In Frankenstein Was a Vegetarian: Essays on Food Choice, Identity, and Symbolism, Michael Owen Jones tackles topics often overlooked in foodways. At the outset he notes it was Victor Frankenstein's "daemon" in Mary Shelley's novel that advocated vegetarianism, not the scientist whose name has long been attributed to his creature. Jones explains how we communicate through what we eat, the connection between food choice and who we are or want to appear to be, the ways that many of us self-medicate moods with foods, and the nature of disgust. He presents fascinating case studies of religious bigotry and political machinations triggered by rumored bans on pork, the last meal requests of prisoners about to be executed, and the Utopian vision of Percy Bysshe Shelley, one of England's greatest poets, that was based on a vegetable diet like the creature's meals in Frankenstein. Jones also scrutinizes how food is used and abused on the campaign trail, how gender issues arise when food meets politics, and how eating preferences reflect the personalities and values of politicians, one of whom was elected president and then impeached twice. Throughout the book, Jones deals with food as symbol as well as analyzes the link between food choice and multiple identities. Aesthetics, morality, and politics likewise loom large in his inquiries. In the final two chapters, Jones applies these concepts to overhauling penal policies and practices that make food part of the pains of imprisonment, and looks at transforming the counseling of diabetes patients, who number in the millions.

The rise of Podemos in Spain is part of a wave of European left political initiatives that are putting forward new ideas for change and innovative ways of thinking about politics. The traditional left in Europe has been in difficulties for some time now: the communist tradition is a shadow of its former self, while social democracy seems unable to meet the challenge of the financial crisis. The thinkers and activists of Podemos have been at the forefront of rethinking based on moving away from orthodoxies, bringing new hope to the left.In this book Inigo Errejo n of Podemos and political theorist Chantal Mouffe discuss the emergence of these new movements, and in particular of Podemos. They critically engage with both the older traditions and the newly emerging parties and movements. They explore new ways of creating collective identities, and building majorities, while also reflecting on the major political challenges facing the left. The conversation between them is an intervention from two people who are ideally placed to draw on the seminal earlier theoretical work of Mouffe with Ernesto Laclau, and to link it directly into the practice of the new politics.This book is therefore important reading for those interested in the state of the contemporary European left in general, and specifically in the strategic issues facing Podemos in Spain. It makes an essential contribution towards the creation of a new left politics.

Comfort Food explores this concept with examples taken from Atlantic Canadians, Indonesians, the English in Britain, and various ethnic, regional, and religious populations as well as rural and urban residents in the United States. This volume includes studies of particular edibles and the ways in which they comfort or in someinstances cause discomfort. The contributors focus on items ranging from bologna to chocolate, including sweet and savory puddings, fried bread with an egg in the center, dairy products, fried rice, cafeteria fare, sugary fried dough, soul food, and others. Several essays consider comfort food in the context of cookbooks,films, blogs, literature, marketing, and tourism. Of course what heartens one person might put off another, so the collection also includes takes on victuals that prove problematic. All this fare is then related to identity, family, community, nationality, ethnicity, class, sense of place, tradition, stress, health, discomfort, guilt, betrayal, and loss, contributing to and deepening our understanding of comfort food. This book offers a foundation for further appreciation of comfort food. As a subject of study, the comfort food is relevant to a number of disciplines, most obviously food studies, folkloristics, and anthropology, but also American studies, cultural studies, global and international studies, tourism, marketing, and public health. With contributions by: Barbara Banks, Sheila Bock, Susan Eleuterio, Jillian Gould, Phillis Humphries, Michael Owen Jones, Alicia Kristen, William G. Lockwood, Yvonne R. Lockwood, Lucy M. Long, LuAnne Roth, Rachelle H. Saltzman, Charlene Smith, Annie Tucker, and Diane Tye.

While the Edwardian castles of Conwy, Beaumaris, Harlech and Caernarfon are rightly hailed as outstanding examples of castle architecture, the castles of the native Welsh princes are far more enigmatic. Where some dominate their surroundings as completely as any castle of Edward I, others are concealed in the depths of forests, or tucked away in the corners of valleys, their relationship with the landscape of which they are a part far more difficult to discern than their English counterparts. This ground-breaking book seeks to analyse the castle-building activities of the native princes of Wales in the thirteenth century. Whereas early castles were built to delimit territory and as an expression of Llywelyn I ab Iorwerth’s will to power following his violent assumption of the throne of Gwynedd in the 1190s, by the time of his grandson Llywelyn II ap Gruffudd’s later reign in the 1260s and 1270s, the castles’ prestige value had been superseded in importance by an understanding of the need to make the polity he created - the Principality of Wales - defensible. Employing a probing analysis of the topographical settings and defensive dispositions of almost a dozen native Welsh masonry castles, Craig Owen Jones interrogates the long-held theory that the native princes’ approach to castle-building in medieval Wales was characterised by ignorance of basic architectural principles, disregard for the castle’s relationship to the landscape, and whimsy, in order to arrive at a new understanding of the castles’ significance in Welsh society. Previous interpretations argue that the native Welsh castles were created as part of a single defensive policy, but close inspection of the documentary and architectural evidence reveals that this policy varied considerably from prince to prince, and even within a prince’s reign. Taking advantage of recent ground-breaking archaeological investigations at several important castle sites, Jones offers a timely corrective to perceptions of these castles as poorly sited and weakly defended: theories of construction and siting appropriate to Anglo-Norman castles are not applicable to the native Welsh example without some major revisions. Princely Ambition also advances a timeline that synthesises various strands of evidence to arrive at a chronology of native Welsh castle-building. This exciting new account fills a crucial gap in scholarship on Wales’ built heritage prior to the Edwardian conquest and establishes a nuanced understanding of important military sites in the context of native Welsh politics.

You are being lied to by people who don't even exist. Digital deception is the new face of information warfare. Social media has been weaponised by states and commercial entities alike, as bots and trolls proliferate and users are left to navigate an infodemic of fake news and disinformation. In the Persian Gulf and the wider Middle East, where authoritarian regimes continue to innovate and adapt in the face of changing technology, online deception has reached new levels of audacity. From pro-Saudi entities that manipulate the tweets of the US president, to the activities of fake journalists and Western PR companies that whitewash human rights abuses, Marc Owen Jones' meticulous investigative research uncovers the full gamut of tactics used by Gulf regimes and their allies to deceive domestic and international audiences. In an age of global deception, this book charts the lengths bad actors will go to when seeking to impose their ideology and views on citizens around the world.

Through a richly detailed account of fan cultures and media over the over fifty-year history of the show, Watching Doctor Who explores fandom's changing attitudes towards this much-loved TV series. Why do fans love an episode one year but deride it a decade later? How do fans' values of Doctor Who change over time? As a show that's featured as part of the shared landscape of home entertainment since the 1960s, Doctor Who helps us understand the changing nature of notions of 'value' and 'quality' in popular television. Through a series of in-depth case studies of fan polls and debates, Paul Booth and Craig Owen Jones interrogate the way Doctor Who fans and audiences re-interpret the value of particular episodes, Doctors, companions, and eras of Who. With a foreword by Paul Cornell.

In modern Britain, the working class has become an object of fear and ridicule. From Little Britain's Vicky Pollard to the demonization of Jade Goody, media and politicians alike dismiss as feckless, criminalized and ignorant a vast, underprivileged swathe of society whose members have become stereotyped by one, hate-filled word: chavs. In this acclaimed investigation, Owen Jones explores how the working class has gone from "salt of the earth" to "scum of the earth." Exposing the ignorance and prejudice at the heart of the chav caricature, he portrays a far more complex reality. The chav stereotype, he argues, is used by governments as a convenient figleaf to avoid genuine engagement with social and economic problems and to justify widening inequality. Based on a wealth of original research, Chavs is a damning indictment of the media and political establishment and an illuminating, disturbing portrait of inequality and class hatred in modern Britain. This updated edition includes a new chapter exploring the causes and consequences of the UK riots in the summer of 2011.

'Once, we were one form among many in the garden. We learned to hear the voices of the mountains, the rivers, the sky, of silence. The mice spoke, the trees spoke, the stars spoke, the deer and the fox spoke, the snake spoke - and from these words we made being. These words formed great cities and their machines ever clamouring, and we let the silence slip and the words of the whispering world fall away beyond the mirror of our making.' (From the Prologue.) --- These eighteen meditations, amplified by Jerry Shearing's striking illustrations, offer luminous words enlivened with the weight of much listening. Through these 'conversations', Peter Owen Jones offers a pathway to reconnect with nature. Just a few sentences a day will provide sustenance for the soul.