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This book demonstrates how and why a majority of US artists must
now function as producers of their original works, as well as
creators. The author shows how, over the span of 20 years, the
USA's cultural policy sector radically redefined US artists'
practices without cohesively articulating the expectations of
artists' new role.
This book demonstrates how and why a majority of US artists must
now function as producers of their original works, as well as
creators. The author shows how, over the span of 20 years, the
USA's cultural policy sector radically redefined US artists'
practices without cohesively articulating the expectations of
artists' new role.
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