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A comparative study of Ming and Iberian theaters has never been
attempted. Thus, this book aims to provide the reader with a series
of different approaches. First, through a comparison of specific
works by Spanish and Chinese playwrights during the Ming and
Habsburg periods. At the same time, this is a book that also finds
the thrill of correspondences and affinities as they are recovered
through modern staging, climate change, universality of emotions,
representations of friendship, folk characters, metaphors and
dreams. This volume includes articles by Bruce R. Burningham, Jorge
Abril Sanchez, Frederick A. de Armas, Juan Pablo Gil-Osle, Carmela
V. Mattza Su, Alejandro Gonzalez Puche, Ma Zhenghong, Maria Jose
Dominguez, Matthew Ancell, Javier Rubiera, and Claudia Mesa
Higuera.
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