Amit Gupta directs this adaptation of Owen Sheers' debut novel starring Andrea Riseborough and Michael Sheen. It's 1944 and D-Day has failed. The United Kingdom is now under Nazi occupation. In the remote Welsh village of Olchon, farmer's wife Sarah Lewis (Riseborough) wakes up one morning to find her husband has mysteriously disappeared along with all the other men in the village. Then, as they wait for news, a German patrol arrives in their valley on an undisclosed mission. During the harsh winter that follows, the two groups are forced to pull together to survive the last days of the war. Cut off from the conflict around them, both the villagers and the Nazis find the lines between collaboration, duty, occupation and survival becoming less defined as time goes on...

The Two Worlds of Charlie F. moves through the stages of service, from the war in Afghanistan, to dream-like states of morphine-induced hallucinations, to the physio rooms of Headley Court. All through the view of soldier Charlie Fowler's service, injury and recovery. The play explores themes of physical and psychological injury and its effects on soldiers as they fight for survival. Drawn from the personal experience of the wounded, injured and sick service personnel involved, The Two Worlds of Charlie F. premiered at the Theatre Royal Haymarket, London, in January 2012 and toured nationally. It was revived for an international tour in 2014. This is a small cast adaptation of the original. "Powerfully affecting - Gripping. The authenticity of verbatim drama and the saltiness of barracks-room humour with the finesse of something more lyrical." - Telegraph "An evening of rare, raw power." - Independent

The Two Worlds of Charlie F. moves through the stages of service, from the war in Afghanistan to dream-like states of morphine-induced hallucinations to the physio rooms of Headley Court. All through the view of soldier Charlie Fowler's service, injury and recovery. The play explores themes of physical and psychological injury and its effects on soldiers as they fight for survival. Drawn from the personal experience of the wounded, injured and sick service personnel involved, The Two Worlds of Charlie F. premiered at the Theatre Royal Haymarket, London, in January 2012 and toured nationally that summer. It was revived for an international tour in 2014. "Powerfully affecting - Gripping. The authenticity of verbatim drama and the saltiness of barracks-room humour with the finesse of something more lyrical." - Telegraph "An evening of rare, raw power." - Independent

Winner of Wales Book of the Year Pink Mist is a verse-drama about three young soldiers from Bristol who are deployed to Afghanistan. School friends still in their teens, Arthur, Hads and Taff each have their own reasons for enlisting. Within a short space of time they return to the women in their lives (a mother, a wife, a girlfriend), all of whom must now share the psychological and physical aftershocks of their service. A work of great dramatic power, documentary integrity and emotional intensity, Pink Mist uses everyday yet heightened speech to excavate the human cost of modern warfare. Drawing upon interviews with soldiers and their families, as well as ancient texts such as the medieval Welsh poem Y Gododdin, it is the first extended lyric narrative to emerge from the devastating conflict in Afghanistan.

In 1966 a coal slag heap collapsed on a school in south Wales, killing 144 people, most of them children. Poet Owen Sheers has given voice to those who still live in Aberfan, the pit village in which tragedy struck, and uses their collective memories to create a striking work of poetic power.

This is a portrait not just of what happened, but also of what was lost. What was Aberfan like in 1966? What were the interests of the people, the social life, the sporting obsessions, the bands of the day? What was the deeper history of the place? Why had it become the mining village it was, and what had it been before the discovery of coal under its soil? Perhaps most significantly: what is Aberfan like today?

The Green Hollow is a historical story with a deeply urgent contemporary resonance; a story of what can happen when a community is run by a corporation. It is also a story known along generational rather than geographic borders. Based on the BBC One production, The Green Hollow is a beautifully rendered picture of a time and place - and a life-altering event whose effects are irrevocable.

While the town awaits the arrival of the Company Man, a stranger appears in the windswept dunes, singing songs to the sea. This is just the start of three days of unearthly events in Port Talbot that see the Teacher soothe a suicide bomber and the dead rising from the walls of an underpass. In the Gospel of Us, Owen Sheers reimagines his three day dramatization of the Passion for the National Theatre of Wales, set in the streets and clubs of Port Talbot and starring Michael Sheen.

A meditation on war, memory and the nature of time, Mametz, inspired by the writings of David Jones and Llewelyn Wyn Griffith, tells the story of the 38th Welsh Division's attack on Mametz Wood during the Somme offensive of 1916. Set within the context of a contemporary battlefield tour and moving between the present day, the 1950s and WWI, the play transports an audience into the frontline trenches and the intimate fears, hopes and loves of the young soldiers risked and gave their lives in their attempt to take the wood. "The finest commemoration of the First World War centenary I've seen to-date, this deserves a much longer life." Dominic Cavendish, DAILY TELEGRAPH "an astounding exploration - melding narrative and poetry - of the Battle of Mametz Wood" Carolyn Hitt, WESTERN MAIL

'Should be made compulsory reading . . . If it were up to me this clear-sighted yet emotionally charged hymn to the NHS would be added to the curriculum in every high school from Land's End to John O'Groats with immediate effect.' i newspaper July 2018 marked the 70th anniversary of the National Health Service Act. To Provide All People is the intimate story of the NHS in British society today, written by novelist, poet and dramatist Owen Sheers. Depicting 24 hours, with a regional hospital at the centre of the action, the poem charts an emotional and philosophical map of the NHS against the personal experiences that lie at its heart; from patients to surgeons, porters to midwives. This is a world of transformative pains, triumphs, losses and celebrations and joins us all in our universal experiences of health and sickness, birth and death, regardless of race, gender or wealth. Informed by over seventy hours of interviews, the work is punctuated with the historical narrative of the birth of the NHS Act. To Provide All People was filmed by Vox Pictures/BBC Wales.

Welcome to our war. The Two Worlds of Charlie F. is a soldier's view of service, injury and recovery. Moving from the war in Afghanistan, through the dream world of morphine-induced hallucinations to the physio rooms of Headley Court, the play explores the consequences of injury, both physical and psychological, and its effects on others as the soldiers fight to win their new battle for survival at home. Drawn from the personal experience of the wounded, injured and sick Service personnel involved, Owen Sheers's The Two Worlds of Charlie F. premiered at the Theatre Royal Haymarket, London, in January 2012 and toured nationally that summer. It was revived for an international tour in 2014. 'Powerfully affecting - Gripping. The authenticity of verbatim drama and the saltiness of barracks-room humour with the finesse of something more lyrical.' Telegraph 'An evening of rare, raw power.' Independent A proportion of the writer's royalties from the sale of this script will be donated to the Marefat High School in Kabul, Afghanistan.

After the sudden loss of his wife, Michael Turner moves to London to start again. Living on a quiet street in Hampstead, he develops a close bond with the Nelson family next door: Josh, Samantha and their two young daughters. The friendship at first seems to offer the prospect of healing, but then a devastating event changes all their lives, and Michael finds himself bearing the burden of grief and a terrible secret.

Pink Mist is a verse-drama about three young friends from Bristol who join the army and are deployed to the post 9/11 conflict in Afghanistan. Within a short space of time all three return to the women in their lives - a wife, a mother, a girlfriend - all of whom must now share the psychological and physical aftershocks of their service. Drawing upon interviews with soldiers and their families, Pink Mist illuminates the timeless human cost of war and its all too often devastating effect upon the young lives pulled into its orbit.

This paperback edition has been fully updated to include the 2013 Six Nations and the British and Irish Lions Tour. What does rugby mean to Wales? Where does the heart of Welsh rugby lie? In Calon, Owen Sheers takes a personal journey into a sport that defines a nation. Drawing on interviews and unprecedented access with players and WRU coaching staff, Calon presents an intimate portrait of a national team in the very best tradition of literary sports writing. At the 2011 Rugby World Cup a young Welsh side captained by the 22-year-old Sam Warburton, captured the imagination of the rugby-watching world. Exhibiting the grit and brilliance of generations past, an ill-fated semi-final ended in heartbreak. But a fledgling squad playing with the familiarity of brothers had sent out an electrifying message of hope: could this be a third golden generation of Welsh rugby? It was with this question hanging in the air that Owen Sheers took up his position as Writer in Residence for the Welsh Rugby Union. Calon is the document of a year spent at the heart of Welsh rugby; the inside story of a 6 Nations campaign that galvanised a nation and ended in Grand Slam success for the third time in 8 years.

A few years ago, Owen Sheers stumbled upon a dusty book in his father's study by the extraordinary Arthur Cripps, part-time lyric poet and full-time unorthodox missionary who served in Rhodesia for fifty years from 1902. Sheers' discovery prompts a quest into colonial Africa at the turn of the century, by way of war, a doomed love affair and friction with the ruling authorities. His personal journey into the contemporary heart of darkness that is Mugabe's Zimbabwe finds more than Cripps' legacy - Sheers finds a land characterised by terror and fear, and blighted by the land reform policies that Cripps himself anticipated.

Ideas of separation and divorce--the geographical divides of borders, the separation of the dead and the living, the movement from childhood to adulthood, and the end of relationships--drive this poetry collection from one of Great Britain's rising young talents. The collection revolves around the poems "Y Gaer" and "The Hillfort," the titles themselves suggesting the linguistic divide in Wales, from poems concerned with childhood, a Welsh landscape, and family to an outward-looking vision that is both geographic and historic.

Introduced and selected by the poet-presenter Owen Sheers, A Poet's Guide to Britain is a major poetry anthology in its own right. Owen Sheers passionately believes that poems, and particularly poems of place, not only affect us as individuals, but can have the power to mark and define a collective experience - our identities, our country, and our land. Under the headings of six varieties of British landscape - London and Cities, Villages and Towns, Mountains and Moorland, Islands, Woods and Forest, and Coast and Sea - he has collected poems that evoke qualities of the land, city and sea and have become part of the way we see these landscapes. The anthology follows a similar format to the BBC series, while also supplementing the poems included in the programme with his own personal favourites.

The Blue Book includes poems on a range of themes, from recollections of time spent in Fiji, to sharper memories of an adolescence spent in the tough streets of a small, rural town; from dark ruminations on farm life to tender and unconventional love poems.

In 1966 a coal slag heap collapsed on a school in south Wales, killing 144 people, most of them children. Poet Owen Sheers has given voice to those who still live in Aberfan, the pit village in which tragedy struck, and uses their collective memories to create a striking work of poetic power.

This is a portrait not just of what happened, but also of what was lost. What was Aberfan like in 1966? What were the interests of the people, the social life, the sporting obsessions, the bands of the day? What was the deeper history of the place? Why had it become the mining village it was, and what had it been before the discovery of coal under its soil? Perhaps most significantly: what is Aberfan like today?

The Green Hollow is a historical story with a deeply urgent contemporary resonance; a story of what can happen when a community is run by a corporation. It is also a story known along generational rather than geographic borders. Based on the BBC One production, The Green Hollow is a beautifully rendered picture of a time and place - and a life-altering event whose effects are irrevocable.

'"For years afterwards the farmers found them - the wasted young, turning up under their plough blades." So run the blunt, grimly beautiful opening lines of the Welsh poet Owen Sheers's elegy for the men, 4,000 of them from the 38th (Welsh) Division, who were killed or wounded in the Battle of Mametz Wood in July 1916. Sheers revisits that chapter of carnage in a stirring, sprawling promenade show. He draws on the writings of two survivors in particular. One is the poet David Jones whose fractured, enervated, modernist response to his war-time experiences, In Parenthesis, was hailed as a "work of genius" by TS Eliot. The other key influence is the writer Llewelyn Wyn Griffith. driven to wondering how the sun "could shine on this mad cruelty and on the quiet peace of an upland tarn near Snowdon"... We end up in dark woods and a place of numb desolation, bombarded by words that pierce the heart and vignettes that capture the stomach-churning sacrifice. The finest commemoration of the First World War centenary I've seen to-date, this deserves a much longer life.' Dominic Cavendish, Daily Telegraph Mametz by Owen Sheers was premiered by National Theatre Wales in June 2014. It is one of the set plays on WJEC's A level Drama specification. This dual edition combines the original English-language play with a Welsh-language translation by Ceri Wyn Jones, one of Wales's most eminent poets.

A beautiful, lyrical story of a little boy and his two best friends, told in enchanting verse by renowned poet Owen Sheers and magnificently illustrated by award-winning artist Helen Stephens. Poet Owen Sheers and award-winning illustrator Helen Stephens have beautifully imagined the story of a little boy named Drew who sets off on an adventure with his best friends, Bunny and Moo. As the three fly around the world on a magic rug, powered by the friendship they share, they run into pirates and trouble on the dark sea. Can the three best friends find what they need to return home?

Unicorns, Almost portrays the short life of World War II poet Keith Douglas, from his childhood through four engagements to his fighting in the Western desert, his accelerated education as a poet and his early death three days after the Normandy D-Day landings at the age of twenty-four. It is the story of his Faustian pact with a war that would nurture his unique poetic voice before taking it away. It is also the story of his desperate race to see his poems in print. Widely recognised as the finest poet of World War Two, Keith Douglas was championed by Ted Hughes as an important influence. Hughes wrote the introduction to Douglas's Collected Poems, published by Faber. Unicorns, Almost by Owen Sheers opened at The Swan Hotel, Hay-on-Wye, in May 2018.

Resistance opens in 1944, as the women of a small Welsh farming community wake one morning to find that their husbands have gone. Soon after that a German patrol arrives in their valley. In his hugely anticipated debut novel, Owen Sheers has produced a beautifully imagined and powerfully moving story of love and loss.