Supporting People with Dementia at Home details a groundbreaking study of an intensive care management scheme designed for older people with dementia that are at risk of entry into residential care. The authors use a quasi-experimental approach to compare how the individuals on the mental health team in one community were matched to a similar community without the service. They analyze the evidence focusing on the eventual placement of the individual suffering, the quality of care they receive, and also the needs of their carers. This book offers valuable evidence about the factors which can maximize the independence and well being of older people with dementia, from the perspective of older people and their carers. For those who commission services, it is highly relevant to service models for the National Dementia Strategy in England.

Supporting People with Dementia at Home details a groundbreaking study of an intensive care management scheme designed for older people with dementia that are at risk of entry into residential care. The authors use a quasi-experimental approach to compare how the individuals on the mental health team in one community were matched to a similar community without the service. They analyze the evidence focusing on the eventual placement of the individual suffering, the quality of care they receive, and also the needs of their carers. This book offers valuable evidence about the factors which can maximize the independence and well being of older people with dementia, from the perspective of older people and their carers. For those who commission services, it is highly relevant to service models for the National Dementia Strategy in England.

Collection of eleven classic films from influential filmmakers Michael Powell and Emeric Pressburger. 'The Battle of the River Plate' (1956) tells the true story of the famous 1939 naval battle. Hans Langsdorff (Peter Finch) is captaining the crack German battleship Graf Spee through the South Atlantic, unaware that a small number of lightweight British battle cruisers are hot on his trail. When the British cruisers manage to trap the powerful German ship in the Uruguayan harbour of Montevideo, they attempt to trick Langsdorff into believing that an entire battle fleet is waiting to destroy his vessel at sea. In 'A Canterbury Tale' (1944), a British sergeant, a land girl and a United States Army officer arrive at a Kent village on the same train. The newcomers are brought face to face with the bizarre menace causing bewilderment in the tight-knit community: someone is pouring glue onto the hair of girls who dare to venture out at night with visiting servicemen. Powell and Pressburger offered this 'propaganda' piece as their contribution to the war effort, but the authorities were unsure how its oddball tone would go down with the Allies. In '49th Parallel' (1941), Laurence Olivier and Leslie Howard are among the stars who try to prevent Nazi sailors, from a sunken U-Boat, reaching neutral USA through Canada in this classic war film, which was intended to persuade America to join World War II. Pressburger won an Academy Award for the story and the film was directed by Powell. In 'I Know Where I'm Going!' (1945), a woman (Wendy Hiller) has always known what she wanted in life, and now she is about to marry a millionaire. But when she ends up stranded on a Hebredian island due to a storm, she begins to see things a little differently. 'Ill Met By Moonlight' (1957) was the final film created by Powell and Pressburger together. Set on the island of Crete during the Nazi occupation, the film stars Dirk Bogarde and David Oxley as British officers assigned to kidnap the German commander-in-chief General Kreipe (Marius Goring) and spirit him back to Cairo. If successful, the morale of the Germans would be weakened and the resistance would be stronger. But once he is captured, the British officers have to get him past German patrols at almost every turning. In 'The Life and Death of Colonel Blimp' (1943), stuffy ex-soldier Clive Candy (Roger Livesey) recalls his career which began as a dashing officer in the Boer War. As a young man he lost the woman he loved (Deborah Kerr, who plays three roles) to a Prussian officer (Anton Walbrook), whom he fought in a duel only to become lifelong friends with. Candy cannot help but feel that his notions of honour and chivalry are out of place in modern warfare. The film's title comes from 'Evening Standard' cartoonist David Low's satirical comic creation, Colonel Blimp. In 'The Red Shoes' (1948), ballet impressario Boris Lermontov (Walbrook) hires up-and-coming ballerina Victoria Page (Moira Shearer) and talented young composer Julian Craster (Goring) to work with him on a new ballet, an adaptation of the Hans Christian Andersen story 'The Red Shoes'. The show is a great success and Victoria and Julian fall in love, but Boris is jealous and makes moves to spoil their happiness. 'A Matter of Life and Death' (1946) is a classic wartime propaganda movie, commissioned by the Ministry of Information, but turned into a fantastical allegory by the Archers, aka Powell and Pressburger. David Niven plays an RAF pilot who is ready to be picked up by the angels after bailing out of his plane. But an administrative error in Heaven leads to a temporary reprieve, during which he must prove his right to stay on Earth. A tribunal in heaven ensues to decide the case. In 'They're a Weird Mob' (1966), Nino Culotta (Walter Chiari) is an Italian immigrant who arrives in Australia with the promise of a job as a journalist on his cousin's magazine, only to find that when he gets there the magazine has folded, the cousin has done a runner and the money his cousin sent for the fare was borrowed from the daughter of the boss of a local construction firm. 'The Tales of Hoffman' (1951) is an adaptation of Jacques Offenbach's opera and follows Hoffman's (Robert Rounseville) tales of his love for the doll Olympia, the courtesan Giuletta (Ludmilla Tcherina) and the frail diva Antonia (Anne Ayars), and of how his quest for the eternal woman was always thwarted by evil. Finally, in 'Black Narcissus' (1946), a group of British nuns are sent into the Himalayas to set up a mission in what was once the harem's quarters of an ancient palace. The clear mountain air, the unfamiliar culture and the unbridled sensuality of a young prince (Sabu) and his beggar-girl lover (Jean Simmons) begin to play havoc with the nuns' long-suppressed emotions. Whilst the young Mother Superior, Sister Clodagh (Deborah Kerr), fights a losing battle for order, the jaunty David Farrar falls in love with her, sparking uncontrollable jealousy in another nun, Sister Ruth (Kathleen Byron).

'I wanted to act before I read this book, and afterwards there was no stopping me' Maggie Smith

'An enchanting book. A must for any child who wants to become an actor' Eileen Atkins

What starts as a diversion to stave off boredom during the Easter holidays soon becomes much more for the seven young members of the Blue Door Theatre Company. The four girls - Lyn, Sandra, Vikcy and Maddy - and three boys - Bulldog, Nigel and Jeremy - play every part in the theatre, not only onstage but off it too, producing everything from the scrips and sets to the music and costumes. They also learn that the show must go on, even in the face of their arch-enemy, Mrs Potter-Smith, local critic and leader of the Ladies' Institute.

And what a show it will be for them all...

In 1929, ten years before James Joyce completed "Finnegans Wake", Sylvia Beach published a strange book with a stranger title: "Our Exagmination Round His Factification for Incamination of Work in Progress". Worried by the confusion and attacks that constituted the general reception of his "Work in Progress" (the working title for "Finnegans Wake"), Joyce orchestrated this collection of twelve essays and two 'letters of protest' from such writers as Samuel Beckett, Stuart Gilbert, Eugene Jolas, Robert McAlmon, and William Carlos Williams. "Our Exagmination" represents an altogether unusual hybrid of criticism and advertisement, and since its first appearance has remained a touchstone as well as a point of contention for Joyce scholars. Eighty years later, Joyce's "Disciples Disciplined" reads the "Exagmination" as an integral part of the larger composition history and interpretive context of "Finnegans Wake" itself. This new collection of essays by fourteen outstanding Joycean scholars offers one essay in response to each of the original "Exagmination" contributions. From philosophically informed exegeses and new conceptions of international modernism to considerations of dance, film, and the flourishing field of genetic studies, these essays together exemplify an interdisciplinary criticism that is also a lively and ongoing conversation with that criticism's history.

The fourth book in the Blue Door series, which starts with The Swish of the Curtain, the classic story which inspired actors from Maggie Smith to Eileen Atkins

'I wanted to act before I read this book, and afterwards there was no stopping me' Maggie Smith

During the afternoon rehearsal Mr Chubb poked his nose round the door and called out, 'You'd better be good this evening. Mrs Potter-Smith has just rung up and booked three seats.' They groaned expressively.

'Is that woman still alive?' demanded Maddy.

The Blue Door Theatre Company has finally been launched in Fenchester, and if they can manage the money worries, the temperamental heating and the rumours spread by their old enemy Mrs Potter-Smith, the young crew might actually make it a success - success that seems assured when an unexpected helper arrives.

But is Lucky everything he seems or is the brand-new Blue Door Theatre Company about to face its worst luck yet?

'Mountains' of the Mind, is a detailed discussion of the motif's passage through the poetic of selected nineteenth century poets, including the symbology of its background. In terms of ambition and scope, the monograph displays a fine awareness of epistemology on many levels, drawing convincingly on resources from philosophy, psychology and aesthetics.

This book entails poems of frustration, intrigue- poems of humour, love and suffering the human race had, or is still going through.

The third book in the Blue Door series, which starts with The Swish of the Curtain

'I wanted to act before I read [The Swish of the Curtain], and afterwards there was no stopping me' Maggie Smith

'How do you think you'll like the Academy?'

Like it!' cried Lyn. 'I love it already. I'd not have missed it for the world. This has been the happiest day of my life.'

At the Actors' Guild in London, the Blue Door Theatre Company are throwing themselves into anything that will bring the dreams of their own theatre to life - touring the country with the Guild's summer productions, working behind the scenes at local theatrical companies, even taking walk-on parts between classes.

But just as plans for their own beloved Blue Door seem almost within their grasp, a disaster threatens to destroy one career for good...

With the rest of the Blue Door Theatre Company in London training to be actors, poor Maddy has been left all alone in the little town of Fenchester. She longs to follow the others to the big city, but she is 12 years old, and she has maths homework to do. However, Maddy has never let a bit of schoolwork come between her and her dreams. When she finds that a famous Dutch film director is in town, she leaps at the opportunity: she will be a film star. But stardom isn't an easy life (in spite of the personal dressing room and the lovely costumes) and there are setbacks and difficulties along the way. But with such a stubborn and talented leading lady as Maddy, surely even Mrs Potter-Smith and the headmistress can't stop the show from going on? Maddy Alone is the second book in the Blue Door series, following on from the classic of children's literature The Swish of the Curtain.