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The seventh in his visionary series of thirteen tone poems for
orchestra, Liszt's "Festkl nge" was composed in 1853 and was given
its premiere in Weimar on 9 September 1854 with the composer
conducting the Weimar Hofkapelle. This new study score is a
digitally-restored reissue of the score edited by Otto Taubmann in
the fourth volume of the Liszt-Stiftung edition, published in 1909.
As with all PLP scores a percentage of each sale is donated to the
amazing online archive of free music scores and recordings, IMSLP -
Petrucci Music Library.
Otto Taubmann's classic vocal score of Mozart's Coronation Mass was
first issued in the early 20th century and has become the standard
edition in continuous use by performers all over the world for more
than a century. This digitally-enhanced reissue has added measure
numbers and is produced in a very handy format designed for
choruses. Unlike so many of the on-demand scores now available,
this one comes with all the pages and the images have been
thoroughly checked to make sure it is readable. As with all PLP
scores a percentage of each sale is donated to the amazing online
archive of free music scores and recordings, IMSLP - Petrucci Music
Library.
The eleventh in Liszt's series of thirteen tone poems for
orchestra, "Hunnenschlacht" or 'Battle of the Huns' - composed from
1855-57 - was inspired by a painting of the same title by Wilhelm
von Kaulbach which portrayed the legendary Battle of the
Catalaunian Plains between the Huns under Attila and a coalition of
Romans, Visigoths and others fought around June 20, 451, where the
fighting was supposedly so bitter that the spirits of the fallen
warriors continued the battle in the skies above the field. Liszt
conducted the premiere himself in Weimar on 29 December 1857. This
new study score is a digitally-restored reissue of the score edited
by Otto Taubmann in the sixth volume of the Liszt-Stiftung edition,
published in 1910. As with all PLP scores a percentage of each sale
is donated to the amazing online archive of free music scores and
recordings, IMSLP - Petrucci Music Library.
The ninth in his ground breaking series of thirteen tone poems for
orchestra, Liszt's "Hungaria" or 'Heroic Elegy' was composed in
1854 and given a tremendously successful premiere in Budapest's
National Theatre on 8 September 1856 under the composer's
direction. This new study score is a digitally-restored reissue of
the score edited by Otto Taubmann in the fifth volume of the
Liszt-Stiftung edition, published in 1909. As with all PLP scores a
percentage of each sale is donated to the amazing online archive of
free music scores and recordings, IMSLP - Petrucci Music Library.
"Die Ideale" is the penultimate work of the revolutionary series of
thirteen tone poems Liszt composed for orchestra. It may have been
originally intended as the final one, since the final symphonic
poem followed more than two decades after this work's completion
and premiere - which took place on 9 September 1857 with the Weimar
Hofkapelle conducted the composer. This new study score is a
digitally-restored reissue of the score edited by Otto Taubmann in
the sixth volume of the Liszt-Stiftung edition, published in 1910.
As with all PLP scores a percentage of each sale is donated to the
amazing online archive of free music scores and recordings, IMSLP -
Petrucci Music Library.
The sixth of the revolutionary series of thirteen tone poems for
orchestra, Liszt's "Mazeppa" was inspired by the French version of
Lord Byron's famous poem by Victor Hugo. Composed from 1851-54, it
was given its premiere in Weimar on 16 April 1854 with the composer
conducting the Weimar Hofkapelle. This new study score is a
digitally-restored reissue of the score edited by Otto Taubmann in
the third volume of the Liszt-Stiftung edition, published in 1909.
As with all PLP scores a percentage of each sale is donated to the
amazing online archive of free music scores and recordings, IMSLP -
Petrucci Music Library.
The second in a ground-breaking series of thirteen works for
orchestra, Liszt's "Tasso: Lamento e Trionfo" was inspired by
Goethe's drama "Torquato Tasso." Composed from 1849-54, it was
given its premiere in Weimar 19 April 1854 with the composer
conducting the Weimar Hofkapelle. This new study score is a
digitally-restored reissue of the score edited by Otto Taubmann in
the first volume of the Liszt-Stiftung edition, published in 1908.
As with all PLP scores a percentage of each sale is donated to the
amazing online archive of free music scores and recordings, IMSLP -
Petrucci Music Library.
Number 8 in his series of thirteen tone poems for orchestra,
Liszt's "H ro de fun bre" or 'Heroic Elegy' was composed from
1849-56 and given its premiere in Breslau on 10 November 1857 with
the composer conducting. This new study score is a
digitally-restored reissue of the score edited by Otto Taubmann in
the fourth volume of the Liszt-Stiftung edition, published in 1909.
As with all PLP scores a percentage of each sale is donated to the
amazing online archive of free music scores and recordings, IMSLP -
Petrucci Music Library.
"Hamlet," inspired by the well-known Shakespeare tragedy, is number
ten in Liszt's series of thirteen tone poems for orchestra. It was
composed in 1858 but did not receive its premiere for 18 years - on
2 July 1876 in Sonderhausen. This new study score is a
digitally-restored reissue of the score edited by Otto Taubmann in
the fifth volume of the Liszt-Stiftung edition, published in 1909.
As with all PLP scores a percentage of each sale is donated to the
amazing online archive of free music scores and recordings, IMSLP -
Petrucci Music Library.
Composed in 1855-56, Liszt's "Symphony to Dante's 'Divina
Commedia'" is programmatic work depicting Dante's journey through
hell and purgatory. It was quite advanced for its era, employing
many new orchestral colors and daring harmonic schemes. The work's
disastrous premiere, given under the composer's direction on
November 7th, 1857 in Dresden's Hoftheater, was a public
humiliation for the composer. Despite the rocky start, the work's
quality and value became apparent over time. The present score is a
digitally-restored reissue of the one first published in 1920 by
Breitkopf und H rtel as volume 7 of "Franz Liszts Musikalische
Werke," edited by Otto Taubmann, with a preface by Peter Raabe. As
with all PLP scores a percentage of each sale is donated to the
amazing online archive of free music scores and recordings, IMSLP -
Petrucci Music Library.
Liszt's fourth entry in his revolutionary series of thirteen
symphonic poems, "Orpheus" was penned to serve as an introduction
to the Weimar premiere of Gluck's opera on the same story "Ofeo ed
Euridice." Composed from 1853-54, it was given its premiere in
Weimar 16 February 1854 with the composer conducting the Weimar
Hofkapelle. This new study score is a digitally-restored reissue of
the score edited by Otto Taubmann in the second volume of the
Liszt-Stiftung edition, published in 1908. As with all PLP scores a
percentage of each sale is donated to the amazing online archive of
free music scores and recordings, IMSLP - Petrucci Music Library.
The first of a ground-breaking series of thirteen works for
orchestra, Liszt's "Ce qu'on entend sur la montagne" (What One
Hears in the Mountains) drew its inspiration from a poem by Victor
Hugo. Composed from 1848-54, it was given its premiere in Weimar in
January of 1857 with the composer conducting the Weimar Hofkapelle.
This new study score is a digitally-restored reissue of the score
edited by Otto Taubmann in the first volume of the Liszt-Stiftung
edition, published in 1908. As with all PLP scores a percentage of
each sale is donated to the amazing online archive of free music
scores and recordings, IMSLP - Petrucci Music Library.
First performed under the composer's direction on Easter Sunday of
1779 in Salzburg Cathedral, the 'Coronation' Mass has become a
staple of the choral repertoire. This newly engraved score,
completely compatible with the widely available orchestra parts
originally issued by Breitkopf und Hartel and reissued by Kalmus
and others, employs Otto Taubmann's piano reduction in an
easy-to-read A4 size.
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