Playing on the frequently used metaphors of the 'turn toward' or 'turn back' in scholarship on religion, The Turn Around Religion in America offers a model of religion that moves in a reciprocal relationship between these two poles. In particular, this volume dedicates itself to a reading of religion and of religious meaning that cannot be reduced to history or ideology on the one hand or to truth or spirit on the other, but is rather the product of the constant play between the historical particulars that manifest beliefs and the beliefs that take shape through them. Taking as their point of departure the foundational scholarship of Sacvan Bercovitch, the contributors locate the universal in the ongoing and particularized attempts of American authors from the seventeenth century forward to get it - whatever that 'it' might be - right. Examining authors as diverse as Pietro di Donato, Herman Melville, Miguel Algarin, Edward Taylor, Mark Twain, Robert Keayne, Nathaniel Hawthorne, Paule Marshall, Stephen Crane, Ralph Waldo Emerson, and Joseph B. Soloveitchik, among many others-and a host of genres, from novels and poetry to sermons, philosophy, history, journalism, photography, theater, and cinema-the essays call for a discussion of religion's powers that does not seek to explain them as much as put them into conversation with each other. Central to this project is Bercovitch's emphasis on the rhetoric, ritual, typology, and symbology of religion and his recognition that with each aesthetic enactment of religion's power, we learn something new.

Playing on the frequently used metaphors of the 'turn toward' or 'turn back' in scholarship on religion, The Turn Around Religion in America offers a model of religion that moves in a reciprocal relationship between these two poles. In particular, this volume dedicates itself to a reading of religion and of religious meaning that cannot be reduced to history or ideology on the one hand or to truth or spirit on the other, but is rather the product of the constant play between the historical particulars that manifest beliefs and the beliefs that take shape through them. Taking as their point of departure the foundational scholarship of Sacvan Bercovitch, the contributors locate the universal in the ongoing and particularized attempts of American authors from the seventeenth century forward to get it - whatever that 'it' might be - right. Examining authors as diverse as Pietro di Donato, Herman Melville, Miguel Algarin, Edward Taylor, Mark Twain, Robert Keayne, Nathaniel Hawthorne, Paule Marshall, Stephen Crane, Ralph Waldo Emerson, and Joseph B. Soloveitchik, among many others-and a host of genres, from novels and poetry to sermons, philosophy, history, journalism, photography, theater, and cinema-the essays call for a discussion of religion's powers that does not seek to explain them as much as put them into conversation with each other. Central to this project is Bercovitch's emphasis on the rhetoric, ritual, typology, and symbology of religion and his recognition that with each aesthetic enactment of religion's power, we learn something new.

This book on linear algebra and geometry is based on a course given by renowned academician I.R. Shafarevich at Moscow State University. The book begins with the theory of linear algebraic equations and the basic elements of matrix theory and continues with vector spaces, linear transformations, inner product spaces, and the theory of affine and projective spaces. The book also includes some subjects that are naturally related to linear algebra but are usually not covered in such courses: exterior algebras, non-Euclidean geometry, topological properties of projective spaces, theory of quadrics (in affine and projective spaces), decomposition of finite abelian groups, and finitely generated periodic modules (similar to Jordan normal forms of linear operators). Mathematical reasoning, theorems, and concepts are illustrated with numerous examples from various fields of mathematics, including differential equations and differential geometry, as well as from mechanics and physics.

Ernst Zermelo (1871-1953) is regarded as the founder of axiomatic set theory and is best-known for the first formulation of the axiom of choice. However, his papers also include pioneering work in applied mathematics and mathematical physics. This edition of his collected papers consists of two volumes. The present Volume II covers Ernst Zermelo's work on the calculus of variations, applied mathematics, and physics. The papers are each presented in their original language together with an English translation, the versions facing each other on opposite pages. Each paper or coherent group of papers is preceded by an introductory note provided by an acknowledged expert in the field who comments on the historical background, motivation, accomplishments, and influence.

This book on linear algebra and geometry is based on a course given by renowned academician I.R. Shafarevich at Moscow State University. The book begins with the theory of linear algebraic equations and the basic elements of matrix theory and continues with vector spaces, linear transformations, inner product spaces, and the theory of affine and projective spaces. The book also includes some subjects that are naturally related to linear algebra but are usually not covered in such courses: exterior algebras, non-Euclidean geometry, topological properties of projective spaces, theory of quadrics (in affine and projective spaces), decomposition of finite abelian groups, and finitely generated periodic modules (similar to Jordan normal forms of linear operators). Mathematical reasoning, theorems, and concepts are illustrated with numerous examples from various fields of mathematics, including differential equations and differential geometry, as well as from mechanics and physics.

Is there such a thing as a distinctive Jewish literature? While definitions have been offered, none has been universally accepted. Modern Jewish literature lacks the basic markers of national literatures: it has neither a common geography nor a shared language-though works in Hebrew or Yiddish are almost certainly included-and the field is so diverse that it cannot be contained within the bounds of one literary category. Each of the fifteen essays collected in Modern Jewish Literatures takes on the above question by describing a movement across boundaries-between languages, cultures, genres, or spaces. Works in Hebrew and Yiddish are amply represented, but works in English, French, German, Italian, Ladino, and Russian are also considered. Topics range from the poetry of the Israeli nationalist Natan Alterman to the Russian poet Osip Mandelstam; from turn-of-the-century Ottoman Jewish journalism to wire-recorded Holocaust testimonies; from the intellectual salons of late eighteenth-century Berlin to the shelves of a Jewish bookstore in twentieth-century Los Angeles. The literary world described in Modern Jewish Literatures is demarcated chronologically by the Enlightenment, the Haskalah, and the French Revolution, on one end, and the fiftieth anniversary of the State of Israel on the other. The particular terms of the encounter between a Jewish past and present for modern Jews has varied greatly, by continent, country, or village, by language, and by social standing, among other things. What unites the subjects of these studies is not a common ethnic, religious, or cultural history but rather a shared endeavor to use literary production and writing in general as the laboratory in which to explore and represent Jewish experience in the modern world.

In this study of the rhetoric of American writings on language, Michael Kramer argues that the prevalent critical distinction between imaginative and nonimaginative writing is of limited theoretical use. Breaking down the artificial, disciplinary barriers between two areas of scholarly inquiry--the literature of the American Renaissance and the study of language in the United States between the Revolution and the Civil War--Kramer finds in various walks of intellectual life a broad range of writers who "imagined language" for the new experiment in self-government. Each of these men combined ideas about language with ideas about America so as to form cultural fictions, or creative renderings of the nation--its meaning, its character, and how it worked. In order to reassess American linguistic and literary nationalism, Kramer allows Noah Webster, whose influential grammatical and lexicographic works have been considered only marginal to literary history, to share the stage with more conventionally literary figures--the neglected Longfellow and the canonical Whitman. Then an essay on The Federalist and the pragmatic language-related problems faced by the founding fathers introduces revisionary analyses of two New England writers who confronted American culture and society through their Romantic critiques of language: the minister and theologian Horace Bushnell and Nathaniel Hawthorne. Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Das Thema QualitAtsmanagement (QM) rA1/4ckt zunehmend in das Interesse groAer und kleinerer Kliniken, da durch die Optimierung der Prozesse Einsparpotential und ein optimaler Einsatz der knappen personellen Ressourcen erwartet wird.

Dieses Buch wurde aus der Sicht zweier QualitAtsmanager geschrieben, die die eigenen Kliniken bereits vor Jahren zur Zertifizierung gefA1/4hrt haben und sowohl die Probleme beim Aufbau als auch bei der Aufrechterhaltung eines QM-Systems aus erster Hand darstellen kAnnen. Dabei wird besonderer Wert auf die berufsgruppenA1/4bergreifende Arbeit mit dem Pflegepersonal gelegt, sodass das Buch nicht nur fA1/4r A"rzte, sondern auch fA1/4r PflegekrAfte interessant ist. Es dient als Leitfaden zur praktischen Umsetzung des QualitAtsmanagements in den chirurgischen FAchern und berA1/4cksichtigt die Bereiche der prAoperativen, intraoperativen und postoperativen Betreuung der Patienten.

Zahlreiche Beispiele aus den zertifizierten Kliniken sollen das a žLeben mit QM" illustrieren und dem Vorurteil entgegenarbeiten, dass Chirurgie eine Kunst sei, die sich nicht in strenge Regeln fassen lasse.

In this study of the rhetoric of American writings on language, Michael Kramer argues that the prevalent critical distinction between imaginative and nonimaginative writing is of limited theoretical use. Breaking down the artificial, disciplinary barriers between two areas of scholarly inquiry--the literature of the American Renaissance and the study of language in the United States between the Revolution and the Civil War--Kramer finds in various walks of intellectual life a broad range of writers who "imagined language" for the new experiment in self-government. Each of these men combined ideas about language with ideas about America so as to form cultural fictions, or creative renderings of the nation--its meaning, its character, and how it worked. In order to reassess American linguistic and literary nationalism, Kramer allows Noah Webster, whose influential grammatical and lexicographic works have been considered only marginal to literary history, to share the stage with more conventionally literary figures--the neglected Longfellow and the canonical Whitman. Then an essay on The Federalist and the pragmatic language-related problems faced by the founding fathers introduces revisionary analyses of two New England writers who confronted American culture and society through their Romantic critiques of language: the minister and theologian Horace Bushnell and Nathaniel Hawthorne.

Originally published in 1991.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Jewish Americans produced some of the most important writing in the U.S. in the twentieth century. This Companion addresses the distinctive Jewish American contribution to American literary criticism, poetry and popular culture. It establishes the broadest possible context for the discussion of Jewish American identity as it intersects with the corpus of American literature. Featuring a chronology and guide to further reading, the volume is valuable to scholars and students alike.

This book provides a multifaceted introduction to Nobel Prize-winner Saul Bellow's most widely read, respected, and taught work of fiction, Seize the Day. This tragi-comic story of one day in the life of an average man on the brink of failure and despair is a prime example of the Jewish novels of the 1950s. The essays in this volume examine the thematic, stylistic, and critical elements of Bellow's masterpiece and offer different approaches to how the novel may or may not be thought of as "ethnic."

This 1999 book provides a multifaceted introduction to Nobel Prize-winner Saul Bellow's most widely read, respected, and taught work of fiction, Seize the Day. This tragi-comic story of one day in the life of an average man on the brink of failure and despair is a prime example of the Jewish novels of the 1950s. The essays in this volume examine the thematic, stylistic, and critical elements of Bellow's masterpiece and offer different approaches to how the novel may or may not be thought of as 'ethnic'.

Jewish Americans produced some of the most important writing in the U.S. in the twentieth century. This Companion addresses the distinctive Jewish American contribution to American literary criticism, poetry and popular culture. It establishes the broadest possible context for the discussion of Jewish American identity as it intersects with the corpus of American literature. Featuring a chronology and guide to further reading, the volume is valuable to scholars and students alike.

The inspiring story of two men crossing the world's most remote terrain.