This book argues theoretically for, and exemplify through critical and historical analysis, the interrelatedness of discourses on scale, distance, identification and doubling in the cinema. It contains analyses of a wide variety of films, including Citizen Kane, The Double Life of Veronique, The Great Gatsby, Gilda, Vertigo and Wings of Desire.

Coates presents the face in film as a place where transformations begin, reflecting both the experience of modernity and such influential myths as that of Medusa. This is exemplified by a wide range of European and American films, including Ingmar Bergman's 'Persona'.

In the year 2040, the United States no longer exists. Instead, it's a province of the former Soviet Union, which has been restored to its past glory. And each newborn child is assigned a Designation Number instead of a name. Now, forty years later, a man known only as 77241 escapes into the past in an effort to discover where the world went wrong. When 77241 comes upon footage of Norma Jeane Baker, known throughout the world as Marilyn Monroe, he becomes haunted by her face, so much so that he seeks out her gravesite and begins speaking to her hologram. As oxygen bombs fall upon the former United States in a final act of destruction, 77241 escapes in a time bubble traveling back to June 1960. Once there, he seeks out Norma Jeane at a movie set. Through her, he attempts to save John F. Kennedy from his all-too-early demise hoping to alter enough of the past to change the world's future destruction. Join 77241 and Norma Jeane as they interact with a cast of historical characters, including Kennedy, Mark Twain and Abraham Lincoln, as they seek to change the course of history in Norma Jeane's Wishes in Time.

This book argues theoretically for, and exemplify through critical and historical analysis, the interrelatedness of discourses on scale, distance, identification and doubling in the cinema. It contains analyses of a wide variety of films, including Citizen Kane, The Double Life of Véronique, The Great Gatsby, Gilda, Vertigo and Wings of Desire.

Coates presents the face in film as a place where transformations begin, reflecting both the experience of modernity and such influential myths as that of Medusa. This is exemplified by a wide range of European and American films, including Ingmar Bergman's Persona .

a Naturea is a deceptively simple and ahistorical term, suggesting intrinsic, unchanging reality. Yet nature has a history too, both in terms of human attitudes and human impacts. Coates outlines the major understandings of a naturea in the western world since classical times, from nature as higher authority to its more recent meaning of threatened physical space and life forms. Unlike many others, this book places the history of attitudes to nature within the story of human--induced changes in the material environment. And few others take a supranational perspective, or cross the divides between historical eras. A distinctive unifying theme is Coatesa s interest in how a greena writers over the last thirty years have interpreted our past dealings with nature, specifically their efforts to diagnose the roots of contemporary ecological problems and their search for ancestors. He concludes with a discussion of the future of nature in the context of developments such as the a newa ecology, global warming, advances in genetic engineering and research on animal behaviour. Assuming no previous knowledge, Nature provides the reader with an accessible synthesis and introduction to some of environmental historya s central features and debates, confirming its status as one of the most enthralling current pursuits within historical studies. This will be essential reading for second--year undergraduates and above in cultural history and environmental history, as well as to the general reader interested in environmental issues.

In the year 2040, the United States no longer exists. Instead, it's a province of the former Soviet Union, which has been restored to its past glory. And each newborn child is assigned a Designation Number instead of a name. Now, forty years later, a man known only as 77241 escapes into the past in an effort to discover where the world went wrong. When 77241 comes upon footage of Norma Jeane Baker, known throughout the world as Marilyn Monroe, he becomes haunted by her face, so much so that he seeks out her gravesite and begins speaking to her hologram. As oxygen bombs fall upon the former United States in a final act of destruction, 77241 escapes in a time bubble traveling back to June 1960. Once there, he seeks out Norma Jeane at a movie set. Through her, he attempts to save John F. Kennedy from his all-too-early demise hoping to alter enough of the past to change the world's future destruction. Join 77241 and Norma Jeane as they interact with a cast of historical characters, including Kennedy, Mark Twain and Abraham Lincoln, as they seek to change the course of history in Norma Jeane's Wishes in Time.

It is 1982 and Jennie Samantha Williamson, Marilyn Monroe's nineteen-year-old future daughter, has inherited her mother's addiction to Nembutals. When she discovers the Time Bubble's Golden Key in a table beside her mother's bed, she makes plans to travel back in time to 1971 in an attempt to stop a chain of events that culminated in an undersea disaster. But first, Jennie must travel to September 15, 1954 in New York City, where Marilyn Monroe is filming The Seven Year Itch. After she persuades her mother that she is her future daughter and that time travel is possible, she still must convince Marilyn to travel ahead in time seventeen years to dive once again into Santa Monica Bay, hopefully changing fate in the process. Meanwhile as Marilyn and her future husband travel to 2068 to explore an underground city and search for a time machine's sketches, Jennie knows the secret to stopping the 1971 underwater disaster lies in the palm of her future mother's hand-but only if she can safely transport Marilyn back to 1971 from 2068 before the Sentinels of The System hunt down and kill all three for their defiance.