This volume covers the development of modern music from World War I to the present. Specific musical responses can be identified from the prevailing social, economic and political circumstances. Since World War II musical languages have tended to converge, with developments in technology and communications. Robert P. Morgan is the author of "Twentieth Century Music", and co-editor of "Alban Berg: Historical and Analytical Perspectives".

We would like to take this opportunity to thank all of those individ uals who helped us assemble this text, including the people of Lockheed Sanders and Nestor, Inc., whose encouragement and support were greatly appreciated. In addition, we would like to thank the members of the Lab oratory for Engineering Man-Machine Systems (LEMS) and the Center for Neural Science at Brown University for their frequent and helpful discussions on a number of topics discussed in this text. Although we both attended Brown from 1983 to 1985, and had offices in the same building, it is surprising that we did not meet until 1988. We also wish to thank Kluwer Academic Publishers for their profes sionalism and patience, and the reviewers for their constructive criticism. Thanks to John McCarthy for performing the final proof, and to John Adcock, Chip Bachmann, Deborah Farrow, Nathan Intrator, Michael Perrone, Ed Real, Lance Riek and Paul Zemany for their comments and assistance. We would also like to thank Khrisna Nathan, our most unbi ased and critical reviewer, for his suggestions for improving the content and accuracy of this text. A special thanks goes to Steve Hoffman, who was instrumental in helping us perform the experiments described in Chapter 9."

In regenerative medicine, tissue engineers largely rely on destructive and time-consuming techniques that do not allow in situ and spatial monitoring of tissue growth. Furthermore, once the therapy is implanted in the patient, clinicians are often unable to monitor what is happening in the body. To tackle these barriers, optical techniques have been developed to image and characterize many tissue properties, fabricate tissue engineering scaffolds, and characterize the properties of the scaffolds. Optical Techniques in Regenerative Medicine illustrates how to use optical imaging techniques and instrumentation for the fabrication, assessment, and longitudinal monitoring of regenerative medicine therapies. The book covers optical coherence tomography, acousto-optic imaging, Raman spectroscopy, machine vision, bioluminescence, second harmonic generation microscopy, multi-photon microscopy, coherent anti-Stokes Raman scattering, fluorescence spectroscopy, and light scattering spectroscopy. Each chapter provides an overview of a particular technique, its advantages and limitations in terms of structural and functional information, and examples of applications in regenerative medicine. The future evolution of regenerative medicine from academic research to viable clinical alternatives to conventional treatments is dependent on the development of non-destructive analytical techniques that can elucidate the stages of tissue development both in vitro and in vivo as well as track the fate of cells following injection. This practical book demonstrates the vital role of optical techniques in the dynamic field of regenerative medicine. It guides regenerative medicine researchers toward finding the most appropriate technique for their applications and helps biophotonics researchers see where their technologies can be applied.

First published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.

Robert P. Morgan is one of a small number of music theorists writing in English who treat music theory, and in particular Schenkerian theory, as part of general intellectual life. Morgan's writings are renowned within the field of music scholarship: he is the author of the well-known Norton volume Twentieth-Century Music, and of additional books relating to Schenkerian and other theory, analysis and society. This volume of Morgan's previously published essays encompasses a broad range of issues, including historical and social issues and is of importance to anyone concerned with modern Western music. His specially written introduction treats his writings as a whole but also provides additional material relating to the articles included in this volume.

Jennifer can t believe it. Just married and pregnant, she discovers that her husband has been meeting Brad for sex. When confronted, Tom doesn t deny it, but he insists it s just a thing and he isn t gay. He tells Jennifer he loves her and wants to stay married. She is sure her marriage can t survive. John s wife, Karen, discovers that her husband likes to watch gay porn. John doesn t understand his wife s reaction. He isn t being unfaithful. Why does she care what he watches? In couples therapy, Karen raises the same questions that Jennifer has: Does this mean my husband is gay? Can my marriage survive? These and other stories illustrate the difficulties inherent when a wife or girlfriend finds out her man has had or wants to have sexual contact with other men. But many times, the man is not gay or even bi-sexual. Of course, some men with gay sexual interests are gay men in a process of self discovery; they are coming out. But many times, these desires only reflect a different side of a man s sexuality or some response to childhood trauma or experiences they have not fully processed. Their stories illustrate the fact that men can be straight but have gay sexual interests. Here Joe Kort and Alexander Morgan make the distinction between gay men and straight men with gay interests more clear to women who want to know how they can get through finding out about these other interests. They explain the many reasons why straight men may be drawn to gay sex, how to tell whether a man is gay, straight, or bisexual, and what the various options are for these couples, who can often go on to have very fulfilling marriages. Through the use of first hand composite stories from clinical settings, Kort and Morgan also help to readers to come to a better understanding of their own and their partner s sex lives and fantasies. Is My Husband Gay, Straight or Bi? is a self-help book intended to help couples understand how male sexuality can express itself in ways that may be difficult to understand. Many marriages have been hurriedly terminated when men and women (and their therapists) have lacked the information they needed to understand a couple s true options. This book provides the clarity, describes the options, and (in many cases) offers hope for relationships and marriages that have been brushed off as doomed."

This text is an effort to summarize and synthesize the existing research dealing with the influence of physical activity on mental health, as well as the potential mechanisms underlying psychological effects. Contributions from some of the leading experts in the field deal with mental health through prevention, exercise prescription, exercise adherence, drug therapy and exercise, the influence of physical activity on depression, anxiety, and self-esteem, and the paradoxical effects of excessive amounts of exercise.

Much controversy surrounds Schenker's mature theory and its attempt to explain musical pitch motion. Becoming Heinrich Schenker brings a new perspective to Schenker's theoretical work, showing that ideas characteristic of his mature theory, although in many respects fundamentally different, developed logically out of his earlier ideas. Robert P. Morgan provides an introduction to Schenker's mature theory and traces its development through all of his major publications, considering each in detail and with numerous music examples. Morgan also explores the relationship between Schenker's theory and his troubled ideology, which crucially influenced the evolution of his ideas and was heavily dependent upon both the empirical and idealist strains of contemporary German philosophical thought. Relying where possible on quotations from Schenker's own words, this book offers a balanced approach to his theory and a unique overview of this central music figure, generally considered to be the most prominent music theorist of the twentieth century.

Much controversy surrounds Schenker's mature theory and its attempt to explain musical pitch motion. Becoming Heinrich Schenker brings a new perspective to Schenker's theoretical work, showing that ideas characteristic of his mature theory, although in many respects fundamentally different, developed logically out of his earlier ideas. Robert P. Morgan provides an introduction to Schenker's mature theory and traces its development through all of his major publications, considering each in detail and with numerous music examples. Morgan also explores the relationship between Schenker's theory and his troubled ideology, which crucially influenced the evolution of his ideas and was heavily dependent upon both the empirical and idealist strains of contemporary German philosophical thought. Relying where possible on quotations from Schenker's own words, this book offers a balanced approach to his theory and a unique overview of this central music figure, generally considered to be the most prominent music theorist of the twentieth century.

We would like to take this opportunity to thank all of those individ uals who helped us assemble this text, including the people of Lockheed Sanders and Nestor, Inc., whose encouragement and support were greatly appreciated. In addition, we would like to thank the members of the Lab oratory for Engineering Man-Machine Systems (LEMS) and the Center for Neural Science at Brown University for their frequent and helpful discussions on a number of topics discussed in this text. Although we both attended Brown from 1983 to 1985, and had offices in the same building, it is surprising that we did not meet until 1988. We also wish to thank Kluwer Academic Publishers for their profes sionalism and patience, and the reviewers for their constructive criticism. Thanks to John McCarthy for performing the final proof, and to John Adcock, Chip Bachmann, Deborah Farrow, Nathan Intrator, Michael Perrone, Ed Real, Lance Riek and Paul Zemany for their comments and assistance. We would also like to thank Khrisna Nathan, our most unbi ased and critical reviewer, for his suggestions for improving the content and accuracy of this text. A special thanks goes to Steve Hoffman, who was instrumental in helping us perform the experiments described in Chapter 9."

We are pleased to present the Proceedings of the Second International Conference on Computational Fluid Dynamics held at the University of Sydney, Australia, from July 15 to 19, 2002. The conference was a productive meeting of scientists, mathematicians and engineers involved in the computation of fluid flow. Keynote lectures were presented in the areas of optimisation, algorithms, turbulence and bio-fluid mechanics. Two hundred and fifty abstracts from many countries were received for con sideration. The executive committee, consisting of A. Lerat, M. Napolitano, J.J. Chattot, N. Satofuka and myself, were responsible for the selection of papers. Each of the members had a separate subcommittee to carry out the evaluation. One hundred and seventy papers were selected of which one hundred and fifty two were presented at the conference. All papers that appear in the proceedings have been peer reviewed by a panel of experts (with a minimum of two for every paper) before publication. The conference was attended by 160 delegates with a minimum of late with drawals. The informal and friendly atmosphere provided by the university sur roundings was highly appreciated, and the technical aspects of the conference were stimulating. It is appropriate here to thank Alain Lerat, the retiring secretary of the international scientific committee of the conference. We also wish to welcome J. J. Chattot who is the incoming secretary."

When a Woman Is in an Emotional Tug-of-War for Her Man's Heart

Why can't he commit? Many women find themselves asking this question when inlove with a man who won't get married, won't stop womanizing, or refuses to give up his sex addictions. Often this kind of man is bound by an unhealthy attachment to his mother. This phenomenon is called "mother-son enmeshment." In "When He's Married to Mom," clinical psychologist and renowned intimacy expert Dr. Kenneth M. Adams goes beyond the stereotypes of momma's boys and meddling mothers to explain how mother-son enmeshment affects everyone: the mother, the son, and the woman who loves him. In his twenty-five years of practice, Dr. Adams has successfully treated hundreds of enmeshed men and shares their stories in this informative guide. He provides proven methods to make things better, including:

-- Guidelines to help women create fulfilling relationships with mother-enmeshed men

-- Tools to help mother-enmeshed men have healthy and successful dating experiences leading to serious relationships and marriage

-- Strategies to help parents avoid enmeshing their children

"When He's Married to Mom" provides practical and compassionate advice to the women who are involved with mother-enmeshed men, to the mothers who wish to set them free, and to the men themselves.

Definitely not just for boys, "The Boy Electrician "is a classic introduction to electricity for curious minds of any age or gender. Full of easy-to-follow experiments and projects, this fun guidebook offers advice on building and creating your own real-life demonstrations of the principles explained, making this a true scientific adventure.

Lessons on magnetism, static electricity, batteries, motors, telegraphy, radio, and much more can be found in this single volume. If you have ever wanted to build your own simple electrical machine or just have a better overall understanding of how electricity works, this book is a must-have "The Boy Electrician" has stood the test of time, offering a gateway of understanding that can lead to more sophisticated explorations in electronics and how machines work. This timeless book has inspired generations of engineers, scientists, tinkerers, and technology geeks.

Reprinted here is the third edition in its entirety.

Alfred P. Morgan, electrical engineer and inventor, attended the Massachusetts Institute of Technology. He is the author of more than fifty books and hundreds of articles and holds multiple patents for radio and mechanical devices.

Twentieth-century music has been described as complex, vital, diverse, uncertain, experimental, self-conscious, innovative-the list is long and growing. Composers have been both credited with and accused of always searching for something "new," writing works that are mechanistic but romantic, meaningful but unskilled, beautiful but ugly! In The Twentieth Century, Robert P. Morgan helps us grasp the flavor of the era by presenting forty-five readings from the period, nearly all written by active participants in the musical developments of the time. Thus we tune in to the voices of some thirty composers-from Busoni to Babbitt, Ives to Xenakis, Satie to Stravinsky-and learn from performers Anderson and Landowska, philosopher-critics Adorno, Dahlhaus, and Meyer, and writers Cocteau, Barthes, and Eco.

Much progress has been made in achieving the ambitious goals that Congress established in 1972 in the Clean Water Act (CWA) to restore and maintain the chemical, physical, and biological integrity of the nations waters. However, long-standing problems persist, and new problems have emerged. Water quality problems are diverse, ranging from pollution runoff from farms and ranches, city streets, and other diffuse or nonpoint sources, to toxic substances discharged from factories and sewage treatment plants. Since the early 2000s, increased oil and gas production across the nation has resulted in a corresponding increase in wastewater that must be managed, reused, or disposed of properly. In particular, the hydraulic fracturing process has also raised concerns about potential effects to human health and the environment, including the potential contamination of underground drinking water sources by injecting wastewater associated with the production of oil and gas.