Winner of the 2004 Harold Morton Landon Translation Award from the Academy of American Poets, Charles Martin's blank-verse translation of the Metamorphoses is a "smoothly readable, accurate, charming, subtle yet clear" (Richard Wilbur) version that "highlights [the poem's] lightness and pervasive sense of universal mutability" (Michael Dirda).

This fresh translation revives the politics and power at play in classical mythology’s foremost source Centuries of conservative translators have robbed the Metamorphoses of its subversive force. In this boldly lyrical translation, C. Luke Soucy revives the magnum opus of Rome’s most clever and creative poet, faithfully matching the epic’s wit and style while confronting the sexuality, violence, and politics so many previous translations have glossed over.   Soucy’s powerful version breathes new life into Ovid's mythic world, where canonical power dynamics are challenged from below to drain heroes of their heroism, give victims their say, and reveal an earth holier than heaven. Incorporating the latest scholarship alongside annotations, illustrations, and glossary, this edition brings fresh insights to both returning and new readers.

In the late 1970s, reading research had become a true interdisciplinary endeavour with flavours of anthropology, artificial intelligence, cognitive psychology, educational psychology, linguistics, neuroscience and instructional technology. Given appropriate integration, results from these diverse perspectives can enhance our understanding of reading behaviour tremendously, both in its acquisition and in its skilled functioning. Thus, the enthusiasm for such interdisciplinary interaction had been quite intense for some time. In the years before publication, the National Reading Conference had been doing everything possible to accelerate this interaction. Originally published in 1981, the chapters in this book are the fruits of that effort. The research focuses on specifying skills in identifying alphabetical elements and the rules that govern their combination, on constructing models that characterize the recognition of individual words and the interpretation of texts, and on discovering what factors are responsible for blocking the normal acquisition process in many children. Chapters 2 to 12 of this book reflect these changing foci. They are nevertheless sandwiched by two chapters that deal with the historical background and future outlook of reading instruction.

-- Introduction with chapters on Ovid's life and suggestions on reading the Ars Amatoria

-- Original Latin texts (based on the 1916 Teubner edition by R. Ehwald with changes in readings, spellings, and punctuation)

-- Line-by-line notes

-- English summaries for each major section

-- Fold-out in back with basic vocabulary

Never reprinted since their first, posthumous appearance in 1935, these woodcuts were the only printed versions of his work to receive Rodin's full approval. Mostly self-educated, Rodin was a passionate re-reader of his favourite books, and Ovid's Love Elegies occupied a special place in his imagination. These woodcut illustrations were taken from the astonishingly free and improvisatory life drawings he made in his later years. For many people these are the most entrancing manifestation of his genius. Privately published in 1939 in a very strictly limited edition, these 31 beautiful images are very rarely seen. This edition marries Rodin's illustrations to Christopher Marlowe's glittering translation, which was ceremonially burnt by the Archbishop of Canterbury in 1599.

-- 770 lines from the Ars Amatoria, Books I and II

-- An introduction to Ovid's life

-- 148 pages of vocabulary, commentary, and notes

'Drawn on by his eagerness for the open sky, he left his guide and soared upwards...' Ovid tells the tales of Theseus and the Minotaur, Daedalus and Icarus, the Calydonian Boar-Hunt, and many other famous myths. Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th-century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions. Ovid (c.43 BCE-17 CE). Ovid's other works available in Penguin Classics are The Erotic Poems, Fasti, Heroides and Metamorphoses.

'We are here to make sense of it all.' From the everyday to the astonishing, and the ordinary to the miraculous, the Roman poet Ovid's stories of epic impossibilities explore the power of transformation, the resilience of humans, and the wonder of life. The myths of Metamorphoses have inspired generations of writers, including Shakespeare. Over two thousand years later, they are reimagined for our world by three leading British playwrights, and feature anarchy, shape-shifting and a burning chariot of fire. This entertaining and provocative new play, by Sami Ibrahim, Laura Lomas and Sabrina Mahfouz, was written for the candlelit Sam Wanamaker Playhouse at Shakespeare's Globe, London. It was first performed by four actors in 2021, and directed by Globe Associate Artistic Director, Sean Holmes and Associate Artistic Director of Headlong, Holly Race Roughan.

Ovid's Metamorphoses is one of the most influential works of Western literature, inspiring artists and writers from Titian to Shakespeare to Salman Rushdie. These are some of the most famous Roman myths as you've never read them before—sensuous, dangerously witty, audacious—from the fall of Troy to birth of the minotaur, and many others that only appear in the Metamorphoses. Connected together by the immutable laws of change and metamorphosis, the myths tell the story of the world from its creation up to the transformation of Julius Caesar from man into god. In the ten-beat, unrhymed lines of this now-legendary and widely praised translation, Rolfe Humphries captures the spirit of Ovid's swift and conversational language, bringing the wit and sophistication of the Roman poet to modern readers. This special annotated edition includes new, comprehensive commentary and notes by Joseph D. Reed, Professor of Classics and Comparative Literature at Brown University.

This book is an outcome of the Second International Conference on Mathematical Population Dynamics. It is intended for mathematicians, statisticians, biologists, and medical researchers who are interested in recent advances in analyzing changes in populations of genes, cells, and tumors.

In the late 1970s, reading research had become a true interdisciplinary endeavour with flavours of anthropology, artificial intelligence, cognitive psychology, educational psychology, linguistics, neuroscience and instructional technology. Given appropriate integration, results from these diverse perspectives can enhance our understanding of reading behaviour tremendously, both in its acquisition and in its skilled functioning. Thus, the enthusiasm for such interdisciplinary interaction had been quite intense for some time. In the years before publication, the National Reading Conference had been doing everything possible to accelerate this interaction. Originally published in 1981, the chapters in this book are the fruits of that effort. The research focuses on specifying skills in identifying alphabetical elements and the rules that govern their combination, on constructing models that characterize the recognition of individual words and the interpretation of texts, and on discovering what factors are responsible for blocking the normal acquisition process in many children. Chapters 2 to 12 of this book reflect these changing foci. They are nevertheless sandwiched by two chapters that deal with the historical background and future outlook of reading instruction.

This book is an outcome of the Second International Conference on Mathematical Population Dynamics. It is intended for mathematicians, statisticians, biologists, and medical researchers who are interested in recent advances in analyzing changes in populations of genes, cells, and tumors.

This volume presents the Latin text, with an Introduction and full commentary, of Book XIII of the Roman poet Ovid's long work Metamorphoses. It discusses in detail Ovid's treatment of his sources and sets out the ways in which he adapted earlier literature as material for his novel enterprise. Guidance is offered on points of language and style, and the Introduction treats in general terms the themes of metamorphosis and the structure of the poem as a whole.

Sir James Frazer (1854-1941) is best remembered today for The Golden Bough, widely considered to be one of the most important early texts in the fields of psychology and anthropology. Originally a classical scholar, Frazer also published this five-volume edition of Ovid's Fasti in 1929. It contains the text and a parallel English translation, with commentary on the six books, indexes, illustrations, and plans. Frazer's interest in Ovid's unfinished final poem arose from his wide-ranging studies of ancient literature and the origins of myth. The work describes the origins of the Roman calendar with its sacred, feast, and remembrance days, and ranges from the deeds of major gods and heroes to the strange rites involved in placating the goddess of mildew. Volume 1 contains the text and translation of all six books. Other works by Frazer are also reissued in the Cambridge Library Collection.

Sir James Frazer (1854-1941) is best remembered today for The Golden Bough, widely considered to be one of the most important early texts in the fields of psychology and anthropology. Originally a classical scholar, Frazer also published this five-volume edition of Ovid's Fasti in 1929. It contains the text and a parallel English translation, with commentary on the six books, indexes, illustrations, and plans. Frazer's interest in Ovid's unfinished final poem arose from his wide-ranging studies of ancient literature and the origins of myth. The work describes the origins of the Roman calendar with its sacred days, and ranges from the deeds of major gods and heroes to the strange rites involved in placating the goddess of mildew. Volume 2 contains Frazer's commentary on Books I and II, dealing with the Roman months of January and February. Other works by Frazer are also reissued in the Cambridge Library Collection.

Sir James Frazer (1854-1941) is best remembered today for The Golden Bough, widely considered to be one of the most important early texts in the fields of psychology and anthropology. Originally a classical scholar, Frazer also published this five-volume edition of Ovid's Fasti in 1929. It contains the text and a parallel English translation, with commentary on the six books, indexes, illustrations, and plans. Frazer's interest in Ovid's unfinished final poem arose from his wide-ranging studies of ancient literature and the origins of myth. The work describes the origins of the Roman calendar with its sacred days, and ranges from the deeds of major gods and heroes to the strange rites involved in placating the goddess of mildew. Volume 3 contains Frazer's commentary on Books III and IV, dealing with the Roman months of March and April. Other works by Frazer are also reissued in the Cambridge Library Collection.

Sir James Frazer (1854-1941) is best remembered today for The Golden Bough, widely considered to be one of the most important early texts in the fields of psychology and anthropology. Originally a classical scholar, Frazer also published this five-volume edition of Ovid's Fasti in 1929. It contains the text and a parallel English translation, with commentary on the six books, indexes, illustrations, and plans. Frazer's interest in Ovid's unfinished final poem arose from his wide-ranging studies of ancient literature and the origins of myth. The work describes the origins of the Roman calendar with its sacred days, and ranges from the deeds of major gods and heroes to the strange rites involved in placating the goddess of mildew. Volume 4 contains Frazer's commentary on Books V and VI, dealing with the Roman months of May and June. Other works by Frazer are also reissued in the Cambridge Library Collection.

Sir James Frazer (1854-1941) is best remembered today for The Golden Bough, widely considered to be one of the most important early texts in the fields of psychology and anthropology. Originally a classical scholar, Frazer also published this five-volume edition of Ovid's Fasti in 1929. It contains the text and a parallel English translation, with commentary on the six books, indexes, illustrations, and plans. Frazer's interest in Ovid's unfinished final poem arose from his wide-ranging studies of ancient literature and the origins of myth. The work describes the origins of the Roman calendar with its sacred days, and ranges from the deeds of major gods and heroes to the strange rites involved in placating the goddess of mildew. Volume 5 contains indexes to the translation and commentary, 88 plates, and maps of Rome. Other works by Frazer are also reissued in the Cambridge Library Collection.

When Ovid, already renowned for his love poetry, the Metamorphoses and other works, was exiled by Augustus to Tomis on the Black Sea in AD 8, he continued to write. After five books of Tristia, he composed a collection of verse letters, the Epistulae ex Ponto, in which he appeals to his friends and supporters in Rome, lamenting his lot and begging for their help in mitigating it. In these epistolary elegies his inventiveness flourishes no less than before and his imaginative self-fashioning is as ingenious and engaging as ever, although in a minor key. This commentary on Book I assists intermediate and advanced students in understanding Ovid's language and style, while guiding them in the appreciation of his poetic art. The introduction examines the literary background of the Epistulae ex Ponto, their relation to Ovid's earlier works, and their special interest and appeal to readers of Augustan poetry.

When Ovid, already renowned for his love poetry, the Metamorphoses and other works, was exiled by Augustus to Tomis on the Black Sea in AD 8, he continued to write. After five books of Tristia, he composed a collection of verse letters, the Epistulae ex Ponto, in which he appeals to his friends and supporters in Rome, lamenting his lot and begging for their help in mitigating it. In these epistolary elegies his inventiveness flourishes no less than before and his imaginative self-fashioning is as ingenious and engaging as ever, although in a minor key. This commentary on Book I assists intermediate and advanced students in understanding Ovid's language and style, while guiding them in the appreciation of his poetic art. The introduction examines the literary background of the Epistulae ex Ponto, their relation to Ovid's earlier works, and their special interest and appeal to readers of Augustan poetry.

'Still remarkably vivid. It is easier to read this for pure pleasure than just about any other ancient text' Nicholas Lezard, Guardian Ovid's sensuous and witty poem begins with the creation of the world and brings together a dazzling array of mythological tales, ingeniously linked by the idea of transformation - often as a result of love or lust - where men and women find themselves magically changed into extraordinary new beings. Including the well-known stories of Daedalus and Icarus, Pyramus and Thisbe, Pygmalion, Perseus and Andromeda, and the fall of Troy, the Metamorphoses has influenced writers and artists from Shakespeare and Chaucer to Picasso and Ted Hughes. This translation by David Raeburn is in hexameter verse, which brilliantly captures the energy and spontaneity of the original. Translated by DAVID RAEBURN with an Introduction by DENIS FEENEY

A large body of knowledge has accumulated on the cognitive processes and brain mechanisms underlying language. Much of this knowledge has come from studies of Indo-European languages, in particular English. Chinese, spoken by one-fifth of the world's population, differs significantly from most Indo-European languages in its grammar, its lexicon, and its written and spoken forms - features which have profound implications for the learning, representation and processing of language. This handbook, first published in 2006 as the first in a three-volume set on East Asian psycholinguistics, presents a discussion of the psycholinguistic study of Chinese. With contributions by over fifty leading scholars, it covers topics in first- and second-language acquisition, language processing and reading, language disorders in children and adults, and the relationships between language, brain, culture, and cognition. It will be invaluable to all scholars and students interested in the Chinese language, as well as cognitive psychologists, linguists, and neuroscientists.

In Book XIV of the Metamorphoses Ovid takes his epic for the first time into Italy and continues from book XIII his close intertextual engagement with Virgil's Aeneid. His tendentious treatment of his model subordinates Virgil's epic plot to fantastic tales of metamorphosis, including the erotic Italian tales of Circe Glaucus, and Scylla, and Picus, and Canens. Other Roman myths include Pomona and Vertumnus, as well as events from Romulus' reign. The deifications of Aeneas and Romulus anticipate the poem's closing episodes of imperial apotheosis. This commentary provides guidance to advanced undergraduate and graduate students for understanding Ovid's language, style, artistry, and allusive techniques. The introduction discusses the major structures, themes, and stylistic features of book XIV, its place within the poem as a whole, and Ovid's interpretive imitation of Virgil's Aeneid.