SAM DOLAN is a young man coming to terms with his life in the process and aftermath of making his first film. He has a difficult relationship with his father, B-movie actor Booth Dolan--a boisterous, opinionated, lying lothario whose screen legacy falls somewhere between cult hero and pathetic. Allie, Sam's dearly departed mother, was a woman whose only fault, in Sam's eyes, was her eternal affection for his father. Also included in the cast of indelible characters: a precocious, frequently violent half-sister; a conspiracy-theorist second wife; an Internet-famous roommate; a contractor who can't stop expanding his house; a happy-go-lucky college girlfriend and her husband, a retired Yankees catcher; the morose producer of a true-crime show; and a slouching indie-film legend. Not to mention a tragic sex monster.
Unraveling the tumultuous, decades-spanning story of the Dolan family's friends, lovers, and adversaries, "Double Feature "is about letting go of everything--regret, resentment, dignity, moving pictures, the dead--and taking it again from the top. Against the backdrop of indie filmmaking, college campus life, contemporary Brooklyn, and upstate New York, Owen King's epic debut novel combines propulsive storytelling with mordant wit and brims with a deep understanding of the trials of ambition and art, of relationships and life, and of our attempts to survive it all.

From New York Times bestselling author Owen King, who "writes with witty verve" (Entertainment Weekly) comes a "richly imagined" (The New York Times) Dickensian fantasy of illusion and charm where cats are revered as religious figures, thieves are noble, scholars are revolutionaries, and conjurers are the most wonderful criminals you can imagine. It begins in an unnamed city nicknamed "the Fairest", it is distinguished by many things from the river fair to the mountains that split the municipality in half; its theaters and many museums; the Morgue Ship; and, like all cities, but maybe especially so, by its essential unmappability. Dora, a former domestic servant at the university has a secret desire--to understand the mystery of her brother's death, believing that the answer lies within The Museum of Psykical Research, where he worked when Dora was a child. With the city amidst a revolutionary upheaval, where citizens like Robert Barnes, her lover and a student radical, are now in positions of authority, Dora contrives to gain the curatorship of the half-forgotten museum only to find it all but burnt to the ground, with the neighboring museums oddly untouched. Robert offers her one of these, The National Museum of the Worker. However, neither this museum, nor the street it is hidden away on, nor Dora herself, are what they at first appear to be. Set against the backdrop of an oddly familiar and wondrous city on the verge of collapse, Dora's search for the truth will unravel a monstrous conspiracy and bring her to the edge of worlds.

In this spectacular father/son collaboration, Stephen King and Owen King tell the highest of high-stakes stories: what might happen if women disappeared from the world of men? All around the world, something is happening to women when they fall asleep; they become shrouded in a cocoon-like gauze. If awakened, if the gauze wrapping their bodies is disturbed, the women become feral and spectacularly violent... In the small town of Dooling, West Virginia, the virus is spreading through a women's prison, affecting all the inmates except one. Soon, word spreads about the mysterious Evie, who seems able to sleep - and wake. Is she a medical anomaly or a demon to be slain? The abandoned men, left to their increasingly primal devices, are fighting each other, while Dooling's Sheriff, Lila Norcross, is just fighting to stay awake. And the sleeping women are about to open their eyes to a new world altogether...

Half fairy tale and half historical account of a revolution that never was, Owen King's The Curator is full of sly humor, sensuality, and strangeness - Holly Black From Sunday Times bestselling author Owen King comes a Dickensian fantasy of illusion and charm where cats are revered as religious figures, thieves are noble, scholars are revolutionaries, and conjurers the most wonderful criminals. At first glance, the world has not changed: the trams on the boulevards, the grand hotels, the cafes abuzz with conversation. The street kids still play on the two great bridges that divide the city, and the smart set still venture down to the Morgue Ship for an evening's entertainment. Yet it only takes a spark to ignite a revolution. For young Dora, a maid at the university, the moment brings liberation. She finds herself walking out with one of the student radicals, Robert, free to investigate what her brother Ambrose may have seen at the Institute for Psykical Research before he died. But it is another establishment that Dora is given to look after, The Museum of the Worker. This strange, forgotten edifice is occupied by waxwork tableaux of miners, nurses, shopkeepers and other disturbingly lifelike figures. As the revolution and counter-revolution outside unleash forces of love, betrayal, magic and terrifying darkness, Dora's search for the truth behind a mystery that she has long concealed will unravel a monstrous conspiracy and bring her to the very edge of worlds. In The Curator, Owen King has created an extraordinary time and place - historical, fantastical, yet compellingly real, and a heroine who is courageous, curious and utterly memorable. 'The Curator feels a little like Owen King somehow brought a curiosity cabinet to life. There are terrors here, but also marvels and delights, and a set of the most interesting characters I've met in some time. Put The Curator on the same shelf as other classics of the uncanny and uncategorisable, like Susanna Clarke's Piranesi and Mervyn Peake's Gormenghast. I loved it' - Kelly Link 'Owen King's The Curator is a rich read. Language, characters, and a fascinating world combine to create an intensely satisfying experience' - Charlaine Harris

In this spectacular father/son collaboration, Stephen King and Owen King tell the highest of high-stakes stories: what might happen if women disappeared from the world of men?

In a future so real and near it might be now, something happens when women go to sleep: they become shrouded in a cocoon-like gauze. If they are awakened, if the gauze wrapping their bodies is disturbed or violated, the women become feral and spectacularly violent. And while they sleep they go to another place, a better place, where harmony prevails and conflict is rare.

One woman, the mysterious "Eve Black," is immune to the blessing or curse of the sleeping disease. Is Eve a medical anomaly to be studied? Or is she a demon who must be slain? Abandoned, left to their increasingly primal urges, the men divide into warring factions, some wanting to kill Eve, some to save her. Others exploit the chaos to wreak their own vengeance on new enemies. All turn to violence in a suddenly all-male world.

Set in a small Appalachian town whose primary employer is a women's prison, Sleeping Beauties is a wildly provocative, gloriously dramatic father-son collaboration that feels particularly urgent and relevant today.

In his wry novella, Owen King conjures an eccentric North-Eastern American family whose personal strife mirrors the political turmoil of our time. George is the teenaged son of a single mother, and the only grandson of a family of union organisers in Maine. George's grandfather Henry, obsessed with the outcome of the 2000 election, has planted a giant billboard of homage to Al Gore in his front yard that he suspects has been defaced by the paperboy, now a sworn enemy. Meanwhile, George's mother is about to marry Dr Vic, who besides being possess by an almost royal obliviousness, may even have voted for George W Bush. George's efforts to aid his endearingly cranky grandfather and to undermine his mother's marriage reflect on a central question for our times: How will we fight? All together, or all alone? A heartwarming, funny and hugely inventive tale from a young writer set to become one of the most exciting talents on the Faber list.

Half fairy tale and half historical account of a revolution that never was, Owen King's The Curator is full of sly humor, sensuality, and strangeness - Holly Black From Sunday Times bestselling author Owen King comes a Dickensian fantasy of illusion and charm where cats are revered as religious figures, thieves are noble, scholars are revolutionaries, and conjurers the most wonderful criminals. At first glance, the world has not changed: the trams on the boulevards, the grand hotels, the cafes abuzz with conversation. The street kids still play on the two great bridges that divide the city, and the smart set still venture down to the Morgue Ship for an evening's entertainment. Yet it only takes a spark to ignite a revolution. For young Dora, a maid at the university, the moment brings liberation. She finds herself walking out with one of the student radicals, Robert, free to investigate what her brother Ambrose may have seen at the Institute for Psykical Research before he died. But it is another establishment that Dora is given to look after, The Museum of the Worker. This strange, forgotten edifice is occupied by waxwork tableaux of miners, nurses, shopkeepers and other disturbingly lifelike figures. As the revolution and counter-revolution outside unleash forces of love, betrayal, magic and terrifying darkness, Dora's search for the truth behind a mystery that she has long concealed will unravel a monstrous conspiracy and bring her to the very edge of worlds. In The Curator, Owen King has created an extraordinary time and place - historical, fantastical, yet compellingly real, and a heroine who is courageous, curious and utterly memorable. 'The Curator feels a little like Owen King somehow brought a curiosity cabinet to life. There are terrors here, but also marvels and delights, and a set of the most interesting characters I've met in some time. Put The Curator on the same shelf as other classics of the uncanny and uncategorisable, like Susanna Clarke's Piranesi and Mervyn Peake's Gormenghast. I loved it' - Kelly Link 'Owen King's The Curator is a rich read. Language, characters, and a fascinating world combine to create an intensely satisfying experience' - Charlaine Harris

In the tropical countryside on the small Caribbean island of Albany sits the vast Trinity estate - home of the Johnson family for 200 years. Lionel Johnson and his sister Kate currently manage the estate and their role has been passed down through the family from generation to generation. Each year creates new challenges and over the years Trinity has changed immeasurably from a home into a small village and, after Lionel's death, there are plans for a town. The Johnsons pull together, balancing time, trips abroad and other careers and interests to keep Trinity afloat. This is a novel about pride in tradition and the importance of family, as much as it is about the relentless passing of time.

Beauty ~ Conscience ~ Creation ~ Hope ~ Earth ~ Time ~ Tragedy ~ Virtue ~ Glory ~ Consciousness ~ God ~ Happiness ~ Life ~ Love ~ Power ~ Reason ~ Sin ~ Terror ~ Pity ~ Truth ~ Tyranny ~ Vanity ~ Knowledge ~ Reality ~ Vice ~ Man ~ Music ~ Perfection Divided into meditations, tales and verse, this book considers the timeless abstract concepts that mankind encounters, and may awaken your own Moods and Emotions.

In Who Can Save Us Now?, the new anthology edited by Owen King and John McNally, talented writers unite to fight the forces of evil. Each writer will introduce a new superhero who is equipped to tackle the challenges of the 21st century. In combining terrific writing and the subject matter of comics and cartoons, Who Can Save Us Now?bridges the gap between literature and pop culture, much like Michael Chabon's The Amazing Adventures of Kavalier and Clayand Jonathan Lethem's Fortress of Solitude. To date the full list of contributors is as follows: John McNally, Owen King, Jim Shepard, Tom Bissell, Jennifer Weiner, Stephaine Harrell, George Singleton, Sean Doolittle, Will Clarke, Noria Jablonski, Elizabeth McCracken, Sam Weller, Kelly Braffet, Scott Snyder, David Yoo, David Haynes, Cary Holladay.

John 'Boy' Lawrence is growing up in a tropical paradise, but things are not sunny. He is at the centre of controversy as the son of a married white landowner, Frank Weston, and his former employee, Lucille, a local woman. Sent to be brought up by his grandparents, Boy finds a mentor in his grandfather, Clifton, the model of quiet dignity who serves as Frank's right-hand man. Clifton, a well-respected member of the community, strives to pass on his moral compass to his grandson. However, it becomes more difficult when Clifton finds himself at odds with his brother Randolph, who takes a more militant view on the future of the islanders, and his doctor, Dan, who believes that people can improve their fates given the proper tools. And when Dan finds himself in conflict with his best friend, Boy's white, land-owning half-brother, things quickly come to a head. With everyone set against everyone else, and no easy answers in sight, Boy's world seems poised to come crashing down around his ears.