The Irish Revival of 1891 to 1922 was an extraordinary era that generated not only a remarkable crop of poets and writers but also a range of innovative political thinkers and activists. The contributors to this period exchanged ideas and opinions about what Ireland was and could become, yet much of this discourse remains out of print, some of these voices almost forgotten. Handbook of the Irish Revival: An Anthology of Irish Cultural and Political Writings 1891–1922 collects for the first time many of the essays, articles, and letters by renowned figures such as James Joyce, Maud Gonne, W. B. Yeats, George Bernard Shaw, Sean O'Casey, and J. M. Synge, among others. The anthology also contains pieces by lesser-known individuals such as Stopford A. Brooke, Mary Colum, and Helena Molony. Many of the lesser-known texts contextualize the social, political, and cultural lives, values, and aspirations of those involved in and on the periphery of the Revivalist movement. The introduction and commentary by Declan Kiberd and P. J. Mathews convey the ideas of a brilliant generation that, in spite of difficulty and demoralization, audaciously shaped a modern Ireland. Divided into sixteen sections covering issues as diverse as literature, religion, drama, education, women’s rights, and the 1916 Rising, this is the ultimate reference book for anyone with an interest in Irish literature and history.

P. J. MATHEWS ARGUES AGAINST the received opinion that the Irish Revival was a purely mystical affair of high culture characterized by a preoccupation with a backward-looking Celtic spirituality, nostalgia for Gaelic Ireland, and anti-modern traditionalism. Instead, he claims, the time of the Irish Revival was a progressive period that witnessed the cooperation of various self-help movements -- the Abbey Theatre, the Gaelic League, and the Irish Agricultural Organization Society -- which encouraged local modes of material and cultural development. These different groups were bound together by their willingness to use traditional cultural forms as the basis for an alternative modernization project. Mathews points out that these self-help initiatives were so successful that they very quickly opened up a sphere of influence rivaling that of parliamentary politics. Much of this activity laid the groundwork for the emergence of the Sinn Fein in 1905. Making use of important theater productions of the period, Mathews skillfully traces the connections and overlaps among these radical movements and demonstrates that the self-help idea was crucial to the decolonization and modernization of Irish society during the early years of the twentieth century.

The Irish Revival of 1891 to 1922 was an extraordinary era that generated not only a remarkable crop of poets and writers but also a range of innovative political thinkers and activists. The contributors to this period exchanged ideas and opinions about what Ireland was and could become, yet much of this discourse remains out of print, some of these voices almost forgotten. Handbook of the Irish Revival: An Anthology of Irish Cultural and Political Writings 1891–1922 collects for the first time many of the essays, articles, and letters by renowned figures such as James Joyce, Maud Gonne, W. B. Yeats, George Bernard Shaw, Sean O'Casey, and J. M. Synge, among others. The anthology also contains pieces by lesser-known individuals such as Stopford A. Brooke, Mary Colum, and Helena Molony. Many of the lesser-known texts contextualize the social, political, and cultural lives, values, and aspirations of those involved in and on the periphery of the Revivalist movement. The introduction and commentary by Declan Kiberd and P. J. Mathews convey the ideas of a brilliant generation that, in spite of difficulty and demoralization, audaciously shaped a modern Ireland. Divided into sixteen sections covering issues as diverse as literature, religion, drama, education, women’s rights, and the 1916 Rising, this is the ultimate reference book for anyone with an interest in Irish literature and history.

John Millington Synge was a leading literary figure of the Irish Revival who played a significant role in the founding of Dublin's Abbey Theatre in 1904. This Companion offers a comprehensive introduction to the whole range of Synge's work from well-known plays like Riders to the Sea, The Well of the Saints and The Playboy of the Western World, to his influential prose work The Aran Islands. The essays provide detailed and insightful analyses of individual texts, as well as perceptive reflections on his engagements with the Irish language, processes of decolonisation, gender, modernism and European culture. Critical accounts of landmark productions in Ireland and America are also included. With a guide to further reading and a chronology, this book will introduce students of drama, postcolonial studies, and Irish studies as well as theatregoers to one of the most influential and controversial dramatists of the twentieth century.

John Millington Synge was a leading literary figure of the Irish Revival who played a significant role in the founding of Dublin's Abbey Theatre in 1904. This Companion offers a comprehensive introduction to the whole range of Synge's work from well-known plays like Riders to the Sea, The Well of the Saints and The Playboy of the Western World, to his influential prose work The Aran Islands. The essays provide detailed and insightful analyses of individual texts, as well as perceptive reflections on his engagements with the Irish language, processes of decolonisation, gender, modernism and European culture. Critical accounts of landmark productions in Ireland and America are also included. With a guide to further reading and a chronology, this book will introduce students of drama, postcolonial studies, and Irish studies as well as theatregoers to one of the most influential and controversial dramatists of the twentieth century.

This book works against the orthodoxy that the Irish Revival was as a purely mystical affair of high culture characterised by a preoccupation with a backward-looking Celtic spirituality, nostalgia for Gaelic Ireland and an obsessive anti-modern traditionalism. The central argument advanced is that the Irish Revival can be understood as a progressive period that witnessed the co-operation of various self-help movements--the Abbey Theatre, the Gaelic League and the Irish Agricultural Organisation Society--to encourage local modes of material and cultural development. What bound these disparate groups together was their readiness to use traditional cultural forms as the basis for an alternative modernisation project. So successful were these self-help initiatives that they very quickly opened up a rival sphere of influence to parliamentary politics. Much of this activity laid the groundwork for the emergence of Sinn Fein in 1905. With particular reference to important theatre productions of the period, this study traces the connections and overlaps between these radical movements, both at executive and grass roots level, and argues that the self-help idea was crucial to the decolonisation and modernisation of Irish society during the early years of the twentieth century.