Love and Communication is an intriguing philosophical and religious inquiry into the meaning of "talk" - and ultimately the meaning of "being human." Taking an historical approach, Paddy Scannell argues that the fundamental media of communication are (and always have been) talk and writing. Far from being made redundant by twentieth-century new media (radio and television), these old media laid the foundation for today's technologies (AI and algorithms, for instance). Emphasizing these linkages, Scannell makes the case for recognizing what a religious sensibility might reveal about these technologies and the fundamental differences between a humanmade world and a world that is beyond our grasp. Drawing on the pioneering work of John Durham Peters, the book proposes that communication and love go together, which can be understood in two ways: as a human accomplishment, or a divine gift. Ultimately, the essential conundrum of today is highlighted: do we wish to remain in a human> This book draws on a lifetime of academic work and the author's personal experience. It will be of interest to scholars and students of media and communication, who will welcome this highly original and searching examination of love as communication.

This book is about the question of existence, the meaning of 'life'. It is an enquiry into the contemporary human situation as disclosed by television. The elementary components of any real-world situation are place, people and time. These are first examined as basic existential phenomena drawing on Heidegger's fundamental enquiry into the human situation in "Being and Time." They are then explored through the technological and production care-structures of broadcast television which, routinely and exceptionally, display the situated experience of being alive and living in the world today. It shows routinely in the live self-enactments of persons being themselves and the liveness of their ordinary talk on television. It shows exceptionally in television coverage of great occasions and catastrophes as they unfold live and in real time. Case studies reveal the existential role of television in salvaging the possibility of genuine experience, and in revealing the world-historical character of life today. To explore these questions, the agenda of sociology - its concern with economic, political and cultural life - is set aside. Being in the world is not, in the first (or last) instance, a social but an existential question, as an existential enquiry into television today discovers. Passionate and sweeping in scale, this new book from a leading media scholar is a major contribution to our understanding of the media today.

In Why Do People Sing? Paddy Scannell explores some of the mysteries at the heart of vocal communication. What explains the communicative musicality of the voices between parent and child as a baby learns to talk? Can readers of fiction hear the voices of authors and characters within soundless written texts? How has radio affected voice, talk, music, and singing, and how has it made them public in new ways? And by putting the voice into recordings, to what extent have broadcasting technologies provided a radically new resource for historians? These questions and more are explored in the first three chapters. In the final chapter, Scannell boldly puts into words the inexpressible experience of listening to singing, wherein the glory of the human voice finds its purest expression. This highly original book makes a distinctive intervention by stressing the inherently positive qualities of talk (rather than language) as the basis for communication. Concise and beautifully written, it is suitable for students and scholars of media, communication, and other disciplines across the humanities, as well as general readers with an interest in this fascinating topic.

Love and Communication is an intriguing philosophical and religious inquiry into the meaning of "talk" - and ultimately the meaning of "being human." Taking an historical approach, Paddy Scannell argues that the fundamental media of communication are (and always have been) talk and writing. Far from being made redundant by twentieth-century new media (radio and television), these old media laid the foundation for today's technologies (AI and algorithms, for instance). Emphasizing these linkages, Scannell makes the case for recognizing what a religious sensibility might reveal about these technologies and the fundamental differences between a humanmade world and a world that is beyond our grasp. Drawing on the pioneering work of John Durham Peters, the book proposes that communication and love go together, which can be understood in two ways: as a human accomplishment, or a divine gift. Ultimately, the essential conundrum of today is highlighted: do we wish to remain in a human> This book draws on a lifetime of academic work and the author's personal experience. It will be of interest to scholars and students of media and communication, who will welcome this highly original and searching examination of love as communication.

Written by one of the foremost and widely-respected writers in the field, this volume sheds new light on the forms and premises of the communicative experience. In doing so, it challenges the theoretical positions of marxist and "political economy of media" analysts who focus largely on the structure of economic and social power within the media. Instead, Scannell explores the structuring of engagement of the viewer/listener with the broadcaster by analyzing the communicative intentions of the broadcaster and the understanding by the audience of those intentions. Thus, this "sympathetic" relationship forms the basis of engagement. What the author does here is to create a genuine meeting of communication theory with mass media studies and history of the media, applying theory to a series of historically-grounded case studies in such a way as to facilitate students' understanding. This powerful and accessible book makes an important contribution to media studies in showing students how the history of the media can be enriched by communications theory.

Written by one of the foremost and widely-respected writers in the field, this volume sheds new light on the forms and premises of the communicative experience. In doing so, it challenges the theoretical positions of marxist and "political economy of media" analysts who focus largely on the structure of economic and social power within the media. Instead, Scannell explores the structuring of engagement of the viewer/listener with the broadcaster by analyzing the communicative intentions of the broadcaster and the understanding by the audience of those intentions. Thus, this "sympathetic" relationship forms the basis of engagement. What the author does here is to create a genuine meeting of communication theory with mass media studies and history of the media, applying theory to a series of historically-grounded case studies in such a way as to facilitate students' understanding. This powerful and accessible book makes an important contribution to media studies in showing students how the history of the media can be enriched by communications theory.

This is a history of broadcasting, and of its impact on modern life in Britain, from its origins in the 1920s to the outbreak of the Second World War. At the opening of this period the BBC was a private business. By its close it was an integral part of national life, a source of information and entertainment for the bulk of the population. In the course of the 1920s and 1930s the BBC was shaped as a national service in the public interest, addressing all sectors of society in all parts of the country. How that role emerged is the central theme of this history.

In developing a programme service, the early broadcasters were constrained by many factors, not least the influence of Government and the political parties. Paddy Scannell's and David Cardiff's account of the major areas of factual broadcasting, of news, features, documentaries and talks, reveals how they responded to these pressures and how they searched for styles of presentation appropriate both to the subject and to the audience. This account of the complex relations of broadcasting, politics, culture and the people shows how, through the modern medium of radio, a society was represented to itself. As such it offers a unique perspective on the character of life in Britain, public and private, in the inter-war years.

In Why Do People Sing? Paddy Scannell explores some of the mysteries at the heart of vocal communication. What explains the communicative musicality of the voices between parent and child as a baby learns to talk? Can readers of fiction hear the voices of authors and characters within soundless written texts? How has radio affected voice, talk, music, and singing, and how has it made them public in new ways? And by putting the voice into recordings, to what extent have broadcasting technologies provided a radically new resource for historians? These questions and more are explored in the first three chapters. In the final chapter, Scannell boldly puts into words the inexpressible experience of listening to singing, wherein the glory of the human voice finds its purest expression. This highly original book makes a distinctive intervention by stressing the inherently positive qualities of talk (rather than language) as the basis for communication. Concise and beautifully written, it is suitable for students and scholars of media, communication, and other disciplines across the humanities, as well as general readers with an interest in this fascinating topic.