Documentary about Indian film archivist and scholar P.K. Nair. Having founded the National Film Archive of India in 1964, Nair sought to source and preserve Indian cinema for the sake of its cultural heritage. For the next 30 years he collected films from throughout India and the wider world and was instrumental in introducing world cinema to an Indian audience.

This book consolidates the descriptive results of a pantropical project called Agroforestry Systems Inventory (AFSI), undertaken by the International Council for Research in Agroforestry (ICRAF) from 1982 to 1987. Since agroforestry was a relatively new term when the project was initiated, the main objective was to increase the understanding of and provide a state-of the-art information base on existing agroforestry systems. Therefore, the project was designed to systematically collect, collate, synthesize, and dissem inate information on existing agroforestry systems in developing countries. One of the major results of the project, descriptions of existing agroforestry systems, was published as a series of articles in Agroforestry Systems. These system descriptions form the bulk of this book. Other products of the project include a microcomputer database on agroforestry systems, practices and components, and voluminous unpublished reports and records. Perhaps the title of the book is misleading in that the book does not include or cover all existing agroforestry systems in the tropics and geographical regions in the tropics. Additionally, some of the systems described are outside the tropical boul;ldaries of 23. 5" Nand S latitudes. For the purpose of this book, the word tropics is used in a general sense to also include subtropical developing countries that have agro-ecological and socio-economic character istics and land-use problems similar to those of the countries within the geographical limits of the tropical belt."

This book consolidates the descriptive results of a pantropical project called Agroforestry Systems Inventory (AFSI), undertaken by the International Council for Research in Agroforestry (ICRAF) from 1982 to 1987. Since agroforestry was a relatively new term when the project was initiated, the main objective was to increase the understanding of and provide a state-of the-art information base on existing agroforestry systems. Therefore, the project was designed to systematically collect, collate, synthesize, and dissem inate information on existing agroforestry systems in developing countries. One of the major results of the project, descriptions of existing agroforestry systems, was published as a series of articles in Agroforestry Systems. These system descriptions form the bulk of this book. Other products of the project include a microcomputer database on agroforestry systems, practices and components, and voluminous unpublished reports and records. Perhaps the title of the book is misleading in that the book does not include or cover all existing agroforestry systems in the tropics and geographical regions in the tropics. Additionally, some of the systems described are outside the tropical boul;ldaries of 23. 5" Nand S latitudes. For the purpose of this book, the word tropics is used in a general sense to also include subtropical developing countries that have agro-ecological and socio-economic character istics and land-use problems similar to those of the countries within the geographical limits of the tropical belt."

Early Cinema in Asia explores how cinema became a popular medium in the world's largest and most diverse continent. Beginning with the end of Asia's colonial period in the 19th century, contributors to this volume document the struggle by pioneering figures to introduce the medium of film to the vast continent, overcoming geographic, technological, and cultural difficulties. As an early form of globalization, film's arrival and phenomenal growth throughout various Asian countries penetrated not only colonial territories but also captivated collective states of imagination. With the coming of the 20th century, the medium that began as mere entertainment became a means for communicating many of the cultural identities of the region's ethnic nationalities, as they turned their favorite pastime into an expression of their cherished national cultures. Covering diverse locations, including China, India, Japan, Philippines, Malaysia, Thailand, Iran, and the countries of the Pacific Islands, contributors to this volume reveal the story of early cinema in Asia, helping us to understand the first seeds of a medium that has since grown deep roots in the region.

Early Cinema in Asia explores how cinema became a popular medium in the world's largest and most diverse continent. Beginning with the end of Asia's colonial period in the 19th century, contributors to this volume document the struggle by pioneering figures to introduce the medium of film to the vast continent, overcoming geographic, technological, and cultural difficulties. As an early form of globalization, film's arrival and phenomenal growth throughout various Asian countries penetrated not only colonial territories but also captivated collective states of imagination. With the coming of the 20th century, the medium that began as mere entertainment became a means for communicating many of the cultural identities of the region's ethnic nationalities, as they turned their favorite pastime into an expression of their cherished national cultures. Covering diverse locations, including China, India, Japan, Philippines, Malaysia, Thailand, Iran, and the countries of the Pacific Islands, contributors to this volume reveal the story of early cinema in Asia, helping us to understand the first seeds of a medium that has since grown deep roots in the region.