This important new collection explores representations of late seventeenth- through mid-nineteenth-century transatlantic women travelers across a range of historical and literary works. While at one time transatlantic studies concentrated predominantly on men's travels, this volume highlights the resilience of women who ventured voluntarily and by force across the Atlantic-some seeking mobility, adventure, knowledge, wealth, and freedom, and others surviving subjugation, capture, and enslavement. The essays gathered here concern themselves with the fictional and the historical, national and geographic location, racial and ethnic identities, and the configuration of the transatlantic world in increasingly taught texts such as The Female American and The Woman of Colour, as well as less familiar material such as Merian's writing on the insects of Surinam and Falconbridge's travels to Sierra Leone. Intersectional in its approach, and with an afterword by Eve Tavor Bannett, this essential collection will prove indispensable as it provides fresh new perspectives on transatlantic texts and women's travel therein across the long eighteenth century.

Notorious for his sustained critical attacks on Wordsworth and the 'Lakers', Francis Jeffrey is revealed in these tour diaries as a man thoroughly at one with many aspects of the Romantic era, and in particular with the first generation's love of highland scenery, and the second generation's fascination with continental travel. The work contains trancriptions from manuscript of Jeffrey's Highland Tour of 1800, and his Continental Tour of 1823. The Editor has contributed an Introduction on 'Francis Jeffrey and Travel - Landscape, Taste and Aesthetics', and an account of Jeffrey's Continental Itinerary.

The romantic will love to shudder at Udolpho; but those of mature age, who know what human nature is, will take up again and again Dr. Moores Zeluco. Anna Ltitia Barbauld

One of the most irredeemably evil characters in all of literature finally returns to print in the first edition of this classic novel since 1827. When "Zeluco" first appeared in 1789, it was hailed as an instant classic, and its author, Scottish physician John Moore, was ranked with Richardson, Smollett, and Fielding as one of the finest novelists of the eighteenth century. Influential on such writers as Burns and Byron, and selected by Anna Ltitia Barbauld in 1810 for her series of the best British novels, "Zeluco" mysteriously fell out of print and has remained unobtainable since.

"Zeluco" charts the career of a wicked Sicilian aristocrat who causes death and ruin to all those around him before finally meeting a horrible fate. But "Zeluco" is much more than an early Gothic novel featuring a monomaniacal tyrant: it is a rich panorama of life in the late eighteenth century, dealing with English and European manners and hot topics of the day, such as the abolition of slavery. Readers will be thrilled to discover this surprisingly humorousand eminently readablelost masterpiece in an excellent new edition by Pam Perkins. This edition features a substantial new introduction, thorough explanatory notes, and appendices containing excerpts from contemporary reactions to the novel and Moores celebrated travel writings.

This collection of essays explores the role played by imaginative writing in the Scottish Enlightenment and its interaction with the values and activities of that movement. Across a broad range of areas via specially commissioned essays by experts in each field, the volume examines the reciprocal traffic between the groundbreaking intellectual project of eighteenth-century Scotland and the imaginative literature of the period, demonstrating that the innovations made by the Scottish literati laid the foundations for developments in imaginative writing in Scotland and further afield. In doing so, it provide a context for the widespread revaluation of the literary culture of the Scottish Enlightenment and the part that culture played in the project of Enlightenment.