriors continued the battle in the skies above the field. Liszt conducted the premiere himself in Weimar on 29 December 1857. This new study score is a digitally-restored reissue of the score edited by Otto Taubmann in the sixth volume of the Liszt-Stiftung edition, published in 1910. As with all PLP scores a percentage of each sale is donated to the amazing online archive of free music scores and recordings, IMSLP - Petrucci Music Library.

The ninth in his ground breaking series of thirteen tone poems for orchestra, Liszt's "Hungaria" or 'Heroic Elegy' was composed in 1854 and given a tremendously successful premiere in Budapest's National Theatre on 8 September 1856 under the composer's direction. This new study score is a digitally-restored reissue of the score edited by Otto Taubmann in the fifth volume of the Liszt-Stiftung edition, published in 1909. As with all PLP scores a percentage of each sale is donated to the amazing online archive of free music scores and recordings, IMSLP - Petrucci Music Library.

"Die Ideale" is the penultimate work of the revolutionary series of thirteen tone poems Liszt composed for orchestra. It may have been originally intended as the final one, since the final symphonic poem followed more than two decades after this work's completion and premiere - which took place on 9 September 1857 with the Weimar Hofkapelle conducted the composer. This new study score is a digitally-restored reissue of the score edited by Otto Taubmann in the sixth volume of the Liszt-Stiftung edition, published in 1910. As with all PLP scores a percentage of each sale is donated to the amazing online archive of free music scores and recordings, IMSLP - Petrucci Music Library.

The sixth of the revolutionary series of thirteen tone poems for orchestra, Liszt's "Mazeppa" was inspired by the French version of Lord Byron's famous poem by Victor Hugo. Composed from 1851-54, it was given its premiere in Weimar on 16 April 1854 with the composer conducting the Weimar Hofkapelle. This new study score is a digitally-restored reissue of the score edited by Otto Taubmann in the third volume of the Liszt-Stiftung edition, published in 1909. As with all PLP scores a percentage of each sale is donated to the amazing online archive of free music scores and recordings, IMSLP - Petrucci Music Library.

The second in a ground-breaking series of thirteen works for orchestra, Liszt's "Tasso: Lamento e Trionfo" was inspired by Goethe's drama "Torquato Tasso." Composed from 1849-54, it was given its premiere in Weimar 19 April 1854 with the composer conducting the Weimar Hofkapelle. This new study score is a digitally-restored reissue of the score edited by Otto Taubmann in the first volume of the Liszt-Stiftung edition, published in 1908. As with all PLP scores a percentage of each sale is donated to the amazing online archive of free music scores and recordings, IMSLP - Petrucci Music Library.

Number 8 in his series of thirteen tone poems for orchestra, Liszt's "H ro de fun bre" or 'Heroic Elegy' was composed from 1849-56 and given its premiere in Breslau on 10 November 1857 with the composer conducting. This new study score is a digitally-restored reissue of the score edited by Otto Taubmann in the fourth volume of the Liszt-Stiftung edition, published in 1909. As with all PLP scores a percentage of each sale is donated to the amazing online archive of free music scores and recordings, IMSLP - Petrucci Music Library.

"Hamlet," inspired by the well-known Shakespeare tragedy, is number ten in Liszt's series of thirteen tone poems for orchestra. It was composed in 1858 but did not receive its premiere for 18 years - on 2 July 1876 in Sonderhausen. This new study score is a digitally-restored reissue of the score edited by Otto Taubmann in the fifth volume of the Liszt-Stiftung edition, published in 1909. As with all PLP scores a percentage of each sale is donated to the amazing online archive of free music scores and recordings, IMSLP - Petrucci Music Library.

Composed in 1855-56, Liszt's "Symphony to Dante's 'Divina Commedia'" is programmatic work depicting Dante's journey through hell and purgatory. It was quite advanced for its era, employing many new orchestral colors and daring harmonic schemes. The work's disastrous premiere, given under the composer's direction on November 7th, 1857 in Dresden's Hoftheater, was a public humiliation for the composer. Despite the rocky start, the work's quality and value became apparent over time. The present score is a digitally-restored reissue of the one first published in 1920 by Breitkopf und H rtel as volume 7 of "Franz Liszts Musikalische Werke," edited by Otto Taubmann, with a preface by Peter Raabe. As with all PLP scores a percentage of each sale is donated to the amazing online archive of free music scores and recordings, IMSLP - Petrucci Music Library.

Liszt's fourth entry in his revolutionary series of thirteen symphonic poems, "Orpheus" was penned to serve as an introduction to the Weimar premiere of Gluck's opera on the same story "Ofeo ed Euridice." Composed from 1853-54, it was given its premiere in Weimar 16 February 1854 with the composer conducting the Weimar Hofkapelle. This new study score is a digitally-restored reissue of the score edited by Otto Taubmann in the second volume of the Liszt-Stiftung edition, published in 1908. As with all PLP scores a percentage of each sale is donated to the amazing online archive of free music scores and recordings, IMSLP - Petrucci Music Library.

The first of a ground-breaking series of thirteen works for orchestra, Liszt's "Ce qu'on entend sur la montagne" (What One Hears in the Mountains) drew its inspiration from a poem by Victor Hugo. Composed from 1848-54, it was given its premiere in Weimar in January of 1857 with the composer conducting the Weimar Hofkapelle. This new study score is a digitally-restored reissue of the score edited by Otto Taubmann in the first volume of the Liszt-Stiftung edition, published in 1908. As with all PLP scores a percentage of each sale is donated to the amazing online archive of free music scores and recordings, IMSLP - Petrucci Music Library.

First performed under the composer's direction on Easter Sunday of 1779 in Salzburg Cathedral, the 'Coronation' Mass has become a staple of the choral repertoire. This newly engraved score, completely compatible with the widely available orchestra parts originally issued by Breitkopf und Hartel and reissued by Kalmus and others, employs Otto Taubmann's piano reduction in an easy-to-read A4 size.