Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

This fresh translation revives the politics and power at play in classical mythology’s foremost source Centuries of conservative translators have robbed the Metamorphoses of its subversive force. In this boldly lyrical translation, C. Luke Soucy revives the magnum opus of Rome’s most clever and creative poet, faithfully matching the epic’s wit and style while confronting the sexuality, violence, and politics so many previous translations have glossed over.   Soucy’s powerful version breathes new life into Ovid's mythic world, where canonical power dynamics are challenged from below to drain heroes of their heroism, give victims their say, and reveal an earth holier than heaven. Incorporating the latest scholarship alongside annotations, illustrations, and glossary, this edition brings fresh insights to both returning and new readers.

"The first taste I had for books came to me from my pleasure in the fables of the Metamorphoses of Ovid. For at about seven or eight years of age I would steal away from any other pleasure to read them, inasmuch as this language was my mother tongue, and it was the easiest book I knew and the best suited by its content to my tender age." -Michel de Montaigne The Metamorphoses of Ovid (8 AD) is an epic poem by Ovid. Published the same year the poet was sent into exile for the rest of his life, the Metamorphoses are the crowning achievement of the first major poet of the Roman empire. Written in dactylic hexameter, the meter of Homer's Iliad and Odyssey and of Virgil's Aeneid, Ovid's work is an epic poem of transformations, of shape-shifting matter and beings bound to the power of love. Taking as its scope the whole history of the universe from the arrangement of order from chaos to the death of Julius Caesar, the Metamorphoses pays heed to desire's ability to enact long-lasting and at times irreversible change. The story begins at the very beginning, with the creation of the cosmos out of nothing, of order out of unimaginable chaos. Gods and goddesses have their moment in the sun, mankind is born only to be wiped out by an immense flood, then to rise again. Amidst countless little-known descriptions of war, romance, and change are the timeless tales of Perseus, Jason and Medea, Theseus and the Minotaur, and the labors of Hercules. Icarus soars too close to the sun. Orpheus tragically condemns Eurydice to the underworld. Troy is built and destroyed, the immortal Achilles is killed, and Aeneas sets sail to save his life and lay the foundations for Rome itself. Throughout these interwoven stories of individual and epochal change, Ovid explores the inescapability of love and death, essential themes both shared by all and constitutive of everything that was or ever will be. The Metamorphoses of Ovid is an intricate masterpiece of world literature that stands the test of time just as much as it defines it. With a beautifully designed cover and professionally typeset manuscript, this edition of The Metamorphoses of Ovid is a classic work of Roman literature reimagined for modern readers.

In the late 1970s, reading research had become a true interdisciplinary endeavour with flavours of anthropology, artificial intelligence, cognitive psychology, educational psychology, linguistics, neuroscience and instructional technology. Given appropriate integration, results from these diverse perspectives can enhance our understanding of reading behaviour tremendously, both in its acquisition and in its skilled functioning. Thus, the enthusiasm for such interdisciplinary interaction had been quite intense for some time. In the years before publication, the National Reading Conference had been doing everything possible to accelerate this interaction. Originally published in 1981, the chapters in this book are the fruits of that effort. The research focuses on specifying skills in identifying alphabetical elements and the rules that govern their combination, on constructing models that characterize the recognition of individual words and the interpretation of texts, and on discovering what factors are responsible for blocking the normal acquisition process in many children. Chapters 2 to 12 of this book reflect these changing foci. They are nevertheless sandwiched by two chapters that deal with the historical background and future outlook of reading instruction.

-- Introduction with chapters on Ovid's life and suggestions on reading the Ars Amatoria

-- Original Latin texts (based on the 1916 Teubner edition by R. Ehwald with changes in readings, spellings, and punctuation)

-- Line-by-line notes

-- English summaries for each major section

-- Fold-out in back with basic vocabulary

This book seeks to better understand the intricate elements of Chinese education compared to American education thus helping educators and policy makers to craft win-win decisions in the education encounter of the dragon and the eagle. Many educators are pulling their hair trying to understand how to work well with new Chinese immigrant students and their parents. To get the job done, one has to go beyond the superficial language translation to understanding the culture that shapes the base foundations of learning and thinking.

"The first taste I had for books came to me from my pleasure in the fables of the Metamorphoses of Ovid. For at about seven or eight years of age I would steal away from any other pleasure to read them, inasmuch as this language was my mother tongue, and it was the easiest book I knew and the best suited by its content to my tender age." -Michel de Montaigne The Metamorphoses of Ovid (8 AD) is an epic poem by Ovid. Published the same year the poet was sent into exile for the rest of his life, the Metamorphoses are the crowning achievement of the first major poet of the Roman empire. Written in dactylic hexameter, the meter of Homer's Iliad and Odyssey and of Virgil's Aeneid, Ovid's work is an epic poem of transformations, of shape-shifting matter and beings bound to the power of love. Taking as its scope the whole history of the universe from the arrangement of order from chaos to the death of Julius Caesar, the Metamorphoses pays heed to desire's ability to enact long-lasting and at times irreversible change. The story begins at the very beginning, with the creation of the cosmos out of nothing, of order out of unimaginable chaos. Gods and goddesses have their moment in the sun, mankind is born only to be wiped out by an immense flood, then to rise again. Amidst countless little-known descriptions of war, romance, and change are the timeless tales of Perseus, Jason and Medea, Theseus and the Minotaur, and the labors of Hercules. Icarus soars too close to the sun. Orpheus tragically condemns Eurydice to the underworld. Troy is built and destroyed, the immortal Achilles is killed, and Aeneas sets sail to save his life and lay the foundations for Rome itself. Throughout these interwoven stories of individual and epochal change, Ovid explores the inescapability of love and death, essential themes both shared by all and constitutive of everything that was or ever will be. The Metamorphoses of Ovid is an intricate masterpiece of world literature that stands the test of time just as much as it defines it. With a beautifully designed cover and professionally typeset manuscript, this edition of The Metamorphoses of Ovid is a classic work of Roman literature reimagined for modern readers.