In 1942, the logician Kurt Godel and Albert Einstein became close friends; they walked to and from their offices every day, exchanging ideas about science, philosophy, politics, and the lost world of German science. By 1949, Godel had produced a remarkable proof: "In any universe described by the Theory of Relativity, time cannot exist," Einstein endorsed this result reluctantly but he could find no way to refute it, since then, neither has anyone else. Yet cosmologists and philosophers alike have proceeded as if this discovery was never made. In "A World Without Time," Palle Yourgrau sets out to restore Godel to his rightful place in history, telling the story of two magnificent minds put on the shelf by the scientific fashions of their day, and attempts to rescue the brilliant work they did together.

The dead are gone. They count for nothing. Yet, if we count the dead, their number is staggering. And they account for most of what is great about civilization. Compared to the greatness of the dead, the accomplishments of the living are paltry. Which is it then: are the dead still there to be counted or not? And if they are still there, where exactly is "there"? We are confronted with the ancient paradox of nonexistence bequeathed us by Parmenides. The mystery of death is the mystery of nonexistence. A successful attempt to provide a metaphysics of death, then, must resolve the paradox of nonexistence. That is the aim of this study. At the same time, the metaphysics of death, of ceasing to exist, must serve as an account of birth, of coming to exist; the primary thesis of this book is that this demands going beyond existence and nonexistence to include what underlies both, which one can call, following tradition, "being." The dead and the unborn are therefore objects that lack existence but not being. Nonexistent objects - not corpses, or skeletons, or memories, all of which are existent objects - are what are "there" to be counted when we count the dead.

What happens when the country's greatest logician meets the century's greatest physicist? In the case of Kurt Godel and Albert Einstein the result in Godel's revolutioinary new model of the cosmos. In the 'Godel Universe' the philosophical fantasy of time travel becomes a scientific reality. For Godel, however, the reality of time travel signals the unreality of time. If Godel is right, the real meaning of the Einstein revolution had remained, for half a century, a secret. Now, half-century after Godel met Einstein, the real meaning of time travel in the Godel universe can be revealed.

A novel about failure, empathy, and sadness, with a cast of characters that includes Simone Weil, Paul Thek, and the author herself. First published in 2000, Chris Kraus's second novel, Aliens & Anorexia, defined a female form of chance that is both emotional and radical. Unfolding like a set of Chinese boxes, with storytelling and philosophy informing each other, the novel weaves together the lives of earnest visionaries and failed artists. Its characters include Simone Weil, the first radical philosopher of sadness; the artist Paul Thek; Kraus herself; and "Africa," Kraus's virtual S&M partner, who is shooting a big-budget Hollywood film in Namibia while Kraus holes up in the Northwest woods to chronicle the failure of Gravity & Grace, her own low-budget independent film. In Aliens & Anorexia, Kraus makes a case for empathy as the ultimate perceptive tool, and reclaims anorexia from the psychoanalytic girl-ghetto of poor "self-esteem." Anorexia, Kraus writes, could be an attempt to leave the body altogether: a rejection of the cynicism that this culture hands us through its food. As Palle Yourgrau writes in the book's new foreword, "Kraus's rescue operation for aliens like Weil from behind enemy lines on planet Earth is a gift, if, in the end, like all good deeds, it remains-as Weil herself would be the first to insist-a fool's errand."

The philosophical elucidation of demonstratives is a task of considerable and wide-ranging significance. These words, like "I", "now", and "this", seem to represent a point of contact between thought and reality. Any account of these must therefore deal with metaphysical issues such as the nature of the "self" and the reality and significance of the present. This collection brings together for the first time an important set of previously published papers, some of which have been slightly altered to suit this volume. They seek to provide the correct semantic account of thoughts involving demonstratives, as well as giving an insight into the metaphysical concepts which lie behind. Philosophers, especially those interested in philosophy of religion, philosophy of language, philosophy of mind and philosophy of science will be interested in this book.

Simone Weil, legendary French philosopher, mystic and political activist who died in England in 1943 at the age of thirty-four, belongs to a select group of thinkers: as with St Augustine, Pascal and Nietzsche, so with Weil a single phrase can permanently change one's life. In this book, Palle Yourgrau follows Weil on her life's journey, from her philosophical studies at the Ecole Normale Superieure, to her years as a Marxist labour organizer, her explosive encounter with Leon Trotsky, her abortive attempt to fight against Franco in the Spanish Civil War, her mystical experience in the town of Assisi. We see how Weil's struggle to make sense of a world consumed by despotism and war culminated in her monumental attempt, following St Augustine, to re-imagine Christianity along Platonistic lines, to find a bridge between human suffering and divine perfection. How seriously, however, should Weil's ideas be taken? They were admired by Albert Camus and T. S. Eliot, yet Susan Sontag wrote famously that 'I can't imagine more than a handful of the tens of thousands of readers she has won ...really share her ideas.' If this is really true, Palle Yourgrau must count as one of the handful. Though he brings to life the pathos of Weil's tragi-comic journey, Yourgrau devotes equal attention to the question of truth. He shines a bright light on the paradox of Simone Weil: at once a kind of modern saint, and a bete noire, a Jew accused of having abandoned her own people in their hour of greatest need. The result is a critical biography that is in places as disturbing as Weil's own writings, an account that confronts head-on her controversial critique of the Hebrew Bible, as well as her radical rejection of the received wisdom that the Resurrection lies at the heart of Christianity. @font-face { font-family: Times New Roman; }p.MsoNormal, li.MsoNormal, div.MsoNormal { margin: 0cm 0cm 0.0001pt; font-size: 12pt; font-family: Helvetica; }table.MsoNormalTable { font-size: 10pt; font-family: Times New Roman; }div.Section1 { page: Section1; }