(Unlocking the Masters). From Mozart to Debussy to Olivier Messiaen, the works of 50 composers are closely examined in The Great Instrumental Works . It is a book for anyone who enjoys the lively arts of opera, drama, film, literature, and popular song and who wants to find out what is really going on in the symphonies of Mozart, the string quartets of Beethoven, the orchestral works of Debussy and Ravel, and the contemporary pieces of Olivier Messiaen and Arvo Part. The author, Father Owen Lee, is an internationally known commentator on music and the arts, and writes with a style that has been called "rich, dense, and profound" (Citizen's Weekly), "highly readable" (Choice), and "often irreverently amusing" (Opera News). With Father Lee as a guide, the intricacies of classical forms and key relationships are rendered not only intelligible but meaningful, the music itself becomes life-enhancing, and its great composers come vividly to life.

(Limelight). For well over twenty years, M. Owen Lee has been offering intermission talks during the Saturday afternoon Texaco Metropolitan Opera broadcasts, which now reach countries on six continents. In this book, Father Lee covers various operas of Mozart, Verdi, Wagner, Puccini and Richard Strauss, as well as a selection of French operas, including Faust, Carmen and Les Contes d'Hoffman. In all, his repertory contains 23 operatic masterworks, to all of which he brings insight, learning and the most infectious enthusiasm. "One just cannot get enough of Father Lee's] brilliant, stimulating, thought-provoking insights...I feel there is no one more knowledgeable or qualified in the entire field of opera commentary. No one." The Opera Quarterly

(Amadeus). In this volume, Father M. Owen Lee writes for the 21st-century operagoer, briskly and stylishly telling the stories of 100 of the world's greatest music dramas from Aida to Die Zauberflote . The stories told in music by Mozart, Wagner, Verdi, Puccini and Strauss are brought to life here with wit, insight and boundless enthusiasm. When compiling and composing this pocket-sized handbook, Fr. Lee considered the unique needs of the modern operagoer. Contemporary text-translating services have made pure synopses somewhat redundant. Fr. Lee, therefore, has focused his commentaries less on the comings and goings of plot than on subtext, motivation and background information. He also suggests his single favorite recording for each of the 100 operas discussed. In all, he has written a guide that will prove invaluable to the opera novice and useful even for the aficionado.

Father Owen Lee is to opera what Chesterton's Father Brown was to crime detection. For 20 years he has been a beloved presence on the Metropolitan Opera's Saturday afternoon Chevron-Texaco broadcasts as an always-knowledgeable guest on Opera Quiz and as an ever-insightful commentator on operatic stories, music and themes. A classics professor in his "day job," Father Lee is the author of 14 books, mostly on opera. A Book of Hours is a departure for Father Lee: a personal memoir, cast in the form of a secular breviary, that recreates a year Father Lee spent teaching at an American college campus in Rome over a quarter century ago. The book draws together in an intricate web of refracting relationships the three great loves of Father Lee's life: opera, literature and his life and work as a priest. A Eurail pass allowed him to visit all the great opera houses of Europe, which in turn reflected on his teaching in the classroom during the week: Homer and Virgil, Whitman and Rilke. And all of this is set in the context of a personal crisis--impending hearing loss, theological doubts and the celibate's inevitable regret, at age forty, that he cannot share his remaining years with children of his own. In this inspiring and beautifully crafted book, Father Lee shows us how religious faith and a deeply humanistic culture need never be enemies, but rather can be a source of mutual enrichment.

(Limelight). Commentary on and a concise, lucid interpretation of the opera world's most complex masterwork, expanded from the author's popular intermission talks during Met Opera broadcasts. "Anyone, whether knowledgeable or not, will profit by reading it..." Opera Quarterly

The true adventures of a forbidden love affair in Zihuatanejo, Mexico In 1968, Owen Lee retired from the team of Captain Jacques Yves Cosuteau to create a Nature Study Center in Zihuatanejo, Mexico and promote Captain Cousteau's ideas about living in harmony with Nature. After being picketed, jailed, shot at three times and 'taken for a ride' and deported, he ultimately prevailed. This is his true story

Following the theories of Captain Jacques Cousteau about the need of living in harmony with Nature as the only way to preserve the quality of life on the planet, Owen Lee presents here his own view of how to achieve this and thus ensure the survival of not only other species but also our own.

The Best Films of Our Years is an affectionate and witty traversal of the history of the movies year-by-year by an author whose style has been called "finely crafted" (America), "highly readable" (Choice), and "often irreverently amusing" (Opera News). In the 1970s, when he was lecturing on film, Father Owen Lee was able to speak with and learn from such movie people as Pauline Kael, Robert Altman, Francis Ford Coppola, and Roberto Rossellini. In this book he provides thumbnail reviews of ten -- arguably the best ten -- movies of each year from 1935 (when he began his movie going) to the present. There is a preliminary section commenting on fifty important films that preceded 1935. And there is a closing section with longer chapters on "the ten best films of all our years," among them Grand Illusion, Rashomon, and Lawrence of Arabia. The book's title rings a change on William Wyler's The Best Years of Our Lives (1946).

"A Book of Hours" is a departure for Father Lee - a personal memoir, cast in the form of a secular breviary, that recreates a year Father Lee spent teaching at an American college campus in Rome over a quarter century ago. The book draws together in an intricate web of refracting relationships the three great loves of Father Lee's life: opera, literature, and his life and work as a priest. A Eurorail pass allowed him to visit all the great opera houses of Europe, which in turn reflected on his teaching in the classroom during the week: Homer and Virgil, Whitman and Rilke. And all of this is set in the context of a personal crisis - impending hearing loss, theological doubts, and the celibate's inevitable regret, at age forty, that he cannot share his remaining years with children of his own. In this inspiring and beautifully crafted book, Father Lee shows us how religious faith and a deeply humanistic culture need never be enemies, but rather can be a source of mutual enrichment.

"The Olive-Tree Bed and Other Quests", the Fourth in the series of Robson Lectures published by the University of Toronto Press, is Owen Lee's study of the quest myth as it occurs in Homer's Odyssey, Virgil's Aeneid, Wagner's Parsifal and Goethe's Faust. Though the four works represent four different genres -- oral epic, written epic, music drama, and poetic drama -- each deals with the finding of an elusive goal attainable only by the hero called to find it. The questing for the olive-tree bed, the Golden Bough, the Holy Grail, and the Eternal Feminine is, at the deepest level, the hero's search to find the meaning in his life. Though Father Lee's lectures address critical problems in the four works, and draw to some extent on Jungian insights, this volume is also a personal memoir written in the belletristic style for which its author has become known. Father Lee wears his learning lightly, and his writing changes from chapter to chapter as it reflects, in turn, the clarity and naive sense of wonder in Homer, the darkness and ambivalence in Virgil, the intuitive mysticism of Wagner, and the riotously imaginative exuberance of Goethe. Each of the four quests comes eventually to be seen as every person's search to discover himself -- for the journey of the hero is the myth each of us is called to live.

Lee (classics, U. of Toronto) applies a Jungian approach to the Latin poem of the earth and draws on new commentaries in English and German Virgilians of the past. He outlines the literary and historical background of the poem, discusses the sound of Virgil's hexameters, treats each of the four geor